"Don't worry about the camera," the interviewer said. "They just want to see how you come across through the lens. Just pretend it's not there."
She was much prettier than the flunky, dressed a little sexy, and willing, it was clear, to flirt a little if that made you say something stupid or embarrassing for the viewing public. Jonathan liked her immediately.
"Right," Jonathan said. The five-inch black glass eye stared at him. "Just like it's only you and me."
"Exactly," she said. "So. Let's see. Could you tell me a little bit about why you want to be on American Hero?"
"Well," he said. "Have you ever heard of Paper Lion?"
A little frown marred the interviewer's otherwise perfect brow. "Wasn't that the ace who—"
"It's a book," Jonathan said. "By George Plimpton. Old George went into professional football back in the 60s. Wrote a book about it. I want to do something like that. But for one thing, football's for the football fans. For another thing, it's been done. And for a third, reality television is for our generation what sports were for our dads. It's the entertainment that everyone follows."
"You want to . . . report on the show?"
"It's not that weird. A lot of guys get into office so they can have something to write in their memoirs," Jonathan said. "I want to see what it's all about. Understand it. Try to make some sense of the whole experience, and sure, write about it."
"That's interesting," the interviewer said, just as if it really had been. Jonathan was just getting warmed up. This was the sound bite fest he'd been practicing for weeks.
"The thing is, all people really see when they see aces is what we can do, you know? What makes us weird. These little tricks we've got—flying, or turning into a snake or becoming invisible—they define us. It's doesn't matter what we do. It just matters what we are.
"I want to be the journalist and essayist and political commentator who also happens to be an ace. Not the ace who writes. This is the perfect venue for that. Just getting on the show would be a huge step. It gives me the credentials to talk about what being an ace is. And what it isn't. Does that make sense?"
"It does, actually," the interviewer said, and now he thought maybe she was just a little bit intrigued by him.
One step closer, he thought. Only about a million to go.
"Okay," she said. "And Jonathan Hive? Is that right?"
"Tipton-Clarke's the legal last name. Hive's a nom de guerre. Or plume. Or whatever."
"Right. Tipton-Clarke. And what exactly is your ace ability?"
"I turn into bugs."
American Hero was the height of the reality television craze. Real aces were set up to backbite and scheme and show off for the pleasure of the viewing public. And it was hosted, just for that touch of street cred, by a famous celebrity ace—Peregrine. The prize: a lot of money, a lot of exposure, the chance to be a hero. The whole thing was as fake as caffeine-free diet pop.
And yet . . .
He'd woken before dawn in his generic little hotel room, surprised by how nervous he felt. He'd eaten breakfast in his room—rubbery eggs and bitter coffee—while he watched the news. Someone tied to Egyptian joker terrorists finally assassinated the Caliph, a Sri Lankan guy with a name no one could pronounce had been named the new UN Secretary-General, and a new diet promised to reduce him three dress sizes. He'd switched channels to an earnest young reporter interviewing a German ace named Lohengrin, who was making a publicity tour of the United States to support a new BMW motorcycle, and then given up. He dropped a quick note to the blog, just to keep his maybe two dozen readers up to speed, and headed out.
The subway ride out to the field had been like going to a job interview. He kept thinking his way through what he was going to do, how to present himself, whether his clothes were going to lie too flat to crawl back into when he had to re-form. He'd half-convinced himself that his trial was going to end with him stark naked. He could always pause, of course. Leave a band of unreclaimed bugs just to preserve modesty; like a bright green insect Speedo. Because that wouldn't be creepy.
Now, actually sitting on the benches the Hollywood people had put out for them and watching the lights and cameras and the milling, he was starting to feel a little less intimidated. He and the other contestants were in four rows of benches just inside the first-base foul line. The three judges—Topper, Digger Downs, and the Harlem Hammer—sat at a raised table more or less on the pitcher's mound. The invisible mechanisms of television production—sound crew, cameras, make-up chairs, lousy buffet—were kept mostly between home plate and third base. The great expanse of the outfield was set aside for the aces to prove just how telegenic they were.
Which, you could say, varied.
Take, for instance, the poor bastard whose turn it was at present. He had his arms stretched dramatically toward the small, puffy clouds, and had for several seconds, as his determined look edged a little toward desperate.
"What are we waiting for?" Jonathan whispered.
"Big storm," the guy beside him—a deeply annoying speedster by the name Joe Twitch—muttered back. "Maybe a tornado."
"Ah."
They waited. The alleged ace shouted and curled his fingers into claws, projecting his will out to the wide bowl of sky. The other aces who had made it through the interview were sitting on folding chairs far enough away to be safe if anything did happen. The morning air smelled of gasoline and cut grass. Joe Twitch stood up and sat back down about thirty times in a minute and a half.
"Hey," Jonathan said. "That cloud up there. The long one with the thin bit in the middle?"
"Yeah?" Joe Twitch replied.
"Looks kind of like a fish, if you squint a little."
"Huh," Twitch said. And then, "Cool."
The public address system whined. The Harlem Hammer was going to put the poor fucker out of his misery. Jonathan was half sorry to see the guy go. Only half.
"Mr. Stormbringer?" the Harlem Hammer said. "Really, Mr. Storm-bringer, thank you very much for coming. If you could just . . ."
"The darkness! It comes!" Stormbringer said in sepulchral tones. "The storm shall break!"
An embarrassed silence fell.
"You know," Jonathan said, "if we wait long enough, it's bound to rain. You know? Eventually."
"Mr. Stormbringer," the Harlem Hammer tried again, while behind him Digger Downs pantomimed striking a gong. "If you could . . . ah . . . John? Could you take Mr. Stormbringer to the Green Room, please?"
The vaguely familiar blond guy detached himself from the clot of technicians and walked, clipboard in hand, to escort the man out of the stadium. Jonathan squinted, trying to place him—café-au-lait skin, a little epicanthic folding around the eyes, blond hair out of a bottle.
"Aw, man," he said.
"What?" Twitch demanded.
Jonathan gestured toward the blond with his chin. "That's John Fortune," he said.
"Who?"
"John Fortune. He was on the cover of Time a while back. Pulled the black queen, but everyone thought it was an ace. There was this whole, weird religious thing about him being the antichrist or the new messiah or something."
"The one Fortunato died trying to fix up?"
"Yeah, he's Fortunato's kid. And Peregrine's."
Joe Twitch was silent for a moment. The only thing that seemed to slow him down was trying to think. Jonathan wondered if he could buy the guy a book of sudoku puzzles.
"Peregrine's producing the show," Twitch said.
"Yup."
"So that poor fucker's working for his mom?"