She felt along the wall for a switch. The door was tightly shut; no light would spill into the hallway. She found the toggle, flicked it up, but nothing happened. The overhead bulb must have burned out.
She remembered seeing a pharmacy-style reading lamp bolted to the side of the built-in nightstand. By the time she felt her way across the small room, the motor home began to slow.
She hesitated with the lamp switch between thumb and forefinger, heart suddenly racing again because she was afraid that he was going to brake to a full stop, get out from behind the wheel, and come back to the little bedroom. Now that a confrontation could no longer save Laura, now that Chyna's molten rage had cooled to anger, she hoped only to avoid him, escape, and give the authorities the information that they would need to find him.
The vehicle didn't come to a full stop, after all, but hung a wide left turn onto a paved surface and picked up speed once more. The county road.
As far as Chyna could recall, the next intersection would be State Highway 29, which she and Laura had driven the previous afternoon. Between here and there, the only turnoffs were to other vineyards, small farms, and houses. He wasn't likely to pay a visit to any of those places or slaughter any more innocently sleeping families. The night was waning.
She clicked the lamp switch, and a circle of muddy light fell on the bed.
She tried not to look at the body, even though it was mostly concealed by the enwrapping linens. If she thought too much about Laura right now, she'd be sucked into a slough of black despondency. She needed to remain energized and clearheaded if she hoped to survive.
Although she wasn't likely to find any weapon better than the butcher knife, she had nothing to lose by searching for one. Since the killer was armed with a silencer-equipped pistol, he might keep other guns in the motor home.
The single nightstand had two drawers. The upper contained a package of gauze pads, a few green and yellow sponges of the size used to wash dishes, a small plastic squeeze bottle of some clear fluid, a roll of cloth tape, a comb, a hairbrush with a tortoiseshell handle, a half empty tube of K-Y jelly, a full bottle of skin lotion with aloe vera, a pair of needle-nose pliers with yellow rubber-clad handles, and a pair of scissors.
She could imagine the uses to which he had put some of those items, and she didn't want to think about the others. Sometimes, no doubt, the women he brought into this room were alive when he put them on the bed.
She considered the scissors. But the butcher knife would be more effective if she needed to use it.
In the lower, deeper drawer was a hard-plastic container rather like a fishing-tackle box. When she opened it, she found a complete sewing kit, with numerous spools of thread in a variety of colors, a pincushion, packets of needles, a needle threader, an extensive selection of buttons, and other paraphernalia. None of that was helpful to her, and she put it away.
As she got up from her knees, she noticed that the window over the bed had been covered with a sheet of plywood that had been bolted to the wall. A couple of folded swatches of blue fabric were trapped between the plywood and the window frame: the edge of an underlying drapery panel.
From outside, the window would appear to be merely curtained. Anyone inside, even if clever and fortunate enough to struggle free of her bonds, would never be able to open the window and signal to passing motorists for help.
As there was no other furniture in the cramped bedroom, the closet was the only remaining place where Chyna could hope to find a gun or anything that might be used as a weapon. She circled the bed to the accordion-style vinyl door, which hung from an overhead track.
When she pulled the folding door aside, it compressed into pleats that stacked to the left, and in the closet was a dead man.
Shock threw Chyna back against the bed. The mattress caught her behind the knees. She almost fell backward atop Laura, kept her balance, but dropped the knife.
The rear of the closet appeared to have been retrofitted with welded steel plates fixed to the vehicle frame for added strength. Two ringbolts, widely separated and high-set, were welded to the steel. Wrists manacled to the ringbolts, the dead man hung with his arms spread in cruciform. His feet were together like the feet of Christ on the cross-not nailed, however, but shackled to another ringbolt in the closet floor.
He was young-seventeen, eighteen, surely not twenty. Clad in only a pair of white cotton briefs, his lean pale body was badly battered. His head didn't hang forward on his chest but was tipped to one side, and his left temple rested against the biceps of his raised left arm. He had thick curly black hair. His eyelids had been sewn tightly shut with green thread. With yellow thread, two buttons above his upper lip were secured to a pair of matching buttons just under his lower lip.
Chyna heard herself talking to God. An incoherent, beseeching babble. She clenched her teeth and choked on the words, though it was unlikely that her voice could have carried to the front of the motor home over the rumble of the engine and the droning of the big tires.
She pulled shut the pleated-vinyl panel. Though flimsy, it moved as ponderously as a vault door. The magnetic latch clicked into place with a sound like snapping bone.
In all the textbooks she had ever read, no case study of sociopathic violence had ever contained a description of a crime sufficiently vivid to make her want to retreat to a corner and sit on the floor and pull her knees against her chest and hug herself. That was precisely what she did now, choosing the corner farthest from the closet.
She had to get control of herself, quickly, starting with her manic breathing. She was gasping, sucking in great lungfuls, yet she couldn't seem to get enough air. The deeper and faster she inhaled, the dizzier she became. Her peripheral vision surrendered to an encroaching darkness until she seemed to be peering down a long black tunnel toward the dingy motor-home bedroom at the far end.
She told herself that the young man in the closet had been dead when the killer had gone to work with the sewing kit. And if he'd not been dead, at least he'd been mercifully unconscious. Then she told herself not to think about it at all, because thinking about it only made the tunnel longer and narrower, made the bedroom more distant and the lights dimmer than ever.
She put her face in her hands, and her hands were cold but her face seemed colder. For no reason that Chyna could understand, she thought of her mother's face, as clear as a photograph in her mind's eye. And then she did understand.
To Chyna's mother, the prospect of violence had been romantic, even glamorous. For a while they had lived in a commune in Oakland, where everyone talked of making a better world and where, more nights than not, the adults gathered around the kitchen table, drinking wine and smoking pot, discussing how best to tear down the hated system, sometimes also playing pinochle or Trivial Pursuit as they discussed the strategies that might bring utopia at last, sometimes far too enraptured by revolution to be interested in any lesser games. There were bridges and tunnels that could all be blown up with absurd ease, disrupting transportation; telephone-company installations could be targeted to throw communications into chaos; meat-packing plants must be burned to put an end to the brutal exploitation or animals. They planned intricate bank robberies and bold assaults on armored cars to finance their operations. The route they would have taken to peace, freedom, and justice was always cratered by explosions, littered with uncountable bodies. After Oakland, Chyna and her mother had hit the road for a few weeks and had wound up again in Key West with their old friend Jim Woltz, the enthusiastic nihilist who was deep in the drug trade, with a sideline in illegal weapons. Under his ocean-front cottage, he had carved out a bunker in which he stored a personal collection of two hundred firearms. Chyna's mother was a beautiful woman, even on bad days when depression plagued her, when her green eyes were gray and sad with miseries that she could not explain. But at that kitchen table in Oakland and in that cool bunker beneath the cottage in Key West-in fact, whenever she was at the side of a man like Woltz-her porcelain skin was even clearer than usual, almost translucent; excitement enlivened her exquisite features; she became magically more graceful, appeared more lithe and supple, was quicker to smile. The prospect of violence, playing at being Bonnie to any man's Clyde, filled her stunning face with a light as glorious as a Florida sunset, and her jewel-green eyes were, at those times, as compelling and mysterious as the Gulf of Mexico darkening toward twilight.