But if she screamed, would those outside be near enough to hear?
Even it they heard, they would never reach her in time. The killer would get to her first, gun in hand.
Besides, maybe this was a roadside rest area: nothing more than a parking lot, some picnic tables, a poster warning about the dangers of campfires, and rest rooms. He might have taken a break to use the public facilities or the john in the trailer. At this dead hour, after three o'clock in the morning, they were likely to be the only vehicle on site, in which case she could scream until she was hoarse, and no one would come to her assistance.
The engine cut off.
Quiet. No vibrations in the floor.
Now that the motor home was still, Chyna was shaking. No longer depressed. Stomach muscles fluttering. Scared again. Because she wanted to live.
She would have preferred that he go outside and give her a chance to escape, but she expected him to use the trailer facilities instead of the public rest room. He would come right past her. If she couldn't escape, then she was hot to finish this.
Crazily, she wondered if what came out of him when he was cut would be blood-or the stuff that oozed from a fat beetle when it was crushed.
She expected to hear the bastard moving, heavy footfalls and the hollow spong when he stepped on a weak seam in the floor, but there was silence. Maybe he was taking a moment to stretch his arms, roll his achy shoulders, massage the back of his bull neck, and shrug off the weariness of travel.
Or perhaps he had glimpsed her in the rearview mirror, her face moon-bright in the light from the dining-table lamp. He could ease out of his seat and creep toward her, avoiding all the creaks in the floor because he knew where they were. Slide into the dining nook. Lean over the back of the booth. Shoot her point-blank where she crouched in the step well. Shoot her in the face.
Chyna looked up and to her left, across the back of the booth. Too low to see the lamp hanging over the center of the table, she saw only the glow of it. She wondered if the angle of his approach would give her a warning or if he would just be a sudden silhouette popping up from the booth as he opened fire on her.
4
Intensity.
He believes in living with intensity.
Sitting at the steering wheel, he closes his eyes and massages the back of his neck.
He isn't trying to get rid of the pain. It came on its own, and it will leave him naturally in time. He never takes Tylenol and other crap like that.
What he's trying to do is enjoy the pain as fully as possible. With his fingertips he finds an especially sore spot just to the left of the third cervical vertebra, and he presses on it until the pain causes faint sprays of twinkly white and gray lights in the blackness behind his eyelids, like distant fireworks in a world without color.
Very nice.
Pain is merely a part of life. By embracing it, one can find surprising satisfaction in suffering. More important, getting in touch with his own pain makes it easier for him to take pleasure in the pain of others.
Two vertebrae farther down, he locates an even more sensitive point of inflamed tendon or muscle, a wonderful little button buried in the flesh which, when pressed, causes pain to shoot all the way across his shoulder and down his trapezius. At first he works the spot with a lover's tender touch, groaning softly, then he attacks it vigorously until the sweet agony makes him suck air between his clenched teeth.
Intensity.
He does not expect to live forever. His time in this body is finite and precious-and therefore must not be wasted.
He does not believe in reincarnation or in any of the standard promises of an afterlife that are sold by the world's great religions-although at times he senses that he is approaching a revelation of tremendous importance. He is willing to contemplate the possibility that the immortal soul exists, and that his own spirit may one day be exalted. But if he is to undergo an apotheosis, it will be brought about by his own bold actions, not by divine grace; if he, in fact, becomes a god, the transformation will occur because he has already chosen to live like a god-without fear, without remorse, without limits, with all his senses fiercely sharpened.
Anyone can smell a rose and enjoy the scent. But he has long been training himself to feel the destruction of its beauty when he crushes the flower in his fist. If he were to have a rose, now, and if he were to chew the petals, he would be able to taste not merely the rose itself but the redness of it; likewise, he could taste the yellowness of buttercups, the blue of hyacinths. He could taste the bee that had crawled across the blossom on its eternal buzzing task of pollination, the soil out of which the flower had grown, and the wind that had caressed it through the summer of its growing.
He has never met anyone who can understand the intensity with which he experiences the world or the greater intensity for which he strives. With his help, perhaps Ariel will understand one day. Now, of course, she is too immature to achieve the insight.
One last squeeze of his neck. The pain. He sighs.
From the copilot's seat, he picks up a folded raincoat. No rain is yet falling, but he needs to cover his blood-spattered clothing before going inside.
He could have changed into clean clothes prior to leaving the Templeton house, but he enjoys wearing these. The patina excites him.
He gets out of the driver's seat, stands behind it, and pulls on the coat.
He washed his hands in the kitchen sink at the Templeton house, though he would have preferred to leave them stained too. While he can conceal his clothes under a raincoat, hiding his hands is not as easy.
He never wears gloves. To do so would be to concede that he fears apprehension, which he does not.
Although his fingerprints are on file with federal and state agencies, the prints he leaves at the scene will never match those that bear his name in the records. Like the rest of the world, police organizations are hell-bent on computerization; by now most fingerprint image reference banks are in the form of digitized data, to facilitate high-speed scanning and processing. Even more easily than hard files, electronic files can be manipulated, because the work can be done at a great distance; there is no need to burglarize highly secure facilities, when instead he can be a ghost haunting their machines from across a continent. Because of his intelligence, talents, and connections, he has been able to meddle with the data.
Wearing gloves, even thin surgical latex gloves, would be an intolerable barrier to sensation. He likes to let his hand glide lightly over the fine golden hairs on a woman's thigh, take time to appreciate the texture of pebbled gooseflesh against his palm, to relish the fierce heat of skin and then, after, the warmth all fading, fading. When he kills, he finds it absolutely essential to feel the wetness.
The prints under his name in the various files are, in fact, those of a young marine named Bernard Petain, who died tragically during training maneuvers at Camp Pendleton many years ago. And the prints that he leaves at the scene, often etched in blood, cannot be matched to any on file with the military, the FBI, the Department of Motor Vehicles, or anywhere else.
He finishes buttoning the raincoat, turns up the collar, and looks at his hands. Stains under three fingernails. It might be grease or soil. No one will be suspicious of it.
He himself can smell the blood on his clothes even through the black nylon raincoat and insulated liner, but others are not sufficiently sensitive to detect it.
Staring at the residue under his nails, however, he can hear the screams again, that lovely music in the night, the Templeton house as reverberant as a concert hall, and no one to hear except him and the deaf vineyards.