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The phrase c’est magnifique, mais ce n’est pas la guerre should have been invented for such a situation. It was marvellous, but the main effect of this experience on me was, that it took me twenty years before I was prepared to see Spanish anarchism as anything but a tragic farce. 2

In fact, Puigcerda did not give the impression of a community geared for war, nor do I recall it as a place full of armed young men in militia outfits, in the manner of later revolutions. (No sign in the Spanish provinces of 1936, for example, of uniformed young women.) If anything, it seemed a town full of politics, talk and arguments, of people standing in groups or sitting at café śtables with newspapers.

Unfortunately, the day ended badly. The young anarchist frontier-guard who had turned me back at my first crossing-point came off duty that evening, saw me eating and chatting on the plaza, and immediately reported me to his commissar. I was interrogated, politely enough but firmly, by an unsmiling man in something like military gear. I am sure that he did not know what to make of my presence there – I did not know what to make of it myself – but clearly, the power of the workers could not be treated so lightly, even if the young Englishman who crossed the frontier not only irregularly, but in flat defiance of the decision to keep him out, had shown no signs of wanting to be a danger to the revolution. To be grilled by trigger-happy amateurs on the lookout for counter-revolutionaries is never relaxing. I confess that I was nervous, late that evening, when I was told to walk along the dark road back to the French frontier, the gun-barrel of an armed militiaman aimed at my back. So my fleeting contact with the Spanish Civil War ended with expulsion from the Spanish Republic.

What was I doing that day in Puigcerda? This is where the historian throws up his hands, faced with the autobiographer. It is not simply that my memory of that day has almost certainly been corrupted by sixty-odd years of mental redrafting, but that even on the day itself my purpose, if that is the right word, in crossing the frontier, cannot have been clear. What would I have done, if my stay there had not been cut short so suddenly? Given the common memory of the Spanish Civil War I should have been considering joining the forces of the Republic in the war against fascism, as several other young English people did in the first weeks of the Civil War. Almost certainly nothing like this was in my mind as I went to have a look at what a revolution was like, in spite of the passionate identification I, like others of my generation on the left, immediately felt with the fight of the Spanish Popular Front government. Did it enter my mind during that day? I cannot say, or if I could reconstruct my feelings perhaps I would want to take refuge behind the 5th Amendment of the US Constitution, because in the light of the subsequent establishment of International Brigades13 any answer might be discreditable. If I did not consider it, then why not? And if I did, why did I nevertheless not join up? Supposing there were any sources other than my personal memory, what conclusion might another historian, less personally biased in the matter, come to about the strange case of young EJH in the Spanish revolution? Such are the problems of writing history as biography, or perhaps the wider problems of understanding human nature. At all events, my day in Puigcerda demonstrates the pointlessness of the ‘what if’ exercises in history which now carry the jargon title of ‘counterfactuals’. There is no way we can choose between the countless hypotheses about how my subsequent life might or might not have been affected, if that young anarchist border guard had not refused me entry at that first frontier crossing. And it also demonstrates that nothing serves the historian better than keeping his eyes and ears open, especially if he or she has the luck to be in the right place at the right time. Puigcerda gave me my first introduction to, and a permanent fascination with, that quintessential breeding ground for ‘Primitive Rebels’, namely Spanish anarchism. In the 1950s I found myself pursuing it ‘in the field’, largely inspired by that remarkable work of Gerald Brenan, The Spanish Labyrinth, which I must have read soon after its second edition came out in 1950. I can no longer remember whether I read it before or, more likely, after my first real acquaintance with Spain, which left behind ‘the deep and lasting impression which Spain makes on those who know her’.3 At least two of my visits to Spain were essentially explorations of the anarchist tradition: in 1956, when I found my way to Casas Viejas, the village which had once upon a time (in 1933) tried to make the world revolution on its own, and in 1960, when, deeply moved, I followed the traces of a recently fallen anarchist guerrillero Francisco Sabaté. 4

I am no longer sure why I decided in the Easter vacation of 1951 to travel to Spain. It was a country of whose language I was ignorant, give or take the texts of Civil War slogans and songs and the ideological vocabulary which was international anyway. As later in Italy, I had to pick it up in conversation, with occasional reference to a small pocket dictionary – easier in Italy, where talk was mainly in educated Italian, than in Spain, where my informants were hardly ever intellectuals. (If they had been, we would probably have communicated in French.) One way or another, I was to pick up some spoken if ungrammatical fluency in both languages fairly quickly, beginning immediately after my arrival in Barcelona with an evening at the Café śNuevo on the Paralelo (coffee and show, five pesetas) where my neighbour, a mason just arrived from Murcia looking for work, taught me the words for ‘beautiful’, ‘ugly’, ‘fat’, ‘thin’, ‘blonde’, ‘brunette’, and other relevant terms by pointing to the corresponding features of the (mediocre) artistes on the tiny stage.

My contemporary notes5 suggest I was attracted by the news of the great and successful tramway boycott against higher fares of early March in Barcelona, followed by a general strike, about which I wrote a piece when I returned. I thought, with excessive anticipation, that it ‘broke that crust of passivity and attentisme which (with the lack of effective illegal organisations) is Franco’s greatest asset today…’ 6 This was an overoptimistic assessment, although the first cracks in the regime appeared in the second half of that decade. The anti-Franco exiles I came to know then were not only from Republican backgrounds, such as the historian (and eventual head of the post-Franco Spanish cultural services) Nicolas Sanchez Albornoz, son of the man still recognized by the émigrés as the nominal president of a ghost-republic, but children from the families that made up the Franco establishment. One of them, my dear friend Vicente Girbau Léon, had gone to a Franco jail directly from a post in the general’s foreign service. He later shared my flat in Bloomsbury, before helping to establish the publishing house Ruedo Ibérico in Paris, whose contraband titles, including Hugh Thomas’s pioneering book on the Civil War, were to be influential inside Spain in the sixties among the rapidly growing movement of young dissidents. It was he who later put me in touch with the anarchists.

At all events in 1951 I had my first experience of a Barcelona still filled with ‘the field-grey teams of the armed police, with rifles and sub-machine guns sticking out like bristles, every hundred-odd yards in the town-centre, and by the factory gates’ and guarding the characteristically palatial banks, symbol of the downtown street scene of Franco Spain, like fortresses of the rulers who dominated a hungry people. After a few days in Barcelona I made my way by a mixture of trains and hitchhiking down the coast to Valencia, then to Murcia, Madrid, Guadalajara, Zaragoza and back to Barcelona.