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In some ways the brief episode of the Partisan Coffee House symbolizes the combination of ideology, impracticality and sentimental hope of those early post-1956 ‘New Lefts’. Like so much else it was the brainchild of Raphael Samuel who, with Edward Thompson, another and greater natural Romantic, emerged as the most original influence among the ex-CP intellectuals. Anyone who knew Raphael during an impassioned life cut short by cancer has exactly the same memories of him: a thin, enthusiastic face with mild, quick-witted eyes under a waterfall of eventually thinning dark hair, rushing from place to place alone, carrying with him wherever he went a vast collection of notes and files from which he struggled to retrieve the right piece of paper. All the work he ever published was part of an infinite all-embracing work-in-progress. He found it impossible to choose between the many marvels of the (overwhelmingly British) past, which is why he never got far with the doctoral thesis I was supposed to supervise – I think it was on Irish labour in Victorian London – or any other project. Not unnaturally for so ingrained an activist, he found his place in Ruskin College, where he taught trade unionists within earshot of the mostly uncaring dons of Oxford University. His history had neither structure nor limits. It was an unending and astonishingly learned perambulation round the wonderful landscapes, of memory and the lives of common people, with an occasional intellectual pounce suggested by some particularly fascinating sight glimpsed on the way.

This eager vagabond figure, the absolute negation of administrative and executive efficiency, carried inside him an explosive charge of energy, an endless capacity to generate ideas and initiatives, and above all a quite astonishing capacity to talk others into realizing them. The Universities and Left Review was one of them, the ‘History Workshop’ movement, origin of the History Workshop Journal (the most influential meeting-point of the post-Marxist historians of the left), was another. The Partisan Coffee House was a third. With two generations of Jewish revolutionary Marxists from Eastern Europe behind him, he dreamed of replacing the Stalinist authoritarianism of the Party with a free-wheeling creative mobilization of political minds, and what better centre for doing so than a cafe? Not one of those neo-baroque quick-consumption coffee bars which were then filling the side streets of the West End with the newly popular Gaggia Espresso machines, but a real Soho café, in which people could discuss theoretical issues, play chess, consume strudel and hold political meetings in a back room, as on the continent in the days before innocence was lost. The profits of the café śwould pay for the Review itself, whose offices would be above it. The Partisan would express both the new spirit of politics and the new spirit of the arts. It would be designed by the cutting-edge young architects of the moment, who were obviously going to be in sympathy with the project. I cannot remember whether jazz sessions were part of the dream. More likely folk sessions. To ensure its bona fides (and perhaps win the support of the older generation) some suitable left-wing personalities would preside over it. I let myself be talked into one of these directorships, against my better judgement. An eminent tweed-suited ex-CP architect with a house in Keats Grove was another. I cannot remember any of the others. Raph took not the slightest notice of any of us.

In retrospect it seems incredible that this hare-brained project got beyond the initial pitch. And yet it did. Even Raphael’s genius as a salesman could not have raised the very substantial amount of money needed without the prior collapse of the Communist Party’s so-called ‘Business Branch’, which had previously provided much of the CP’s income. Until 1956 they had been a solid bastion of loyal orthodoxy who asked visiting Party speakers (actually, me, on the occasion I talked there) to address them on such subjects as ‘The Paris Commune of 1871’. Now prosperous, some of them even very rich, the revelation of what had been done to Soviet Jews in the last Stalin years was too much for these overwhelmingly Jewish East Enders recruited to the Party during the anti-fascist era. Whoever backed the Partisan must have known that it was not a serious business proposition, but something about the youth and the sheer utopian confidence of Raph must have appealed to middle-aged men whose moral universe lay in ruins around them. Somehow Raph got the money, a house was bought or leased in Carlisle Street, Soho, within sight of Marx’s old residence in Dean Street, and the Partisan Coffee House was installed.

It was a scheme designed for disaster. The then current fashion among architects preferred austere interiors looking like station waiting rooms. These attracted the more demoralized bums and the fringe hangers-on of Soho, who were neither welcomed in nor attracted by establishments with a more elaborate decor, especially at night, as well as the Metropolitan Police in search of drug-busts. The large expensive tables and square chunky seats were designed to encourage drafting thesis chapters and long debates on tactics, while minimizing the space for, and the rate of consumption of, income-generating customers. In any case, the management of the Partisan was not strong on checking cash receipts and keeping accounts. In short, though Raphael attempted to explain all this away to the increasingly gloomy directors, the place went out of business within two years. Only nostalgia and the need to maintain contact between the pre- and post-1956 generations of the left can explain why I found myself involved in this lunatic enterprise. And yet, it was not more predictably doomed than the various other political enterprises of those who left the Party in 1956– 7. Like the Partisan Coffee House the political projects of the ‘New Left’ of 1956 are now a half-remembered footnote.

Intellectually 1956 left rather more behind – not least the remarkable impact of E. P. Thompson, who was to be recorded by the Arts and Humanities Citations Index (1976–83) as one of the 100 most-cited twentieth-century authors in any field covered by the Index. Before 1956 he was little known outside the CP, in which he had spent the years since returning from the war as a brilliant, handsome, passionate and oratorically gifted activist in Yorkshire, and his adult classes, whose members saw him as ‘a tall, rangy sort of fellow’ overloaded with nervous energy, explicating poems by William Blake.12 For his original passion had been for literature rather than history as such, although he was marginally involved in the Historians’ Group. It was 1956 that made him primarily into a historian. His later fame is essentially based on The Making of the English Working Class (1963), an erupting historical volcano of 848 pages which was immediately accepted as a major work even by the world of professional historians, and which captured young radical readers on both sides of the Atlantic overnight, and continental European sociologists and social historians not long after. And this in spite of its almost aggressively brief chronological span and narrowly English – not even British – subject matter. Escaping from the cage of the old Party orthodoxy, it allowed him as well to join a collective debate with other hitherto isolated thinkers of the left, old and new, also often rooted in the adult education movement, notably the other major figure of the first ‘New Left,’ the literary scholar Raymond Williams.