“Existence, as I’ve said, was possible. There was always the promise behind his mocking smile that he knew great things or terrible things, had commerce with levels of darkness I could not possibly guess at. And all the time, he belittled me and attacked me for my love of the senses, my reluctance to kill, and the near swoon which killing could produce in me. He laughed uproariously when I discovered that I could see myself in a mirror and that crosses had no effect upon me, and would taunt me with sealed lips when I asked about God or the devil. ‘I’d like to meet the devil some night,’ he said once with a malignant smile. ‘I’d chase him from here to the wilds of the Pacific. I am the devil.’ And when I was aghast at this, he went into peals of laughter. But what happened was simply that in my distaste for him I came to ignore and suspect him, and yet to study him with a detached fascination. Sometimes I’d find myself staring at his wrist from which I’d drawn my vampire life, and I would fall into such a stillness that my mind seemed to leave my body or rather my body to become my mind; and then he would see me and stare at me with a stubborn ignorance of what I felt and longed to know and, reaching over, shake me roughly out of it. I bore this with an overt detachment unknown to me in mortal life and came to understand this as a part of vampire nature: that I might sit at home at Pointe du Lac and think for hours of my brother’s mortal life and see it short and rounded in unfathomable darkness, understanding now the vain and senseless wasting passion with which I’d mourned his loss and turned on other mortals like a maddened animal. All that confusion was then like dancers frenzied in a fog; and now, now in this strange vampire nature, I felt a profound sadness. But I did not brood over this. Let me not give you that impression, for brooding would have been to me the most terrible waste; but rather I looked around me at all the mortals that I knew and saw all life as precious, condemning all fruitless guilt and passion that would let it slip through the fingers like sand. It was only now as a vampire that I did come to know my sister, forbidding her the plantation for the city life which she so needed in order to know her own time of life and her own beauty and come to marry, not brood for our lost brother or my going away or become a nursemaid for our mother. And I provided for them all they might need or want, finding even the most trivial request worth my immediate attention. My sister laughed at the transformation in me when we would meet at night and I would take her from our flat out the narrow wooden streets to walk along the tree-lined levee in the moonlight, savoring the orange blossoms and the caressing warmth, talking for hours of her most secret thoughts and dreams, those little fantasies she dared to tell no one and would even whisper to me when we sat in the dim lit parlor entirely alone. And I would see her sweet and palpable before me, a shimmering, precious creature soon to grow old, soon to die, soon to lose these moments that in their tangibility promised to us, wrongly… wrongly, an immortality. As if it were our very birthright, which we could not come to grasp the meaning of until this time of middle life when we looked on only as many years ahead as already lay behind us. When every moment, every moment must be first known and then savored.
“It was detachment that made this possible, a sublime loneliness with which Lestat and I moved through the world of mortal men. And all material troubles passed from us. I should tell you the practical nature of it.
“Lestat had always known how to steal from victims chosen for sumptuous dress and other promising signs of extravagance. But the great problems of shelter and secrecy had been for him a terrible struggle. I suspected that beneath his gentleman’s veneer he was painfully ignorant of the most simple financial matters. But I was not. And so he could acquire cash at any moment and I could invest it. If he were not picking the pocket of a dead man in an alley, he was at the greatest gambling tables in the richest salons of the city, using his vampire keenness to suck gold and dollars and deeds of property from young planters’ sons who found him deceptive in his friendship and alluring in his charm. But this had never given him the life he wanted, and so for that he had ushered me into the preternatural world that he might acquire an investor and manager for whom these skills of mortal life became most valuable in this life after.
“But, let me describe New Orleans, as it was then, and as it was to become, so you can understand how simple our lives were. There was no city in America like New Orleans. It was filled not only with the French and Spanish of all classes who had formed in part its peculiar aristocracy, but later with immigrants of all kinds, the Irish and the German in particular. Then there were not only the black slaves, yet unhomogenized and fantastical in their different tribal garb and manners, but the great growing class of the free people of color, those marvelous people of our mixed blood and that of the islands, who produced a magnificent and unique caste of craftsmen, artists, poets, and renowned feminine beauty. And then there were the Indians, who covered the levee on summer days selling herbs and crafted wares. And drifting through all, through this medley of languages and colors, were the people of the port, the sailors of ships, who came in great waves to spend their money in the cabarets, to buy for the night the beautiful women both dark and light, to dine on the best of Spanish and French cooking and drink the imported wines of the world. Then add to these, within years after my transformation, the Americans, who built the city up river from the old French Quarter with magnificent Grecian houses which gleamed in the moonlight like temples. And, of course, the planters, always the planters, coming to town with their families in shining landaus to buy evening gowns and silver and gems, to crowd the narrow streets on the way to the old French Opera House and the Theatre d’Orleans and the St. Louis Cathedral, from whose open doors came the chants of High Mass over the crowds of the Place d’Armes on Sundays, over the noise and bickering of the French Market, over the silent, ghostly drift of the ships along the raised waters of the Mississippi, which flowed against the levee above the ground of New Orleans itself, so that the ships appeared to float against the sky.
“This was New Orleans, a magical and magnificent place to live. In which a vampire, richly dressed and gracefully walking through the pools of light of one gas lamp after another might attract no more notice in the evening than hundreds of other exotic creatures — if he attracted any at all, if anyone stopped to whisper behind a fan, ‘That man… how pale, how he gleams… how he moves. It’s not natural!’ A city in which a vampire might be gone before the words had even passed the lips, seeking out the alleys in which he could see like a cat, the darkened bars in which sailors slept with their heads on the table, great high-ceilinged hotel rooms where a lone figure might sit, her feet upon an embroidered cushion, her legs covered with a lace counterpane, her head bent under the tarnished light of a single candle, never seeing the great shadow move across the plaster flowers of the ceiling, never seeing the long white finger reached to press the fragile flame.
“Remarkable, if for nothing else, because of this, that all of those men and women who stayed for any reason left behind them some monument, some structure of marble and brick and stone that still stands; so that even when the gas lamps went out and the planes came in and the office buildings crowded the blocks of Canal Street, something irreducible of beauty and romance remained; not in every street perhaps, but in so many that the landscape is for me the landscape of those times always, and walking now in the starlit streets of the Quarter or the Garden District I am in those times again. I suppose that is the nature of the monument. Be it a small house or a mansion of Corinthian columns and wrought-iron lace. The monument does not say that this or that man walked here. No, that what he felt in one time in one spot continues. The moon that rose over New Orleans then still rises. As long as the monuments stand, it still rises. The feeling, at least here… and there… it remains the same.”