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seemed tolerably massive and impregnable, but Spike had evidently

known how to open it without much difficulty. The lid was shut, but

it came up without an effort when he tried to raise it, and he saw

that the lock had been broken.

"Spike's coming on!" he said.

He was dangling the necklace over the box, preparatory to dropping

it in, when there was a quick rustle at the other side of the room.

The curtain was plucked aside, and Molly came out.

"Jimmy!" she cried.

Jimmy's nerves were always in pretty good order, but at the sight of

this apparition he visibly jumped.

"Great Scott!" he said.

The curtain again became agitated by some unseen force, violently

this time, and from its depths a plaintive voice made itself heard.

"Dash it all," said the voice, "I've stuck!"

There was another upheaval, and his lordship emerged, his yellow

locks ruffled and upstanding, his face crimson.

"Caught my head in a coat or something," he explained at large.

"Hullo, Pitt!"

Pressed rigidly against the wall, Molly had listened with growing

astonishment to the movements on the other side of the curtain. Her

mystification deepened every moment. It seemed to her that the room

was still in darkness. She could hear the sound of breathing; and

then the light of the torch caught her eye. Who could this be, and

why had he not switched on the regular room lights?

She strained her ears to catch a sound. For a while, she heard

nothing except the soft breathing. Then came a voice that she knew

well; and, abandoning her hiding-place, she came out into the room,

and found Jimmy standing, with the torch in his hand, over some dark

object in the corner of the room.

It was a full minute after Jimmy's first exclamation of surprise

before either of them spoke again. The light of the torch hurt

Molly's eyes. She put up a hand, to shade them. It seemed to her

that they had been standing like this for years.

Jimmy had not moved. There was something in his attitude that filled

Molly with a vague fear. In the shadow behind the torch, he looked

shapeless and inhuman.

"You're hurting my eyes," she said, at last.

"I'm sorry," said Jimmy. "I didn't think. Is that better?" He turned

the light from her face. Something in his voice and the apologetic

haste with which he moved the torch seemed to relax the strain of

the situation. The feeling of stunned surprise began to leave her.

She found herself thinking coherently again.

The relief was but momentary. Why was Jimmy in the room at that

time? Why had he a torch? What had he been doing? The questions shot

from her brain like sparks from an anvil.

The darkness began to tear at her nerves. She felt along the wall

for the switch, and flooded the whole room with light.

Jimmy laid down the torch, and stood for a moment, undecided. He had

concealed the necklace behind him. Now, he brought it forward, and

dangled it silently before the eyes of Molly and his lordship.

Excellent as were his motives for being in. that room with the

necklace in his hand, he could not help feeling, as he met Molly's

startled gaze, quite as guilty as if his intentions had been

altogether different.

His lordship, having by this time pulled himself together to some

extent, was the first to speak.

"I say, you know, what ho!" he observed, not without emotion.

"What?"

Molly drew back.

"Jimmy! You were--oh, you can't have been!"

"Looks jolly like it!" said his lordship, judicially.

"I wasn't," said Jimmy. "I was putting them back."

"Putting them back?"

"Pitt, old man," said his lordship solemnly, "that sounds a bit

thin."

"Dreever, old man," said Jimmy. "I know it does. But it's the

truth."

His lordship's manner became kindly.

"Now, look here, Pitt, old son," he said, "there's nothing to worry

about. We're all pals here. You can pitch it straight to us. We

won't give you away. We--"

"Be quiet!" cried Molly. "Jimmy!"

Her voice was strained. She spoke with an effort. She was suffering

torments. The words her father had said to her on the terrace were

pouring back into her mind. She seemed to hear his voice now, cool

and confident, warning her against Jimmy, saying that he was

crooked. There was a curious whirring in her head. Everything in the

room was growing large and misty. She heard Lord Dreever begin to

say something that sounded as if someone were speaking at the end of

a telephone; and, then, she was aware that Jimmy was holding her in

his arms, and calling to Lord Dreever to bring water,

"When a girl goes like that," said his lordship with an insufferable

air of omniscience, "you want to cut her--"

"Come along!" said Jimmy. "Are you going to be a week getting that

water?"

His lordship proceeded to soak a sponge without further parley; but,

as he carried his dripping burden across the room, Molly recovered.

She tried weakly to free herself.

Jimmy helped her to a chair. He had dropped the necklace on the

floor, and Lord Dreever nearly trod on it.

"What ho!" observed his lordship, picking it up. "Go easy with the

jewelry!"

Jimmy was bending over Molly. Neither of them seemed to be aware of

his lordship's presence. Spennie was the sort of person whose

existence is apt to be forgotten. Jimmy had had a flash of

intuition. For the first time, it had occurred to him that Mr.

McEachern might have hinted to Molly something of his own

suspicions.

"Molly, dear," he said, "it isn't what you think. I can explain

everything. Do you feel better now? Can you listen? I can explain

everything."

"Pitt, old boy," protested his lordship, "you don't understand. We

aren't going to give you away. We're all--"

Jimmy ignored him.

"Molly, listen," he said.

She sat up.

"Go on, Jimmy," she said.

"I wasn't stealing the necklace. I was putting it back. The man who

came to the castle with me, Spike Mullins, took it this afternoon,

and brought it to me."

Spike Mullins! Molly remembered the name.

"He thinks I am a crook, a sort of Raffles. It was my fault. I was a

fool. It all began that night in New York, when we met at your

house. I had been to the opening performance of a play called,

'Love, the Cracksman,' one of those burglar plays."

"Jolly good show," interpolated his lordship, chattily. "It was at

the Circle over here. I went twice."

"A friend of mine, a man named Mifflin, had been playing the hero in

it, and after the show, at the club, he started in talking about the

art of burglary--he'd been studying it--and I said that anybody

could burgle a house. And, in another minute, it somehow happened

that I had made a bet that I would do it that night. Heaven knows

whether I ever really meant to; but, that same night, this man

Mullins broke into my flat, and I caught him. We got into

conversation, and I worked off on him a lot of technical stuff I'd

heard from this actor friend of mine, and he jumped to the

conclusion that I was an expert. And, then, it suddenly occurred to

me that it would be a good joke on Mifflin if I went out with

Mullins, and did break into a house. I wasn't in the mood to think

what a fool I was at the time. Well, anyway, we went out, and--well,

that's how it all happened. And, then, I met Spike in London, down

and out, and brought him here."

He looked at her anxiously. It did not need his lordship's owlish

expression of doubt to tell him how weak his story must sound. He