I sat rigid, as though waiting to hear the explosions again, fighting against the weight that seemed to pull me down. I heard the clothesline peddler's bell... What would I tell the committee when the newspaper accounts were out? To hell with them. How would I explain the dolls? But why should I say anything? What could we do to fight back. That was my worry. The bell tolled again in the yard below. I looked at the doll. I could think of no justification for Clifton's having sold the dolls, but there was justification enough for giving him a public funeral, and I seized upon the idea now as though it would save my life. Even though I wanted to turn away from it as I'd wanted to turn from Clifton's crumpled body on the walk. But the odds against us were too great for such weakness. We had to use every politically effective weapon against them; Clifton understood that. He had to be buried and I knew of no relatives; someone had to see that he was placed in the ground. Yes, the dolls were obscene and his act a betrayal. But he was only a salesman, not the inventor, and it was necessary that we make it known that the meaning of his death was greater than the incident or the object that caused it. Both as a means of avenging him and of preventing other such deaths... yes, and of attracting lost members back into the ranks. It would be ruthless, but a ruthlessness in the interest of Brotherhood, for we had only our minds and bodies, as against the other side's vast power. We had to make the most of what we had. For they had the power to use a paper doll, first to destroy his integrity and then as an excuse for killing him. All right, so we'll use his funeral to put his integrity together again... For that's all that he had had or wanted. And now I could see the doll only vaguely and drops of moisture were thudding down upon its absorbent paper...
I was bent over, staring, when the knock came at the door and I jumped as at a shot, sweeping the doll into my pocket, and hastily wiping my eyes.
"Come in," I said.
The door opened slowly. A group of youth members crowded forward, their faces a question. The girls were crying.
"Is it true?" they said.
"That he is dead? Yes," I said, looking among them. "Yes."
"But why... ?"
"It was a case of provocation and murder!" I said, my emotions beginning to turn to anger.
They stood there, their faces questioning me.
"He's dead," a girl said, her voice without conviction. "Dead."
"But what do they mean about his selling dolls?" a tall youth said.
"I don't know," I said. "I only know that he was shot down. Unarmed. I know how you feel, I saw him fall."
"Take me home," a girl screamed. "Take me home!"
I stepped forward and caught her, a little brown thing in bobby socks, holding her against me. "No, we can't go home," I said, "none of us. We've got to fight. I'd like to get out into the air and forget it, if I ever could. What we want is not tears but anger. We must remember now that we are fighters, and in such incidents we must see the meaning of our struggle. We must strike back. I want each of you to round up all the members you can. We've got to make our reply."
One of the girls was still crying piteously when they went out, but they were moving quickly.
"Come on, Shirley," they said, taking the girl from my shoulder.
I tried to get in touch with headquarters, but again I was unable to reach anyone. I called the Chthonian but there was no answer. So I called a committee of the district's leading members and we moved slowly ahead on our own. I tried to find the youth who was with Clifton, but he had disappeared. Members were set on the streets with cans to solicit funds for his burial. A committee of three old women went to the morgue to claim his body. We distributed black-bordered leaflets, denouncing the police commissioner. Preachers were notified to have their congregations send letters of protest to the mayor. The story spread. A photograph of Clifton was sent to the Negro papers and published. People were stirred and angry. Street meetings were organized. And, released (by the action) from my indecision, I threw everything I had into organizing the funeral, though moving in a kind of numb suspension. I didn't go to bed for two days and nights, but caught catnaps at my desk. I ate very little.
The funeral was arranged to attract the largest number. Instead of holding it in a church or chapel, we selected Mount Morris Park, and an appeal went out for all former members to join the funeral march.
It took place on a Saturday, in the heat of the afternoon. There was a thin overcast of clouds, and hundreds of people formed for the procession. I went around giving orders and encouragement in a feverish daze, and yet seeming to observe it all from off to one side. Brothers and sisters turned up whom I hadn't seen since my return. And members from downtown and outlying districts. I watched them with surprise as they gathered and wondered at the depths of their sorrow as the lines began to form.
There were half-draped flags and black banners. There were black-bordered signs that read:
BROTHER TOD CLIFTON
OUR HOPE SHOT DOWN
There was a hired drum corps with crape-draped drums. There was a band of thirty pieces. There were no cars and very few flowers.
It was a slow procession and the band played sad, romantic, military marches. And when the band was silent the drum corps beat the time on drums with muffled heads. It was hot and explosive, and delivery men avoided the district and the police details were increased in number. And up and down the streets people looked out of their apartment windows and men and boys stood on the roofs in the thin-veiled sun. I marched at the head with the old community leaders. It was a slow march and as I looked back from time to time I could see young zoot-suiters, hep cats, and men in overalls and pool-hall gamblers stepping into the procession. Men came out of barber shops with lathered faces, their neckcloths hanging, to watch and comment in hushed voices. And I wondered, Are they all Clifton's friends, or is it just for the spectacle, the slow-paced music? A hot wind blew from behind me, bringing the sick sweetish odor, like the smell of some female dogs in season.
I looked back. The sun shone down on a mass of unbared heads, and above flags and banners and shining horns I could see the cheap gray coffin moving high upon the shoulders of Clifton's tallest companions, who from time to time shifted it smoothly on to others. They bore him high and they bore him proudly and there was an angry sadness in their eyes. The coffin floated like a heavily loaded ship in a channel, winding its way slowly above the bowed and submerged heads. I could hear the steady rolling of the drums with muffled snares, and all other sounds were suspended in silence. Behind, the tramp of feet; ahead, the crowds lining the curbs for blocks. There were tears and muffled sobs and many hard, red eyes. We moved ahead.
We wound through the poorest streets at first, a black image of sorrow, then turned into Seventh Avenue and down and over to Lenox. Then I hurried with the leading brothers to the park in a cab. A brother in the Park Department had opened the lookout tower, and a crude platform of planks and ranked saw horses had been erected beneath the black iron bell, and when the procession started into the park we were standing high above, waiting. At our signal he struck the bell, and I could feel my eardrums throbbing with the old, hollow, gut-vibrant Doom-Dong-Doom.
Looking down, I could see them winding upward in a mass to the muffled sound of the drums. Children stopped their playing on the grass to stare, and nurses at the nearby hospital came out on the roof to watch, their white uniforms glowing in the now unveiled sun like lilies. And crowds approached the park from all directions. The muffled drums now beating, now steadily rolling, spread a dead silence upon the air, a prayer tor the unknown soldier. And looking down I felt a lostness. Why were they here? Why had they found us? Because they knew Clifton? Or for the occasion his death gave them to express their protestations, a time and place to come together, to stand touching and sweating and breathing and looking in a common direction? Was either explanation adequate in itself? Did it signify love or politicalized hate? And could politics ever be an expression of love?