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The photographer says, “What if we regroup and backlight the carcasses?”

“Too much strobe effect as they go past,” the art director says.

Evie says, “Why’d the police think that?”

“Beats me,” I say. “Somebody just kept making anonymous calls to them.”

The photographer says, “Can we stop the chain?”

The art director says, “Not unless we can stop people from eating meat.”

We’re still hours away from taking a real break, and Evie says, “Somebody lied to the police?”

The pig guys are checking us out, and some are pretty cute. They laugh and slide their hands up and down fast on their shiny black steamhoses. Curling their tongues at us. Flirting.

“Then Shane ran away,” I tell Evie. “Simple as that. A couple years ago, my folks got a call he was dead.”

We step back as close as we can to the pigs going by, still warm. The floor seems to be really greasy, and Evie starts telling me about an idea she has for a remake of Cinderella, only instead of the little birds and animals making her a dress, they do cosmetic surgery. Bluebirds give her a face-lift. Squirrels give her implants. Snakes, liposuction. Plus, Cinderella starts out as a lonely little boy.

“As much attention as he got,” I tell Evie, “I’d bet my brother put that hairspray can in the fire himself.”

Now, Please, Jump to Chapter Twenty-Six

Chapter 17

here had to be some better way to kill Brandy. To set me free. Some quick permanent closure. Some kind of cross fire I could walk away from. Evie hates me by now. Brandy looks just like I used to. Manus is still so in love with Brandy he’d follow her anywhere, even if he’s not sure why. All I’d have to do is get Brandy cross-haired in front of Evie’s rifle.

Bathroom talk.

Brandy’s suit jacket with its sanitary little waist and mod three-quarter sleeves is still folded on the aquamarine countertop beside the big clamshell sink. I pick up the jacket, and my souvenir from the future falls out. It’s a postcard of clean, sun-bleached 1962 skies and an opening-day Space Needle. You could look out the bathroom’s porthole windows and see what’s become of the future. Overrun with Goths wearing sandals and soaking lentils at home, the future I wanted is gone. The future I was promised. Everything I expected. The way everything was supposed to turn out. Happiness and peace and love and comfort.

When did the future, Ellis once wrote on the back of a postcard, switch from being a promise to a threat?

I tuck the postcard between the vaginoplasty brochures and the labiaplasty handouts stuck between the pages of the Miss Rona book. On the cover is a satellite photo of Hurricane Blonde just off the West Coast of her face. The blond is crowded with pearls, and what could be diamonds sparkle here and there.

She looks very happy. I put the book back in the inside pocket of Brandy’s jacket. I pick up the cosmetics and drugs scattered across the countertops and I put them away. Sun comes through the porthole windows at a low, low angle, and the post office will be closing soon. There’s still Evie’s insurance money to pick up. At least a half million dollars, I figure. What you can do with all that money, I don’t know, but I’m sure I’ll find out.

Brandy’s lapsed into major hair emergency status so I shake her.

Brandy’s Aubergine Dreams eyes flicker, blink, flicker, squint.

Her hair, it’s gotten all flat in the back.

Brandy comes up on one elbow. “You know,” she says, “I’m on drugs so it’s all right if I tell you this.” Brandy looks at me bent over her, offering a hand up. “I have to tell you,” Brandy says, “but I do love you.” She says, “I can’t tell how this is for you, but I want us to be a family.”

My brother wants to marry me.

I give Brandy a hand up. Brandy leans on me, Brandy, she leans on the edge of the countertop. She says, “This wouldn’t be a sister thing.” Brandy says, “I still have some days left in my Real Life Training.”

Stealing drugs, selling drugs, buying clothes, renting luxury cars, taking clothes back, ordering blender drinks, this isn’t what I’d call Real Life, not by a long shot.

Brandy’s ring-beaded hands open to full flower and spread the fabric of her skirt across her front. “I still have all my original equipment,” she says.

The big hands are still patting and smoothing Brandy’s crotch as she turns sideways to the mirror and looks at her profile. “It was supposed to come off after a year, but then I met you,” she says. “I had my bags packed in the Congress Hotel for weeks just hoping you’d come to rescue me.” Brandy turns her other side to the mirror and searches. “I just loved you so much, I thought maybe it’s not too late?”

Brandy spreads pot gloss across her top lip and then her bottom lip, blots her lips on a tissue, and drops the big Plumbago kiss into the snail shell toilet. Brandy says with her new lips, “Any idea how to flush this thing?”

Hours I sat on that toilet, and no, I never saw how to flush it. I step out into the hallway so if Brandy wants to blab at me she’ll have to follow.

Brandy stumbles in the bathroom doorway where the tile meets the hallway carpet. Her one shoe, the heel is broken. Her stocking is run where it rubbed the doorframe. She’s grabbed at a towel rack for balance and chipped her nail polish.

Shining anal queen of perfection, she says, “Fuck.”

Princess Princess, she yells after me, “It’s not that I really want to be a woman.” She yells, “Wait up!” Brandy yells, “I’m only doing this because it’s just the biggest mistake I can think to make. It’s stupid and destructive, and anybody you ask will tell you I’m wrong. That’s why I have to go through with it.”

Brandy says, “Don’t you see? Because we’re so trained to do life the right way. To not make mistakes.” Brandy says, “I figure, the bigger the mistake looks, the better chance I’ll have to break out and live a real life.”

Like Christopher Columbus sailing toward disaster at the edge of the world.

Like Fleming and his bread mold.

“Our real discoveries come from chaos,” Brandy yells, “from going to the place that looks wrong and stupid and foolish.”

Her imperial voice everywhere in the house, she yells, “You do not walk away from me when I take a minute to explain myself!”

Her example is a woman who climbs a mountain, there’s no rational reason for climbing that hard, and to some people it’s a stupid folly, a misadventure, a mistake. A mountain climber, maybe she starves and freezes, exhausted and in pain for days, and climbs all the way to the top. And maybe she’s changed by that, but all she has to show for it is her story.

“But me,” Brandy says, still in the bathroom doorway, still looking at her chipped nail polish, “I’m making the same mistake only so much worse, the pain, the money, the time, and being dumped by my old friends, and in the end my whole body is my story.”

A sexual reassignment surgery is a miracle for some people, but if you don’t want one, it’s the ultimate form of self-mutilation.

She says, “Not that it’s bad being a woman. This might be wonderful, if I wanted to be a woman. The point is,” Brandy says, “being a woman is the last thing I want. It’s just the biggest mistake I could think to make.”