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Bathroom talk.

Brandy’s still laid out on the cold tile floor, high atop Capitol Hill in Seattle. Mr. Parker has come and gone. Just Brandy and me all afternoon. I’m still sitting on the open end of a huge ceramic snail shell bolted to the wall. Trying to kill her in my half-assed way. Brandy’s auburn head of hair is between my feet. Lipsticks and Demerols, blushes and Percocet 5, Aubergine Dreams and Nembutal Sodium capsules are spread out all over the aquamarine countertops around the vanity sink.

My hand, I’ve been holding a handful of Valiums so long my palm has gone Tiffany’s light blue. Just Brandy and me all afternoon with the sun coming in at lower and lower angles through the big brass porthole windows.

“My waist,” Brandy says. The Plumbago mouth looks a little too blue, Tiffany’s light blue, if you ask me. Overdose baby blue. “Sofonda said I had to have a sixteen-inch waist,” Brandy says. “I said, ‘Miss Sofonda, I am big-boned. I am six feet tall. No way am I getting down to a sixteen-inch waistline.”

Sitting on the snail shell, I’m only half listening.

“Sofonda,” Brandy says, “Sofonda says, there’s a way, but I have to trust her. When I wake up in the recovery room, I’ll have a sixteen-inch waist.”

It’s not like I haven’t heard this story in a dozen other bathrooms. Another bottle off the countertop, Bilax capsules, I look it up in the Phyicians’ Desk Reference book.

Bilax capsules. A bowel evacuant.

Maybe I should drop a few of these into that nonstop mouth between my feet.

Jump to Manus watching me do that infomercial. We were so beautiful. Me with a face. Him not so full of conjugated estrogens.

I thought we were a real love relationship. I did. I was very invested in love, but it was just this long, long sex thing that could end at any moment because, after all, it’s just about getting off. Manus would close his power-blue eyes and twist his head just so, side to side, and swallow.

And, Yes, I’d tell Manus. I came right when he did.

Pillow talk.

Almost all the time, you tell yourself you’re loving somebody when you’re just using them.

This only looks like love.

Jump to Brandy on the bathroom floor, saying, “Sofonda and Vivienne and Kitty were all with me at the hospital.” Her hands curl up off the tile, and she runs them up and down the sides of her blouse. “All three of them wore those baggy green scrub suits, wearing hairnets over their wigs and with those Duchess of Windsor costume jewelry brooches pinned on their scrub suits,” Brandy says. “They were flying around behind the surgeon and the lights, and Sofonda was telling me to count backwards from one hundred. You know …99 …98 …97 …”

The Aubergine Dreams eyes close. Brandy, pulling long, even breaths, says, “The doctors, they took out the bottom rib on each side of my chest.” Her hands rub where, and she says, “I couldn’t sit up in bed for two months, but I had a sixteen-inch waist. I still have a sixteen-inch waist.”

One of Brandy’s hands opens to full flower and slides over the flat land where her blouse tucks into the belt of her skirt. “They cut out two of my ribs, and I never saw them again,” Brandy says. “There’s something in the Bible about taking out your ribs.”

The creation of Eve.

Brandy says, “I don’t know why I let them do that to me.”

And Brandy, she’s asleep.

Jump back to the night Brandy and I started this road trip, the night we left the Congress Hotel with Brandy driving the way you can only drive at two-thirty A.M. in an open sports car with a loaded rifle and an overdosed hostage. Brandy hides her eyes behind Ray-Bans so she can drive in a little privacy. Instant glamour from another planet in the 1950s, Brandy pulls an Hermès scarf over her auburn hair and ties it under her chin.

All I can see is myself reflected in Brandy’s Ray-Bans, tiny and horrible. Still strung out and pulled apart by the cold night air around the windshield. Bathrobe still dragging shut in the car door. My face, you touch my blasted, scar-tissue face and you’d swear you were touching chunks of orange peel and leather.

Driving east, I’m not sure what we’re running from. Evie or the police or Mr. Baxter or the Rhea sisters. Or nobody. Or the future. Fate. Growing up, getting old. Picking up the pieces. As if by running we won’t have to get on with our lives. I’m with Brandy right now because I can’t imagine getting away with this without Brandy’s help. Because, right now, I need her.

Not that I really love her. Him. Shane.

Already the word “love” is sounding pretty thin.

Hermès scarf on her head, Ray-Bans on her head, makeup on her face, I look at the queen supreme in the pulse-pulse, then pulse-pulse, then pulse-pulse of oncoming headlights. What I see when I look at Brandy, this is what Manus saw when he took me sailing.

Right now, looking at flashes of Brandy beside me in Manus’s car, I know what it is I loved about her. What I love is myself. Brandy Alexander just looks exactly the way I looked before the accident. Why wouldn’t she? She’s my brother, Shane. Shane and I were almost the same height, born one year apart. The same coloring. The same features. The same hair, only Brandy’s hair is in better shape.

Add to this her lipo, her silicone, her trachea shave, her brow shave, her scalp advance, her forehead realignment, her rhino contouring to smooth her nose, her maxomilliary operations to shape her jaw. Add to all that years of electrolysis and a handful of hormones and antiandrogens every day, and it’s no wonder I didn’t recognize her.

Plus the idea my brother’s been dead for years. You just don’t expect to meet dead people.

What I love is myself. I was so beautiful.

My love cargo, Manus Locked in the Trunk, Manus Trying to Kill Me, how can I keep thinking I love Manus? Manus is just the last man who thought I was beautiful. Who kissed me on the lips. Who touched me. Manus is just the last man who ever told me he loved me.

You count down the facts and it’s so depressing.

I can only eat baby food.

My best friend screwed my fiancé.

My fiancé almost stabbed me to death.

I’ve set fire to a house and been pointing a rifle at innocent people all night.

My brother I hate has come back from the dead to upstage me.

I’m an invisible monster, and I’m incapable of loving anybody. You don’t know which is worse.

Jump to me wetting a washcloth in the vanity sink. In the undersea bathroom grotto even the towels and washcloths are aqua and blue, with a scalloped shell motif along the hems. I put the cold wet washcloth on Brandy’s forehead and wake her up, so’s she can take more pills. Die in the car instead of this bathroom.

I haul Brandy to her feet and stuff the princess back into her suit jacket.

We have to walk her around before anybody sees her this way.

I strap her high heels back on her feet. Brandy, she leans on me. She leans on the edge of the countertop. She picks up a handful of Bilax capsules and squints down at them.

“My back is killing me,” Brandy says. “Why’d I ever let them give me such big tits?”

The queen supreme looks ready to swallow a handful of anything.

I shake my head no.

Brandy squints at me. “But I need these.”

In the Physicians’ Desk Reference, I show her Bilax, bowel evacuant.

“Oh.” Brandy turns her hand over to spill the Bilax into her purse, and some capsules fall but some stick to the sweat on her palm. “After they give you the tits, your nipples are cockeyed and way too high,” she says. “They use a razor to shave the nipples off, and they relocate them.”

That’s her word.

Relocate.

The Brandy Alexander Nipple Relocation Program.

My dead brother, the late Shane, shakes the last bowel evacuant off her damp palm. Brandy says, “I have no sensation in my nipples.”

Off the counter, I get my veils and put layer after layer over my head.

Thank you for not sharing.