Jump to three weeks before, when we were in a big house in Spokane, Washington. We were in a South Hill granite chateau with Spokane spread out under the bathroom windows. I was shaking Percodans out of their brown bottle and into my purse pocket for Percodans. Brandy Alexander, she was digging around under the bathroom sink for a clean emery board when she found this paperback book.
Now all the other gods and she-gods have been eclipsed by some new deity.
Jump back to Seth looking at my breasts in the rearview mirror. “Television really does make us God,” he says.
Give me tolerance.
Flash.
Give me understanding.
Flash.
Even after all these weeks on the road with me, Seth’s glorious vulnerable blue eyes still won’t meet my eyes. His new wistful introspection, he can ignore. The way the orals have already side-effected his eyes, steepened the corneal curve so he can’t wear his contact lenses without them popping out. This has to be the conjugated estrogens in his orange juice every morning. He can ignore all that.
This has to be the Androcur in his iced tea at lunch, but he’ll never figure it out. He’ll never catch me.
Brandy Alexander, her nylon stocking feet up on the dashboard, the queen supreme’s still reading her paperback.
“When you watch daytime dramas,” Seth tells me, “you can look in on anybody. There’s a different life on every channel, and almost every hour the lives change. It’s the same as those live video Web sites. You can watch the whole world without it knowing.”
For three weeks, Brandy’s been reading that book.
“Television lets you spy on even the sexy parts of everybody’s life,” Seth says. “Doesn’t it make sense?”
Maybe, but only if you’re on five hundred milligrams of micronized progesterone every day.
A few minutes of scenery go by behind glass. Just some towering mountains, old dead volcanoes, mostly the kind of stuff you find outside. Those timeless natural nature themes. Raw materials at their rawest. Unrefined. Unimproved rivers. Poorly maintained mountains. Filth. Plants growing in dirt. Weather.
“And if you believe that we really have free will, then you know that God can’t really control us,” Seth says. Seth’s hands are off the steering wheel and flutter around to make his point. “And since God can’t control us,” he says, “all God does is watch and change channels when He gets bored.”
Somewhere in heaven, you’re live on a video Web site for God to surf.
Brandycam.
Brandy with her empty leg-hold trap shoes on the floor, Brandy licks an index finger and slow turns a page.
Ancient aboriginal petroglyphs and junk are just whizzing past.
“My point,” Seths says, “is that maybe TV makes you God.” Seth says, “And it could be that all we are is God’s television.”
Standing on the gravel shoulder are some moose or whatnot just trudging along on all four feet.
“Or Santa Claus,” says Brandy from behind her book. “Santa Claus sees everything.”
“Santa Claus is just a story,” says Seth. “He’s just the opening band to God. There is no Santa Claus.”
Jump to drug hunting three weeks ago in Spokane, Washington, when Brandy Alexander flopped down in the master bedroom and started reading. I took thirty-two Nembutals. Thirty-two Nembutals went in my purse. I don’t eat the merchandise. Brandy was still reading. I tried all the lipsticks on the back of my hand, and Brandy was still propped on a zillion eyelet lace pillows in the center of a king-sized waterbed. Still reading.
I put some expired estradiol and a half stick of Plumbago in my bag. The realtor called up the stairs, was everything all right?
Jump to us on Interstate 5 where a billboard goes by:
Clean Food and Family Prices Coming Up at the Karver Stage Stop Café
Jump to no Burning Blueberry, no Rusty Rose or Aubergine Dreams in Spokane.
He didn’t want to rush us, the realtor called up the stairs, but was there anything we needed to know? Did we have any questions about anything?
I stuck my head in the master bedroom, and the waterbed’s white duvet held a reading Brandy Alexander that was dead for as much as she was breathing.
Oh, clipped lilac satin of the beaded rice pearl hemline.
Oh, layered amber cashmere trimmed in faceted topaz marabou.
Oh, slithering underwired free-range mink bolero.
We had to go.
Brandy clutched her paperback open against her straight-up torpedo boob job. The Rusty Rose face pillowed in auburn hair and eyelet lace pillow shams, the aubergine eyes had the dilated look of a Thorazine overdose.
First thing I want to know is what drug she’s taken.
The paperback cover showed a pretty blond babe. Thin as a spaghetti strap. With a pretty, thin little smile. The babe’s hair was a satellite photo of Hurricane Blonde just off the west coast of her face. The face was a Greek she-god with great lash, big eyeliner eyes the same as Betty and Veronica and all the other Archie gals had at Riverdale High. White pearls are wrapped up her arms and around her neck. What could be diamonds sparkle here and there.
The paperback cover said Miss Rona.
Brandy Alexander, her leg-hold trap shoes were getting dirt all over the waterbed’s white duvet, and Brandy said, “I’ve found out who the real God is.”
The realtor was ten seconds away.
Jump to all the wonders of nature blurring past us, rabbits, squirrels, plunging waterfalls. That’s the worst of it. Gophers digging subterranean dens underground. Birds nesting in nests.
“The Princess B.A. is God,” Seth tells me in the rearview mirror.
Jump to where the Spokane realtor yelled up the stairs. The people who owned the granite chateau were coming up the driveway.
Brandy Alexander, her eyes dilated, barely breathing in a Spokane waterbed, said, “Rona Barrett. Rona Barrett is my new Supreme Being.”
Jump to Brandy in the Lincoln Town Car saying, “Rona Barrett is God.”
All around us, erosion and insects are just chewing up the world, never mind people and pollution. Everything biodegrades with or without you pushing. I check my purse for enough spironolactone for Seth’s afternoon snack. Another billboard goes by:
Tasty Phase Magic Bran—Put Something Good in Your Mouth
“In her autobiography,” Brandy Alexander testifies, “in Miss Rona, published by Bantam Books by arrangement with the Nash Publishing Corporation on Sunset Boulevard in Los Angeles, California …” Brandy takes a deep breath of new-car-smelling air, “…copyright 1974, Miss Rona tells us how she started life as a fat little Jewish girl from Queens with a big nose and a mysterious muscle disease.”
Brandy says, “This little fat brunette re-creates herself as a top celebrity superstar blonde whom a top sex symbol then begs to let him stick his penis in her just one inch.”
There isn’t one native tongue left among us.
Another billboard:
Next Sundae, Scream for Tooter’s Ice Milk!
“What that woman has gone through,” says Brandy. “Right here on page one hundred and twenty-five, she almost drowns in her own blood! Rona’s just had her nose job. She’s only making fifty bucks a story, but this woman saves enough for a thousand-dollar nose job! It’s her first miracle. So, Rona’s in the hospital, post–nose job, with her head wrapped up like a mummy, when a friend comes in and says how Hollywood says she’s a lesbian. Miss Rona, a lesbian! Of course this isn’t true. The woman is a she-god, so she screams and screams and screams until an artery in her throat just bursts.”
“Hallelujah,” Seth says, all teared up again.
“And here”—Brandy licks the pad of a big index finger and flips ahead a few pages—“on page two hundred and twenty-two, Rona is once more rejected by her sleazy boyfriend of eleven years. She’s been coughing for weeks so she takes a handful of pills and is found semicomatose and dying. Even the ambulance—”