“Where can we find him,” Virgil said. “The constable, Burton Berkeley?”
“The Hotel Ark.”
“And where might that be?” I asked.
“On Half Moon here.” Pete pointed east. “Go past Quarter Moon Street, the next street you get to is Full Moon, turn right, and you’ll come to Three Quarter Moon Street. That’s this town: Quarter, Half, Three Quarter and Full, those are the streets. On the corner there of Full and Three Quarter is Hotel Ark and Saloon. That’s his place. Most evenings that’s where he is.”
“He owns the place?” I asked.
“He does. He owns damn near the whole of Half Moon Junction.”
44
We left Pete’s place and walked up the south side of Half Moon Street past a busy card house, a bathhouse, and a grungy miners saloon where a bare-chested wrestling match was under way. We crossed to the north side at Quarter Moon Street and walked past dark alley passages between storefronts, with upstairs rooms where working women were practicing their trade. We turned right on Full Moon and made our way toward what was obviously the main part of town, passing a pool hall saloon with a sign advertising Chuck-a-Luck, Faro, Roulette and Bowling.
“Big place,” I said.
“Is.”
“Lot of people.”
A bit farther ahead was a double-decker lavishly painted brothel, aptly named Over the Moon. A few ladies tried to sell us a piece on the walk just before we got to Three Quarter Moon Street, but we declined and moved on.
“Whip was right,” I said.
“’Bout?”
“This town does seem like a place written about in the Bible where God got mad.”
“Not shy of whores,” Virgil said.
“Nope,” I said, “it’s not.”
“They ain’t a bit shy, neither.”
“No, they’re not.”
We stopped on the corner under a lamp, where a swarm of bugs circled around the light as a mule team passed by, slowly pulling a long flatbed loaded with pipe. Staggering along following the flatbed was a short, round swamper. He was talking to himself.
“Half Moon Junction seems like an appropriate name for this wallow,” I said.
“Does,” Virgil said.
We crossed the street to the Hotel Ark on the corner of Full and Three Quarter. Hotel Ark was a big hotel, bigger than the Boston House in Appaloosa. From the outside it resembled its title; it was oddly constructed to look like a big ship, and the whole structure was without an inch of paint. The porch wrapped both sides of the building facing Full and Three Quarter Moon Street. It had crooked oak supports for porch posts and a thick rope for railing.
We entered the front door, and inside the foyer there was a stuffed pair of snarling black bears to greet us. The foyer set the stage for the main room. Inside, the place looked more like a hunting lodge than a hotel; the walls were covered with animal hides and taxidermy mounts, with as many male/female couplings of animal species as could be pulled together. There was a set of narrow stairs rising up behind the front desk with a mezzanine overlooking the main room. Behind a set of saloon doors next to the front desk, a piano was playing a snappy rendition of “Camptown Races.” A woman’s voice was doing a pretty good job of singing along with the piano. I thought about Widow Callico and Allie and their nightly mus-A-cal duo and was quite certain they did not sound near as good as the Hotel Ark duo. A big bald fellow was behind the front desk, folding pillow covers. He was young and had big bulging biceps.
“Evening, gentlemen,” he said.
“How do,” Virgil said.
“Fine, just fine,” the big fellow said. “You from the train?”
“We are not,” Virgil said.
“Need a room?” the big fellow said as he moved to the registry book sitting on the front desk next to a hen and drake mallard.
“No,” Virgil said. “Looking for Constable Berkeley?”
“He’s in the saloon, but unless you’re a member or a guest of the hotel, that’s off-limits, I’m afraid.”
“What’s your name, son?” Virgil said.
“Burns.”
“Well, there’s no reason to be afraid, Burns,” Virgil said. “We’re here on marshal business.”
Virgil pulled back his lapel so the big fellow could see his silver star.
“Oh,” Burns said. “Um... well. I suppose then it’d be okay for you to go right ahead on, Marshal.”
“S’pose we will,” Virgil said. “Much obliged.”
Burns grinned a lopsided grin. Then he resumed folding pillow covers.
We walked across the wide room toward the saloon, where a pair of bobcats stood side by side on a twisting sweep of bleached-out juniper. Their backs were arched, and they looked ready to attack.
“Look damn near alive,” I said.
“Odds are they’re not,” Virgil said as we pushed through the doors and into the saloon.
45
The saloon was small and cozy compared to the main room of the hotel. It was nicer, too, with velvet-covered chairs and paintings of ships and naked women. A big painting of Noah’s Ark covered at least six feet of the wall behind the bar. A bartender with a twenty-past-eight mustache and wearing black satin armbands was standing in front of the painting with his head down, reading a newspaper. The piano player and a heavyset chanteuse were set up in the center of the room, working the song louder than it needed to be worked, and somewhere, something smelled good.
“Food,” I said.
Virgil nodded as he looked around the room.
“Fancy place,” I said.
“It is.”
We could tell right away this place catered to a more exclusive clientele. There were two separate couples at the bar: one couple at one end, and another couple at the other. The whores were good-looking and acting like they were interested in what the men were saying. Sitting at a corner booth were two young men wearing expensive suits with bowlers and two older yet well-put-together whores.
“Members, I reckon.”
“Guests, maybe,” Virgil said.
For the moment, nobody in the place even paid us any attention.
“In respect to what we’ve seen of this town so far,” I said. “Seems kind of civilized.”
“Does,” Virgil said. “For a whoring facility, it most assuredly does.”
In the back, behind a set of half-closed curtains, we could see three women throwing darts, and behind them in the corner sat a few men at a card table, playing poker. One of the dart-throwing gals came from the back room and out to the bar. She was real pretty, and though she was a whore with a flower in her hair she could pass for someone proper, a teacher or a college student. She was young, straight-backed, with high cheekbones and pointed shoulders. She stopped when she saw Virgil and me.
“Oh!”
She walked over to us.
“Good evening, gentlemen,” she said.
Only then did the bartender look up from his newspaper.
“Evening,” we said.
“Have you two been helped?”
“Nope,” Virgil said.
“Just walked in the door,” I said.
“Well, nice of you to join us.”
She smiled. Her teeth were straight and white. She pointed.
“Handsome pouch you got there, handsome,” she said. “You’re no Indian with that blond hair.”
I followed her point to Bloody Bob’s pouch I forgot was hanging from my shoulder and resting on my hip.
“Allow me to get you gentlemen something,” she said.
She turned to the bar. Virgil interrupted her.
“We are looking for Burton,” Virgil said. “Burton Berkeley.”