Emmett rode up from New York after he got off the death ship from Cork, and at the Albany basin he saw his brother Owen waving frantically to him. Owen followed the boat to the North Albany lock, ran along the towpath yelling advice to Emmett, giving him family news, telling him to get off the boat as soon as they’d let him, then to write saying where he was so Owen could send him money to come back to Albany by stagecoach. But it was days before Emmett got off that particular packet boat, got off in a place whose name he never learned, and the authorities there too kept the newcomers westering, under duress.
By the time Emmett reached Buffalo he had decided not to return to such an inhospitable city as Albany, and he moved on to Ohio, where he found work building streets, and then with the railroads, and in time went all the way west on the rails and became a labor organizer, and eventually a leader of the Clann na Gael, and lived to see the Irish in control of Albany, and to tell his stories and inspire Francis Phelan to throw the stone that changed the course of life, even for people not yet born.
That vision of the packet moving up the canal and Owen running alongside it telling Emmett about his children was as real to Francis, though it happened four decades before he was born, as was Old Shoes’ car, in which he was now bouncing ever northward toward the precise place where the separation took place. He all but cried at the way the Daugherty brothers were being separated by the goddamned government, just as he was now being separated from Billy and the others. And by what? What and who were again separating Francis from those people after he’d found them? It was a force whose name did not matter, if it had a name, but whose effect was devastating. Emmett Daugherty had placed blame on no man, not on the cholera inspectors or even the city’s elders. He knew a larger fate had moved him westward and shaped in him all that he was to become; and that moving and shaping was what Francis now understood, for he perceivced the fugitive thrust that had come to be so much a part of his own spirit. And so he found it entirely reasonable that he and Emmett should be fused in a single person: the character of the hero of the play written by Emmett’s son, Edward Daugherty the playwright: Edward (husband of Katrina, father of Martin), who wrote The Car Barns, the tale of how Emmett radicalized Francis by telling his own story of separation and growth, by inspiring Francis to identify the enemy and target him with a stone. And just as Emmett truly did return home from the west as a labor hero, so also did the playright conjure an image of Francis returning home as underground hero for what that stone of his had done.
For a time Francis believed everything Edward Daugherty had written about him: liberator of the strikers from the capitalist beggars who owned the trolleys, just as Emmett had helped Paddy-with-a-shovel straighten his back and climb up out of his ditch in another age. The playright saw them both as Divine Warriors, sparked by the socialistic gods who understood the historical Irish need for aid from on high, for without it (so spoke Emmett, the goldentongued organizer of the play), “how else would we rid ourselves of those Tory swine, the true and unconquerable devils of all history?”
The stone had (had it not?) precipitated the firing by the soldiers and the killing of the pair of bystanders. And without that, without the death of Harold Allen, the strike might have continued, for the scabs were being imported in great numbers from Brooklyn, greenhorn Irish the likes of Emmett on the packet boat, some of them defecting instantly from the strike when they saw what it was, others bewildered and lost, lied to by men who hired them for railroad work in Philadelphia, then duped them into scabbery, terror, even death. There were even strikers from other cities working as scabs, soulless men who rode the strike trains here and took these Albany men’s jobs, as other scabs were taking theirs. And all of that might have continued had not Francis thrown the first stone. He was the principal hero in a strike that created heroes by the dozen. And because he was, he lived all his life with guilt over the deaths of the three men, unable to see any other force at work in the world that day beyond his own right hand. He could not accept, though he knew it to be true, that other significant stones had flown that day, that the soldiers’ fusillade at the bystanders had less to do with Harold Allen’s death than it did with the possibility of the soldiers’ own, for their firing had followed not upon the release of the stone by Francis but only after the mob’s full barrage had flown at the trolley. And then Francis, having seen nothing but his own act and what appeared to be its instant consequences, had fled into heroism and been suffused further, through the written word of Edward Daugherty, with the hero’s most splendid guilt.
But now, with those events so deeply dead and buried, with his own guilt having so little really to do with it, he saw the strike as simply the insanity of the Irish, poor against poor, a race, a class divided against itself. He saw Harold Allen trying to survive the day and the night at a moment when the frenzied mob had turned against him, just as Francis himself had often had to survive hostility in his flight through strange cities, just as he had always had to survive his own worst instincts. For Francis knew now that he was at war with himself, his private factions mutually bellicose, and if he was ever to survive, it would be with the help not of any socialistic god but with a clear head and a steady eye for the truth; for the guilt he felt was not worth the dying. It served nothing except nature’s insatiable craving for blood. The trick was to live, to beat the bastards, survive the mob and that fateful chaos, and show them all what a man can do to set things right, once he sets his mind to it.
Poor Harold Allen.
“I forgive the son of a bitch,” Francis said.
“Who’s that?” Old Shoes asked. Rudy lay all but blotto across the backseat, holding the whiskey and wine bottles upright on his chest with both tops open in violation of Old Shoes’ dictum that they stay closed, and not spilling a drop of either.
“Guy I killed. Guy named Allen.”
“You killed a guy?”
“More’n one.”
“Accidental, was it?”
“No. I tried to get that one guy, Allen. He was takin’ my job.”
“That’s a good reason.”
“Maybe, maybe not. Maybe he was just doin’ what he had to do.”
“Baloney,” Old Shoes said. “That’s what everybody does, good, bad, and lousy. Burglars, murderers.”
And Francis fell quiet, sinking into yet another truth requiring handling.
o o o
The jungle was maybe seven years old, three years old, a month old, days old. It was an ashpit, a graveyard, and a fugitive city. It stood among wild sumac bushes and river foliage, all fallen dead now from the early frost. It was a haphazard upthrust of tarpaper shacks, lean-tos, and impromptu constructions describable by no known nomenclature. It was a city of essential transiency and would-be permanency, a resort of those for whom motion was either anathema or pointless or impossible. Cripples lived here, and natives of this town who had lost their homes, and people who had come here at journey’s end to accept whatever disaster was going to happen next. The jungle, a visual manifestation of the malaise of the age and the nation, covered the equivalent of two or more square city blocks between the tracks and the river, just east of the old carbarns and the empty building that once housed Iron Joe’s saloon.