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Then he remembered the story about Billy in the paper and he brightened. Pee Wee read it first and gave it to him. It was a story about Francis’s son Billy, written by Martin Daugherty, the newspaperman, who long ago lived next door to the Phelans on Colonie Street. It was the story of Billy getting mixed up in the kidnapping of the nephew of Patsy McCall, the boss of Albany’s political machine. They got the nephew back safely, but Billy was in the middle because he wouldn’t inform on a suspected kidnapper. And there was Martin’s column defending Billy, calling Patsy McCall a very smelly bag of very small potatoes for being rotten to Billy.

“So how do you like it?” Rosskam said.

“Like what?” said Francis.

“Sex business,” Rosskam said. “Women stuff.”

“I don’t think much about it anymore.”

“You bums, you do a lot of dirty stuff up the heinie, am I right?”

“Some like it that way. Not me.”

“How do you like it?”

“I don’t even like it anymore, I’ll tell you the truth. I’m over the hill.”

“A man like you? How old? Fifty-five? Sixty-two?”

“Fifty-eight,” said Francis.

“Seventy-one here,” said Rosskam. “I go over no hills. Four, five times a night I get it in with the old woman. And in the daylight, you never know.”

“What’s the daylight?”

“Women. They ask for it. You go house to house, you get offers. This is not a new thing in the world.”

“I never went house to house,” Francis said.

“Half my life I go house to house,” said Rosskam, “and I know how it is. You get offers.”

“You probably get a lot of clap, too.”

“Twice all my life. You use the medicine, it goes away. Those ladies, they don’t do it so often to get disease. Hungry is what they got, not clap.”

“They bring you up to bed in your old clothes?”

“In the cellar. They love it down the cellar. On the woodpile. In the coal. On top the newspapers. They follow me down the stairs and bend over the papers to show me their bubbies, or they up their skirts on the stairs ahead of me, showing other things. Best I ever got lately was on top of four ash cans. Very noisy, but some woman. The things she said you wouldn’t repeat. Hot, hotsy, oh my. This morning we pay her a visit, up on Arbor Hill. You wait in the wagon. It don’t take long, if you don’t mind.”

“Why should I mind? It’s your wagon, you’re the boss.”

“That’s right. I am the boss.”

They rode up to Northern Boulevard and started down Third Street, all downhill so as not to kill the horse. House by house they went, carting out old clocks and smashed radios, papers always, two boxes of broken-backed books on gardening, a banjo with a broken neck, cans, old hats, rags.

“Here,” old Rosskam said when they reached the hot lady’s house. “If you like, watch by the cellar window. She likes lookers and I don’t mind it.”

Francis shook his head and sat alone on the wagon, staring down Third Street. He could have reconstructed this street from memory. Childhood, young manhood were passed on the streets of Arbor Hill, girls discovering they had urges, boys capitalizing on this discovery. In the alleyways the gang watched women undress, and one night they watched the naked foreplay of Mr. and Mrs. Ryan until they put out the light. Joey Kilmartin whacked off during that show. The old memory aroused Francis sexually. Did he want a woman? No. Helen? No, no. He wanted to watch the Ryans again, getting ready to go at it. He climbed down from the wagon and walked into the alley of the house where Rosskam’s hot lady lived. He walked softly, listening, and he heard groaning, inaudible words, and the sound of metal fatigue. He crouched down and peered in the cellar window at the back of the house, and there they were on the ash cans, Rosskam’s pants hanging from his shoes, on top of a lady with her dress up to her neck. When Francis brought the scene into focus, he could hear their words.

“Oh boyoboy,” Rosskam was saying, “oh boyoboy.”

“Hey I love it,” said the hot lady. “Do I love it? Do I love it?”

“You love it,” said Rosskam. “Oh boyoboy.”

“Gimme that stick,” said the hot lady. “Gimme it, gimme it, gimme, gimme, gimme that stick.”

“Oh take it,” said Rosskam. “Oh take it.”

“Oh gimme it,” said the hot lady. “I’m a hot slut. Gimme it.”

“Oh boyoboy,” said Rosskam.

The hot lady saw Francis at the window and waved to him. Francis stood up and went back to the wagon, conjuring memories against his will. Bums screwing in boxcars, women gang-banged in the weeds, a girl of eight raped, and then the rapist kicked half to death by other bums and rolled out of the moving train. He saw the army of women he had known: women upside down, women naked, women with their skirts up, their legs open, their mouths open, women in heat, women sweating and grunting under and over him, women professing love, desire, joy, pain, need. Helen.

He met Helen at a New York bar, and when they found out they were both from Albany, love took a turn toward the sun. He kissed her and she tongued him. He stroked her body, which was old even then, but vital and full and without the tumor, and they confessed a fiery yearning for each other. Francis hesitated to carry it through, for he had been off women eight months, having finally and with much discomfort rid himself of the crabs and a relentless, pusy drip. Yet the presence of Helen’s flaming body kept driving away his dread of disease, and finally, when he saw they were going to be together for much more than a one-fighter, he told her: I wouldn’t touch ya, babe. Not till I got me a checkup. She told him to wear a sheath but he said he hated them goddamn things. Get us a blood test, that’s what we’ll do, he told her, and they pooled their money and went to the hospital and both got a clean bill and then took a room and made love till they wore out. Love, you are my member rubbed raw. Love, you are an unstoppable fire. You burn me, love. I am singed, blackened. Love, I am ashes.

o o o

The wagon rolled on and Francis realized it was heading for Colonie Street, where he was born and raised, where his brothers and sisters still lived. The wagon wheels squeaked as they moved and the junk in the back rattled and bounced, announcing the prodigal’s return. Francis saw the house where he grew up, still the same colors, brown and tan, the vacant lot next to it grown tall with weeds where the Daugherty house and the Brothers’ School had stood until they burned.

He saw his mother and father alight from their honeymoon carriage in front of the house and, with arms entwined, climb the front stoop. Michael Phelan wore his trainman’s overalls and looked as he had the moment before the speeding train struck him. Kathryn Phelan, in her wedding dress, looked as she had when she hit Francis with an open hand and sent him sprawling backward into the china closet.

“Stop here a minute, will you?” Francis said to Rosskam, who had uttered no words since ascending from his cellar of passion.

“Stop?” Rosskam said, and he reined the horse.

The newlyweds stepped across the threshold and into the house. They climbed the front stairs to the bedroom they would share for all the years of their marriage, the room that now was also their shared grave, a spatial duality as reasonable to Francis as the concurrence of this moment both in the immediate present of his fifty-eighth year of life and in the year before he was born: that year of sacramental consummation, 1879. The room had about it the familiarity of his young lifetime. The oak bed and the two oak dressers were as rooted to their positions in the room as the trees that shaded the edge of the Phelan burial plot. The room was redolent of the blend of maternal and paternal odors, which separated themselves when Francis buried his face deeply in either of the personal pillows, or opened a drawer full of private garments, or inhaled the odor of burned tobacco in a cold pipe, say, or the fragrance of a cake of Pears’ soap, kept in a drawer as a sachet.