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Then the door clicked shut behind him and he whirled. She was there, her back to the panel, laughing up at him in the dimness. He thought she would come to him then, but instead she twisted by, close, her eyes on his. She smelt of violets and sandalwood. He followed her into the great hal!. quite dark but full of the subdued lights of polished wood, cloisonne, tooled leather and gold-threaded tapestry. She flung open another door, and they were in a small room with a carpet made of rosy silences, and a candle-lit table. Two places were set, each with five different crystal glasses and old silver as prodigally used as the iron pickets outside. Six teakwood steps rose to a great oval window. "The moon," she said, "will rise for us there."

She motioned him to a chair and crossed to a sideboard, where there was a rack of decanters-ruby wine and white; one with a strange brown bead; pink, and amber. She took down the first and poured. Then she lifted the silver domes from the salvers on the table, and a magic of fragrance filled the air. There were smoking sweets and savories, rare seafood and slivers of fowl, and morsels of strange meat wrapped in flower petals, spitted with foreign fruits and tiny soft seashells. All about were spices, each like a separate voice in the distant murmur of a crowd: saffron and sesame, cumin and marjoram and mace.

And all the while Del watched her in wonder, seeing how me candles left me moonlight in her face, and how completely she trusted her hands, which did such deftness without supervision-so composed she was, for all the silent secret laughter that tugged at her lips, for all the bright dark mysteries that swirled and swam within her.

They ate, and the oval window yellowed and darkened while the candlelight grew bright. She poured another wine and another, and with the courses of the meal they were as May to the crocus and as frost to the apple.

Del knew it was alchemy and he yielded to it without questions. That which was purposely oversweet would be piquantly cut; this induced thirst would, with exquisite timing, be quenched. He knew she was watching him; he knew she was aware of the heat in his cheeks and the tingle at his fingertips. His wonder grew, but he was not afraid.

In all this time she spoke hardly a word; but at last the feast was over and they rose. She touched a silken rope on the wall, and paneling slid aside. The table rolled Silently into some ingenious recess and the panel returned. She waved him to an L-shaped couch in one comer, and as he sat close to her, she turned and took down the lute which hung on the wait behind her. He had his moment of confusion; his arms were ready for her, but not for the instrument as well. Her eyes sparkled, but her composure was unshaken.

Now she spoke, while her fingers strolled and danced on the lute, and her words marched and wandered in and about the music- She had a thousand voices, so that he wondered which of them was truly hers. Sometimes she sang; sometimes it was a wordless crooning. She seemed at times remote from him, puzzled at the turn the music was taking, and at other times she seemed to hear the pulsing roar in his eardrums, and she played laughing syncopations to it- She sang words which he almost understood:

"Bee to blossom, honey dew. Claw to mouse, and rain to tree, Moon to midnight. I to you; Sun to starlight, you to me…"

and she sang something wordless:

"Ake ya rundefle, rundefle fye, Orel ya rundefle kown, En yea. en yea. ya bunderbee bye En sor, en see, en sown."

which he also almost understood.

In still another voice she told him the story of a great hairy spider and a little pink girl who found it between the leaves of a half-open book; and at first he was all fright and pity for the girl, but then she went on to tell of what the spider suffered, with his home disrupted by this yawping giant, and so vividly did she tell of it that at the end he was laughing at himself and all but crying for the poor spider.

So the hours slipped by, and suddenly, between songs, she was in his arms; and in the instant she had twisted up and away from him. leaving him gasping. She said, in still a new voice, sober and low. "No. Del. We must wait for the moon."

His thighs ached and he realized that he had half-risen. arms out, hands clutching and feeling the extraordinary fabric of her gown though it was gone from them; and he sank back to the couch with an odd, faint sound that was wrong for the room. He flexed his fingers and, reluctantly, the sensation of white gossamer left them. At last he looked across at her and she laughed and leapt high lightly, and it was as if she stopped in midair to stretch for a moment before she alighted beside him, bent and kissed his mouth, and leapt away.

The roaring in his ears was greater, and at this it seemed to acquire a tangible weight. His head bowed; he tucked his knuckles into the upper curve of his eye sockets and rested his elbows on his knees. He could hear the sweet susurrus of Rita's gown as she moved about the room; he could sense the violets and sandalwood. She was dancing, immersed in the joy of movement and of his nearness. She made her own music, humming, sometimes whispering to the melodies in her mind.

And at length he became aware that she had stopped; he could hear nothing, though he knew she was still near. Heavily he raised his head. She was in the center of the room, balanced like a huge white moth, her eyes quite dark now with their secrets quiet. She was staring at the window, poised, waiting.

He followed her gaze. The big oval was black no longer, but dusted over with silver light. Del rose slowly. The dust was a mist, a loom, and then, at one edge, there was a shard of the moon itself creeping and growing.

Because Del stopped breathing, he could hear her breathe; it was rapid and so deep it faintly strummed her versatile vocal cords.

"Rita…"

Without answering she ran to the sideboard and filled two small glasses. She gave him one, then, "Wait," she breathed,

"oh, wait!"

Spellbound, he waited while the white stain crept across the window. He understood suddenly that he must be still until the great oval was completely filled with direct moonlight, and this helped him, because it set a foreseeable limit to his waiting; and it hurt him, because nothing in life, he thought, had ever moved so slowly. He had a moment of rebellion, in which he damned himself for falling in with her complex pacing; but with it he realized that now the darker silver was wasting away, now it was a finger's breadth, and now a thread, and now, and now-.

She made a brittle feline cry and sprang up the dark steps to the window. So bright was the light that her body was a jet cameo against it. So delicately wrought was her gown that he could see the epaulettes of silver light the moon gave her.

She was so beautiful his eyes stung.

"Drink," she whispered. "Drink with me, darling, darling…"

For an instant he did not understand her at alt, and only gradually did he become aware of the little glass he held. He raised it toward her and drank. And of all the twists and titillations of taste he had had this night, this was the most startling; for it had no taste at all, almost no substance, and a temperature almost exactly that of blood. He looked stupidly down at the glass and back up at the girl. He thought that she had turned about and was watching him, though he could not be sure, since her silhouette was the same.

And then he had his second of unbearable shock, for the light went out.

The moon was gone, the window, the room. Rita was gone. For a stunned instant he stood tautly. stretching hi? eyes wide. He made a sound that was not a word. He dropped the glass and pressed his palms to his eyes, feeling them blink, feeling the stiff silk of his lashes against them. Then he snatched the hands away, and it was still dark, and more than dark; this was not a blackness. This was like trying to see with an elbow or with a tongue; it was not black; it was Nothingness.