Passing through the third doorway, he found himself, not in the passage which the girl had mentioned, but in a spacious court. Stone columns gave the illusion of supporting the ceiling, and at the lop of each, just beneath the capital, was the bas-relief of a cowlike face. Elaborate horns rising from the stone foreheads blended with the capitals and supplied their motifs. It finally dawned on Hall who this cowlike being was. It was Hathor, the Egyptian goddess of love.
He crossed the court without further delay and stepped through a wide doorway into a long corridor. At the end of the corridor, a dark, star-spangled rectangle showed. He made track for it, rejoicing in the cool night air that presently reached his nostrils. Obviously he had been unconscious longer than he had thought.
He could hardly wait to see the stars. He knew perfectly well that he couldn't possibly be in ancient Egypt, that there was another, far more practical, explanation for the presence of the Sphinx and the pyramids and the olive-skinned girl. but just the same it would be good to know for sure. The stars would tell him. Stars did not lie.
Stepping out of the passage, he looked up at them. The structure behind him and the roof of the portico had half of the heavens, but the half that was visible contained not a single familiar constellation. He gave a sigh of relief. A moment later, he wondered why. Wouldn't he be better off if he were in ancient Egypt? There, at least, he would have a chance to live out the rest of his natural life. Here, he would be dead before morning.
The portico was wide and lofty. Four columns, larger but similar in all other respects to the columns he had seen in the court, stood in a row along the marble apron, supporting the roof. Between the two center ones a short flight of wide marble steps descended to the ground. He crossed the apron and went down them.
All was silence. Above his head, a constellation suggestive of a huge crocodile sprawled across the heavens. The white sands of the tableland caught the starlight and shattered it into infinitesimal particles, and the particles glistened softly for miles around, seeming to emit a radiance of their own.
Behind him, the Great Pyramid-he still thought of it as the "Great Pyramid" even though he knew that it wasn't-rose geometrically up into an apex that was nearly 500 feet above me ground. To his left, the lesser pyramids stood, and to his right crouched the Sphinx.
Despite himself, he was struck by her beauty-awed, almost. She had a silvery cast in the starlight. Her flanks rose up like smooth escarpments to the magnificent ridge of her back. Her noble head hid half a hundred stars. The cliff of her classic profile was a splendid silhouette against the sky.
Hall walked toward her in the starlight. He had been impressed by the Great Sphinx of the Gizeh Necropolis. Even in its state of disrepair there was a mysterious quality about it that he had found appealing, a massive grace that had intrigued him. But compared to his sphinx the one of the Gizeh Necropolis was nothing more than a crudely sculptured rocky promontory reinforced with masonry. Stone was all it had ever been and stone was all it could ever be. This sphinx was art apotheosized. No wonder in his dazed and weakened state of a few hours ago he had invested her with life. Even now, thinking clearly again, he felt that at any moment she would rise and walk beneath the stars.
What had happened to the race of people who had sculptured her? Hall wondered. To the race of people who had built the three pyramids over which she was standing guard?
Did that same race of people have something to do with the building of the Egyptian pyramids? Did- Nothing happened to the race of people who built the pyramids, Daniel Hall. And nothing is going to happen to them if they can help it. As the words formed themselves in his mind, he saw that the Brobdingnagian head was turning toward him. Simultaneously he realized that, far from being inanimate, the massive leonine body was rampant with life. At length, me mysterious eyes met his and regarded him like a pair of intelligent golden suns. He stood stark stil] in the starlight, a statue now himself.
In the final analysis there was no reason why a sphinx couldn't be alive. Statues were sculptured of men, too, but this did not mean that men were made of stone.
Even the poor Egyptian child who dressed your wound in the Temple of Hathor is less anthropocentric than you are, Daniel Hall. She realized I was alive the moment she saw me.
And yet you allowed yourself to know resentment simply because her thought world ruled out the possibility of your being her equal, thereby forcing her to think of you as a slave. For shame, Daniel Hall.' "And now what happens?" Hall asked, half in cynicism, half in fear. "Are you going to devour me?"
There, your anthropocentric nature is influencing you again!
You think that merely because a being is larger than you are, it must be evil. And the larger it is, the more evil it becomes in your mind, and the more partial to human flesh. No, I'm not going to devour you, Daniel Hall-it is you and your kind who are going to devour me and my sisters. That is. you would be going to devour us if we hadn't taken the necessary steps to prevent you from doing so, although the possibility exists that you may still succeed. You are on the verge of devouring us, not because you want to at the moment, but because you haven't bothered to find out whether or not we exist.
"That's not true!" Hall objected. "I was sent here myself to find out!"
And so was one of the members of the Uvelian forces. But even if either or both of you were able to report your respective findings to your respective headquarters the battle would still take place, and you know it. Incidentally, it's unnecessary for you to speak, to say nothing of shout. I can receive thoughts as well as send them.
It was you who seized our controls then-who-who caused us to crash.
It was I who seized your controls and caused you to crash, Daniel Hall. My sister in the neighboring demesne took care of your opponent. If our project is successful, we will need both of you. However, although I caused you to crash, Daniel Hail, I had no intention of causing you bodily injury.
Small details are beyond the scope of our telekinesis. But I see that thanks to the skillful ministrations of Ahura, you've fully recovered.
Ahura?
The little Egyptian princess whom you were so rude to a few minutes ago in the Temple of Hathor.
She's no more of an Egyptian princess than you are! Hall "said." Egypt was consolidated with the Union of Terran States over a hundred years ago when the capital was built at Kafr el Haram, and couldn't recognize a princess even if she wanted to. Egyptian princesses were out of style long before that time anyway.
But millennia ago. they were not. Ahura wasn't lying to you-she realty is Cheops' daughter.
But don't you see?-that's more incredible yet.' Cheops' daughter has been dead for over five thousand years!
No, said the Sphinx, Cheops' daughter is very much alive.
However, until yesterday she had been unaware of the fact for quite some time. Not long after I arrived on your planet some fifty-two hundred of your years ago and instituted the project my sisters and I had agreed upon, it came to my attention that in his zeal to see his sepulcher erected Cheops had placed her in the stews. Since I had told him that if he would put all of the resources of his kingdom at my disposal the first pyramid would be his. f felt responsible for his action; and, as I had intended to take back someone like Ahura anyway, I stole her from the stews, placed her in suspended animation, built a special capsule for her. and had one of my sisters come and get her. She was then entombed in a special vault on Pomos-NRGC 984-D to you, Daniel Hall-until such time as I should have need of her. Two days ago I brought her here, dressed her in clothing similar to what she was accustomed to, placed her in the Temple of Hathor. and revived her. Ahura is not her real name. incidentally. She thinks of her ordeal in the stews as having happened only a few days ago and has unconsciously taken the first step toward creating a new identity. 1 interceded in time, but the experience left its mark just the same.