Jean Hubert et al. L'Empire Carolingien. (Paris: Gallimard, 1968)
Meyer Schapiro. Romanesque Art (London: Chatto and Windus, 1977)
George Zarnecki, ed. English Romanesque Art 1066–1200 (London: Royal Academy, 1984)
Hanns Swarzenski. Monuments of Romanesque Art: the Art of Church Treasures in North-Western Europe (London: Faber, 1954; 2-е изд., 1967)
Otto Pacht. Book Illumination in the Middle Ages (London: Harvey Miller, 1986)
Christopher de Hamel. A History of Illuminated Manuscripts (Oxford: Phaidon, 1986; 2-е изд., London, 1994)
J.J.G. Alexander. Medieval Illuminators and their Methods (New Haven-London: Yale U.P., 1992)
Henri Focillon. L'Art d'Occident. Le moyen age roman et gothique. (Paris: Colin, 1947)
Joan Evans. Art in Medieval France (London: Oxford U.P., 1948)
Robert Branner. Chartres Cathedral (London: Thames and Hudson, 1969; переизд. New York: W.W. Norton, 1980)
Max Hirmer, Willibald Sauerlander. Gotische Skulptur in Frankreich. 1140–1270 (Munchen: Hirmer, 1970)
Jean Bony. Cathedrals gothiques en France (Paris: Braun, 1954)
James H. Stubblebine. Giotto, the Arena Chapel Frescoes (London: Thames and Hudson, 1966; 2-е изд., 1993)
Jonathan Alexander, Paul Binski, ed. Age of Chivalry: Art in Plantagenet England 1200–1400 (London: Royal Academy, 1987)
Jean Bony. The English Decorated Style (Oxford: Phaidon, 1979)
Andrew Martindale. Simone Martini (Oxford: Phaidon, 1988)
Millard Meiss. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries (2 vols., New York: Braziller, 1974)
Jean Longnon et al. The Tres Riches Heures of the Duc de Berry (London: Thames and Hudson, 1969; переизд. 1989)
Eugenio Battisti. Brunelleschi: the Complete Work (London: Thames and Hudson, 1981)
Bruce Cole. Masaccio and the Art of Early Renaissance Florence (Bloomington: Indiana U.P., 1980)
Umberto Baldini, Ornella Casazza. La Capella Brancacci (Milano: Olivetti; Electa, 1990)
Paul Joannides. Masaccio and Masolino (London: Phaidon, 1993)
H.W. Janson. The Sculpture of Donatello (Princeton U.P., 1957)
Bonnie A. Bennett, David G. Wilkins. Donatello (Oxford: Phaidon, 1984)
Kathleen Morand. Claus Sluter: Artist of the Court of Burgundy (London: Harvey Miller, 1991)
Elizabeth Dhanens. Hubert and Jan van Eyck (Antwerp: Fonds Mercator, 1980)
Erwin Panofsky. Early Netherlandish Painting: Its Origin and Character (2 vols., Cambridge, Mass.: Harvard U.P., 1953; переизд. New York: Harper and Row, 1971)
Franco Borsi. L.B. Alberti: L'opera completa (Milano: Electa, 1980)
Richard Krautheimer. Lorenzo Ghiberti (Princeton U.P., 1956; пересмотр. изд., 1970)
John Pope-Hennessy. Fra Angelico (London: Phaidon, 1952; 2-е изд., 1974). Русск. перев.:
Джон Поуп-Хеннесси. Фра Анджелико (М.: Слово/Slovo, 1995)
Он же. Uccello (London: Phaidon, 1950; 2-е изд., 1969)
Ronald Lightbown. Mantegna (Oxford: Phaidon-Christie's, 1986)
Jane Martineau, ed. Andrea Mantegna (London: Thames and Hudson, 1992)
Kenneth Clark. Piero della Francesca (London: Phaidon, 1951; 2-е изд., 1969)
Ronald Lightbown. Piero della Francesca (New York: Abbeville, 1992)
L.D. Ettlinger. Antonio and Piero Pollaiuolo (Oxford: Phaidon, 1978)
H. Horne. Botticelli: Painter of Florence (London: Bell, 1908; переработ. изд.: Sandro Botticelli: Life and Work. London: Thames and Hudson, 1989)
О картинах Весна и Рождение Венеры см. мою статью Botticelli's Mythologies — Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995)
John Harvey. The Perpendicular Style (London: Batsford, 1978)
Martin Davies. Rogier van der Weyden: An Essay, with a Critical Catalogue of Paintings ascribed to him and to Robert Campin (London: Phaidon, 1972)
Michael Baxandall. The Limewood Sculptors of Renaissance Germany (New Haven — London: Yale U.P., 1980)
Jan Bialostocki. The Art of the Renaissance in Eastern Europe (Oxford: Phaidon, 1976)
Arnaldo Bruschi. Bramante. Bari: Laterza, 1973 Kenneth Clark. Leonardo da Vinci (Cambridge U.P., 1939; переработ. изд., Harmondsworth: Penguin, 1988)
A.E. Popham, ed. Leonardo da Vinci: Drawings (London: Cape, 1946; переработ. изд., 1973)
Martin Kemp. Leonardo da Vinci: The Marvellous Works of Nature and Man (London: Dent, 1981)
См. также эссе в моих книгах: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 39–56, и New Light on Old Masters (Oxford: Phaidon, 1986; переизд. London, 1993), pp. 32–88.
Herbert von Einem. Michelangelo. Bildhauer, Maler, Baumeister (Berlin: Mann, 1973)
Howard Hibbard. Michelangelo (Harmondsworth: Penguin, 1975; 2-е изд., 1985).
См. особенно введения здесь и в предыдущей книге. Johannes Wilde. Michelangelo: Six Lectures (Oxford U.P., 1978)
Ludwig Goldscheider. Michelangelo: Paintings, Sculpture, Architecture (London: Phaidon, 1953; 6-е изд., 1995)
Michael Hirst. Michelangelo and his Drawings (New Haven-London: Yale U.P., 1988)
Полные каталоги произведений Микеланджело см.: Frederick Hartt. The Paintings of Michelangelo (New York: Abrams, 1964)
Он же. Michelangelo: The Complete Sculpture (New York: Abrams, 1970)
Он же. Michelangelo Drawings (New York: Abrams, 1970)
О Сикстинской капелле см.: Charles Seymour, ed. Michelangelo: the Sistine Ceiling (New York: W.W. Norton, 1972)
Carlo Pietrangeli, ed. The Sistine Chapeclass="underline" Michelangelo Rediscovered (London: Muller, Blond and White, 1986)
John Pope-Hennessy. Raphael (London: Phaidon, 1970)
Roger Jones, Nicholas Penny. Raphael (New Haven-London: Yale U.P., 1983)
Luitpold Dussler. Raphaeclass="underline" Kritisches Verzeichnis der Gemalde, Wandbilder und Bildteppiche (Munchen, 1966)
Paul Joannides. The Drawings of Raphael with a Complete Catalogue (Oxford: Phaidon, 1983)
О Станца делла Сеньятура см. статью в моей книге: Symbolic Images (London: Phaidon, 1972; 3-е изд., Oxford, 1985; переизд. London, 1995), pp. 85-101;
О Мадонне в кресле см. статью в моей книге: Norm and Form (London: Phaidon, 1966; 4-е изд., Oxford, 1985; переизд. London, 1995), pp. 64–80.