G. Walton. Louis XIV and Versailles (Harmondsworth: Penguin, 1986)
Anthony Blunt. Art and Architecture in France 1500–1700 (Harmondsworth: Penguin, 1953; 4-е изд., 1980)
Henry-Russell Hitchcock. Rococo Architecture in Southern Germany (London: Phaidon, 1968)
Eberhard Hempel. Baroque Art and Architecture in Central Europe (Harmondsworth: Penguin, 1965)
Marianne Roland Michel. Watteau: Un artiste au XVIII-e siecle (Paris: Flammarion, 1984)
Donald Posner. Antoine Watteau (London: Weidenfeld and Nicolson, 1984)
Kerry Downes. Sir Christopher Wren (London: Granada, 1982)
Ronald Paulson. Hogarth: His Life, Art and Times (2 vols., New Haven-London: Yale U.P., 1971; сокращен. изд. в одном томе, 1974)
David Blindman. Hogarth (London: Thames and Hudson, 1981)
Ellis Waterhouse. Reynolds (London: Phaidon, 1973)
Nicolas Penny, ed. Reynolds (London: Royal Academy, 1986)
John Hayes. Gainsborough: Paintings and Drawings (London: Phaidon, 1975; переизд. Oxford, 1978)
Он же. The Landscape Paintings of Thomas Gainsborough: A Critical Text and Catalogue Raisonne (2 vols., London: Sotheby's, 1982)
Он же. The Drawings of Thomas Gainsborough (2 vols., London: Zwemmer, 1970)
Он же. Thomas Gainsborough (London: Tate Gallery, 1980)
Georges Wildenstein. Chardin, a Catalogue Raisonne (Oxford: Cassirer, 1969)
Philip Conisbee. Chardin (Oxford: Phaidon, 1986)
H.H. Arnason. The Sculptures of Houdon (London: Phaidon, 1975)
Jean-Pierre Cuzin. Jean-Honore Fragonard: Vie et oeuvre; catalogue complet des peintures (Fribourg: Suisse, 1987)
Oliver Millar. Zoffany and his Tribuna (London: Routledge and Kegan Paul, 1967)
J. Mordaunt Crook. The Dilemma of Style (London: John Murray, 1987)
J.D. Prown. John Singleton Copley (2 vols., Cambridge, Mass.: Harvard U.P., 1966)
Anita Brookner. Jacques-Louis David (London: Chatto and Windus, 1980)
Paul Gassier, Juliet Wilson. The Life and Complete Work of Francisco Goya (New York: Reynal, 1971; переработ. изд., 1981)
Janis Tomlinson. Goya (London: Phaidon, 1994)
David Bindman. Blake as an Artist (Oxford: Phaidon, 1977)
Martin Butlin. The Paintings and Drawings of William Blake (2 vols., New Haven-London: Yale U.P., 1981)
Martin Butlin, Evelyn Joll. The Paintings of J.M.W. Turner, a Catalogue (2 vols., New Haven-London: Yale U.P., 1977; переработ. изд., 1984)
Andrew Wilton. The Life and Work of J.V.W. Turner (London: Academy, 1979)
Graham Reynolds. The Late Paintings and Drawings of John Constable (2 vols., New Haven-London: Yale U.P., 1984)
Malcolm Cormack. Constable (Oxford: Phaidon, 1986)
Walter Friedlander. From David to Delacroix (Cambridge, Mass.: Harvard U.P., 1952)
William Vaughan. German Romantic Painting (New Haven-London: Yale U.P., 1980)
Helmut Borsch-Supan. Caspar David Friedrich (London: Thames and Hudson, 1974; 4-е изд., Munich: Prestel, 1990)
Hugh Honour. Neo-classicism (Harmondsworth: Penguin, 1968)
Он же. Romanticism (Harmondsworth: Penguin, 1981)
Kenneth Clark. The Romantic Rebellion (London: Sotheby's, 1986)
Robert Rosenblum. Ingres (London: Thames and Hudson, 1967)
Robert Rosenblum, H.W. Janson. The Art of the Nineteenth Century (London: Thames and Hudson, 1984)
Lee Johnson. The Paintings of Eugene Delacroix (6 vols., Oxford U.P., 1981–1989)
Michael Clarke. Corot and the Art of Landscape (London: British Museum, 1991)
Peter Galassi. Corot in Italy: Open-Air Painting and the Classical Landscape Tradition (New Haven-London: Yale U.P., 1991)
Robert Herbert. Millet (Paris: Grand Palais; London: Hayward Gallery, 1975)
Courbet (Paris: Grand Palais; London: Royal Academy, 1977)
Linda Nochkin. Realism (Harmondsworth: Penguin, 1971)
Virginia Surtees. The Paintings and Drawings of Dante Gabriel Rossetti (Oxford U.P., 1971)
Albert Boime. The Academy and French Painting in the Nineteenth Century (London: Phaidon, 1971; переизд. New Haven-London: Yale U.P., 1986)
Manet (Paris: Grand Palais; New York: Metropolitan Museum of Art, 1983) John House. Monet (Oxford: Phaidon, 1977; 3-е изд., London, 1991)
Paul Hayes Tucker. Monet in the 90s: The Series Paintings (New Haven — London: Yale U.P., 1989)
Renoir (Paris: Grand Palais; London: Hayward Gallery; Boston: Museum of Fine Arts, 1985)
Pissarro (London: Hayward Gallery; Paris: Grand Palais; Boston: Museum of Fine Arts, 1981)
J. Hillier. The Japanese Print: A New Approach (London: Bell, 1960)
Richard Lane. Hokusai: Life and Word (London: Barrie and Jenkins, 1989)
Jean Sutherland Boggs et al. Degas (Paris: Grand Palais; Ottawa: National Gallery of Canada; New York: Metropolitan Museum of Art, 1988)
John Rewald. The History of Impressionism (New York: Museum of Modern Art, 1946; 4-е изд., London: Secker and Warburg, 1973).
Русск. перевод: Джон Ревалд. История импрессионизма. Перев. А.Н. Изергиной (Л.-М.: Искусство, 1959; 2-е изд.: перев. П.В. Мелковой под ред. М.А. Бессоновой; М.: Республика, 1995)
Robert L. Herbert. Impressionism: Art, Leisure and Parisian Society (New Haven-London: Yale U.P., 1988)
Albert Elsen. Rodin (New York: Metropolitan Museum of Art, 1963)
Catherine Lampert. Rodin: Sculptures and Drawings (London: Hayward Gallery, 1986)
Andrew Maclaren Young, ed. The Paintings of James McNeill Whistler (New Haven-London: Yale U.P., 1980)
K.E. Maison. Honore Daumier: Catalogue of the paintings, Watercolours and Drawings (2 vols., London: Thames and Hudson, 1968)
Quentin Bell. Victorian Artists (London: Routledge and Kegan Paul, 1967) Graham Reynolds. Victorian Painting (London: Studio Vista, 1966)
Robert Schmutzler. Art Nouveau — Jugendstil (Teufen: Niggli, 1962)
Roger Fry. Cezanne: A Study of his Development (London: Hogarth Press, 1927; нов. изд., Chicago U.P., 1989)
William Rubin, ed. Cezanne. The Late Work (London: Thames and Hudson, 1978)
John Rewald. Cezanne: The Watercolours (London: Thames and Hudson, 1983)
John Russell. Seurat (London: Thames and Hudson, 1965)
Richard Thomson. Seurat (Oxford: Phaidon, 1985; переизд. 1990)