Beneath the poster were slots filled with pre-stamped postcards, pre-stamped envelopes, and stationery with a drawing of the Derry Public Library on top in blue ink. The pre-stamped envelopes were a nickel each, the postcards three cents. The paper was two sheets for a penny.
Ben felt in his pocket. The remaining four cents of his bottle money was still there. He marked his place in Hot Rod and went back to the desk. 'May I have one of those postcards, please?'
'Certainly, Ben.' As always, Mrs Starrett was charmed by his grave politeness and a little saddened by his size. Her mother would have said the boy was digging his grave with a knife and fork. She gave him the card and watched him go back to his seat. It was a table that could seat six, but Ben was the only one there. She had never seen Ben with any of the other boys. It was too bad, because she believed Ben Hanscom had treasures buried inside. He would yield them up to a kin d and patient prospector . . . if one ever came along.
8
Ben took out his ballpoint pen, clicked the point down, and addressed the card simply enough: Miss Beverly Marsh, Lower Main Street, Derry, Maine, Zone 2. He did not know the exact number of her building, but his mamma had told him that most postmen had a pretty good idea of who their customers were once they'd been on their beats a little while. If the postman who had Lower Main Street could deliver this card, that would be great. If not, it would just go to the deadletter office and he would be out three cents. It would certainly never come back to him, because he had no intention of putting his name and address on it.
Carrying the card with the address turned inward (he was taking no chances, even though he didn't see anyone he recognized), he got a few square slips of paper from the wooden box by the card-file. He took these back to his seat and began to scribble, to cross out, and then to scribble again.
During the last week of school before exams, they had been reading and writing haiku in English class. Haiku was a Japanese form of poetry, brief, disciplined. A haiku, Mrs Douglas said, could be just seventeen syllables long — no more, no less. It usually concentrated on one clear image which was linked to one specific emotion: sadness, joy, nostalgia, happiness . . . love.
Ben had been utterly charmed by the concept. He enjoyed his English classes, although mild enjoyment was generally as far as it went. He could do the work, but as a rule there was nothing in it which gripped him. Yet there was something in the concept of haiku that fired his imagination. The idea made him feel happy, the way Mrs Starrett's explanation of the greenhouse effect had made him happy. Haiku was good poetry, Ben felt, because it was structured poetry. There were no secret rules. Seventeen syllables, one image linked to one emotion, and you were out. Bingo. It was clean, it was utilitarian, it was entirely contained within and dependent upon its own rules. He even liked the word itself, a slide of air broken as if along a dotted line by the 'k'-sound at the very back of your mouth: haiku.
Her hair, he thought, and saw her going down the school steps again with it bouncing on her shoulders. The sun did not so much glint on it as seem to burn within it.
Working carefully over a twenty-minute period (with one break to go back and get more work-slips), striking out words that were too long, changing, deleting, Ben came up with this:
Your hair is winter f ire,
January embers
My heart bums there, too.
He wasn't crazy about it, but it was the best he could do. He was afraid that if he frigged around with it too long, worried it too much, he would end up getting the jitters and doing something much worse. Or no t doing it at all. He didn't want that to happen. The moment she had taken to speak to him had been a striking moment for Ben. He wanted to mark it in his memory. Probably Beverley had a crush on some bigger boy — a sixth — or maybe even a seventh-grader, and she would think that maybe that boy had sent the haiku. That would make her happy, and so the day she got it would be marked in her memory. And although she would never know it had been Ben Hanscom who marked it for her, that was all right; he would know.
He copied his completed poem onto the back of the postcard (printing in block letters, as if copying out a ransom note rather than a love poem), clipped his pen back into his pocket, and stuck the card in the back of Hot Rod.
He got up then, and said goodbye to Mrs Starrett on his way out.
'Goodbye, Ben,' Mrs Starrett said. 'Enjoy your summer vacation, but don't forget about the curfew.'
'I won't.'
He strolled through the glassed-in passageway between the two buildings, enjoying the heat there (greenhouse effect, he thought smugly) followed by the cool of the adult library. An old man was reading the News in one of the ancient, comfortably overstuffed chairs in the Reading Room alcove. The headline just below the masthead blazed: DULLES PLEDGES us TROOPS TO HELP LEBANON IF NEEDED! There was also a photo of Ike, shaking hands with an Arab in the Rose Garden. Ben's mamma said that when the country elected Hubert Humphrey President in 1960, maybe things would get moving again. Ben was vaguely aware that there was something called a recession going on, and his mamma was afraid she might get laid off.
A smaller headline on the bottom half of page one read POLICE HUNT FOR PSYCHOPATH GOES ON.
Ben pushed open the library's big front door and stepped out.
There was a mailbox at the foot of the walk. Ben fished the postcard from the back of the book and mailed it. He felt his heartbeat speed up a little as it slipped out of his fingers. Whatif she knows it's me, somehow?
Don't be a stupe, he responded, a little alarmed at how exciting that idea seemed to him.
He walked off up Kansas Street, hardly aware of where he was going and not caring at all. A fantasy had begun to form in his mind. In it, Beverly Marsh walked up to him, her gray-green eyes wide, her auburn hair tied back in a pony-tail. I want to ask you a question, Ben, this make-believe girl said in his mind, and you've got to swear to tell the truth. She held up the postcard. Did you write this?
This was a terrible fantasy. This was a wonderful fantasy. He wanted it to stop. He didn't want it to ever stop. His face was starting to burn again.
Ben walked and dreamed and shifted his library books from one arm to the other and began to whistle. You'll probably think I'm horrible, Beverly said, but I think I want to kiss you. Her lips parted slightly.
Ben's own lips were suddenly too dry to whistle.
'I think I want you to,' he whispered, and smiled a dopey, dizzy, and absolutely beautiful grin.
If he had looked down at the sidewalk just then, he would have seen that three other shadows had grown around his own; if he had been listening he would have heard the sound of Victor's cleats as he, Belch, and Henry closed in. But he neither heard nor saw. Ben was far away, feeling Beverly's lips slip softly against his mouth, raising his timid hands to touch the dim Irish fire of her hair.
9
Like many cities, small and large, Derry had not been planned — like Topsy, it just growed. City planners never would have located it where it was in the first place. Downtown Derry was in a valley formed by the Kenduskeag Stream, which ran through the business district on a diagonal from southwest to northeast. The rest of the town had swarmed up the sides of the surrounding hills.
The valley the township's original settlers came to had been swampy and heavily grown over. The stream and the Penobscot River into which the Kenduskeag emptied were great things for traders, bad ones for those who sowed crops or built their houses too close to them — the Kenduskeag in particular, because it flooded every three or four years. The city was still prone to flooding in spite of the vast amounts of money spent over the last fifty years to control the problem. If the floods had been caused only by the stream itself, a system of dams might have taken care of things. There were, however, other factors. The Kenduskeag's low banks were one. The entire area's logy drainage was another. Since the turn of the century there had been many serious floods in Derry and one disastrous one, in 1931. To make matters worse, the hills on which much of Derry was built were honeycombed with small streams — Torrault Stream, in which the body of Cheryl Lamonica had been found, was one of them. During periods of heavy rain, they were all apt to overflow their banks. 'If it rains two weeks the whole damn town gets a sinus infection,' Stuttering Bill's dad had said once.