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For he had grown to be a man, and was about to be immersed in things--as indeed the chambermaid, emptying his basin upstairs, fingering keys, studs, pencils, and bottles of tabloids strewn on the dressing-table, was aware.

That he had grown to be a man was a fact that Florinda knew, as she knew everything, by instinct.

And Betty Flanders even now suspected it, as she read his letter, posted at Milan, "Telling me," she complained to Mrs. Jarvis, "really nothing that I want to know"; but she brooded over it.

Fanny Elmer felt it to desperation. For he would take his stick and his hat and would walk to the window, and look perfectly absent-minded and very stern too, she thought.

"I am going," he would say, "to cadge a meal of Bonamy."

"Anyhow, I can drown myself in the Thames," Fanny cried, as she hurried past the Foundling Hospital.

"But the Daily Mail isn't to be trusted," Jacob said to himself, looking about for something else to read. And he sighed again, being indeed so profoundly gloomy that gloom must have been lodged in him to cloud him at any moment, which was odd in a man who enjoyed things so, was not much given to analysis, but was horribly romantic, of course, Bonamy thought, in his rooms in Lincoln's Inn.

"He will fall in love," thought Bonamy. "Some Greek woman with a straight nose."

It was to Bonamy that Jacob wrote from Patras--to Bonamy who couldn't love a woman and never read a foolish book.

There are very few good books after all, for we can't count profuse histories, travels in mule carts to discover the sources of the Nile, or the volubility of fiction.

I like books whose virtue is all drawn together in a page or two. I like sentences that don't budge though armies cross them. I like words to be hard--such were Bonamy's views, and they won him the hostility of those whose taste is all for the fresh growths of the morning, who throw up the window, and find the poppies spread in the sun, and can't forbear a shout of jubilation at the astonishing fertility of English literature. That was not Bonamy's way at all. That his taste in literature affected his friendships, and made him silent, secretive, fastidious, and only quite at his ease with one or two young men of his own way of thinking, was the charge against him.

But then Jacob Flanders was not at all of his own way of thinking--far from it, Bonamy sighed, laying the thin sheets of notepaper on the table and falling into thought about Jacob's character, not for the first time.

The trouble was this romantic vein in him. "But mixed with the stupidity which leads him into these absurd predicaments," thought Bonamy, "there is something--something"--he sighed, for he was fonder of Jacob than of any one in the world.

Jacob went to the window and stood with his hands in his pockets. There he saw three Greeks in kilts; the masts of ships; idle or busy people of the lower classes strolling or stepping out briskly, or falling into groups and gesticulating with their hands. Their lack of concern for him was not the cause of his gloom; but some more profound conviction--it was not that he himself happened to be lonely, but that all people are.

Yet next day, as the train slowly rounded a hill on the way to Olympia, the Greek peasant women were out among the vines; the old Greek men were sitting at the stations, sipping sweet wine. And though Jacob remained gloomy he had never suspected how tremendously pleasant it is to be alone; out of England; on one's own; cut off from the whole thing. There are very sharp bare hills on the way to Olympia; and between them blue sea in triangular spaces. A little like the Cornish coast. Well now, to go walking by oneself all day--to get on to that track and follow it up between the bushes--or are they small trees?--to the top of that mountain from which one can see half the nations of antiquity--

"Yes," said Jacob, for his carriage was empty, "let's look at the map." Blame it or praise it, there is no denying the wild horse in us. To gallop intemperately; fall on the sand tired out; to feel the earth spin; to have--positively--a rush of friendship for stones and grasses, as if humanity were over, and as for men and women, let them go hang-- there is no getting over the fact that this desire seizes us pretty often.

The evening air slightly moved the dirty curtains in the hotel window at Olympia.

"I am full of love for every one," thought Mrs. Wentworth Williams, "-- for the poor most of all--for the peasants coming back in the evening with their burdens. And everything is soft and vague and very sad. It is sad, it is sad. But everything has meaning," thought Sandra Wentworth Williams, raising her head a little and looking very beautiful, tragic, and exalted. "One must love everything."

She held in her hand a little book convenient for travelling--stories by Tchekov--as she stood, veiled, in white, in the window of the hotel at Olympia. How beautiful the evening was! and her beauty was its beauty. The tragedy of Greece was the tragedy of all high souls. The inevitable compromise. She seemed to have grasped something. She would write it down. And moving to the table where her husband sat reading she leant her chin in her hands and thought of the peasants, of suffering, of her own beauty, of the inevitable compromise, and of how she would write it down. Nor did Evan Williams say anything brutal, banal, or foolish when he shut his book and put it away to make room for the plates of soup which were now being placed before them. Only his drooping bloodhound eyes and his heavy sallow cheeks expressed his melancholy tolerance, his conviction that though forced to live with circumspection and deliberation he could never possibly achieve any of those objects which, as he knew, are the only ones worth pursuing. His consideration was flawless; his silence unbroken.

"Everything seems to mean so much," said Sandra. But with the sound of her own voice the spell was broken. She forgot the peasants. Only there remained with her a sense of her own beauty, and in front, luckily, there was a looking-glass.

"I am very beautiful," she thought.

She shifted her hat slightly. Her husband saw her looking in the glass; and agreed that beauty is important; it is an inheritance; one cannot ignore it. But it is a barrier; it is in fact rather a bore. So he drank his soup; and kept his eyes fixed upon the window.

"Quails," said Mrs. Wentworth Williams languidly. "And then goat, I suppose; and then..."

"Caramel custard presumably," said her husband in the same cadence, with his toothpick out already.

She laid her spoon upon her plate, and her soup was taken away half finished. Never did she do anything without dignity; for hers was the English type which is so Greek, save that villagers have touched their hats to it, the vicarage reveres it; and upper-gardeners and under- gardeners respectfully straighten their backs as she comes down the broad terrace on Sunday morning, dallying at the stone urns with the Prime Minister to pick a rose--which, perhaps, she was trying to forget, as her eye wandered round the dining-room of the inn at Olympia, seeking the window where her book lay, where a few minutes ago she had discovered something--something very profound it had been, about love and sadness and the peasants.

But it was Evan who sighed; not in despair nor indeed in rebellion. But, being the most ambitious of men and temperamentally the most sluggish, he had accomplished nothing; had the political history of England at his finger-ends, and living much in company with Chatham, Pitt, Burke, and Charles James Fox could not help contrasting himself and his age with them and theirs. "Yet there never was a time when great men are more needed," he was in the habit of saying to himself, with a sigh. Here he was picking his teeth in an inn at Olympia. He had done. But Sandra's eyes wandered.