"You and the Chrysler Building," Byrne had said, smiling and spreading his hands. "Two New York City monoliths, together at the same time. If it works—and it will—people from coast to coast will know your name. Mine too, of course, but that's neither here nor there."
"You're proposing to vanish the Chrysler Building," Filmore had replied, leaning back in his chair and looking out over the cloudy city beyond his office window. "With me in it."
Byrne had shrugged. "What better way to cement both of our careers at the same time, right, Senator? We both know that these days, show business and politics are really just two sides of the same coin. Besides, it'll be fun."
Filmore tilted a sideways glance at Byrne. "How will you do it?"
Byrne sighed languidly. "It's magic," he answered. "Which means it's either surprisingly simple or mind-bogglingly complex. Neither answer is ever very satisfying to the viewer. So what do you say, Senator?"
Filmore had agreed, of course, albeit somewhat reluctantly. If it had required anything more than an evening's stopover in the lobby of the famed steel skyscraper, he probably wouldn't have. Looking around from his vantage point by the lobby doors, he began to get a sense that this trick was, in fact, going to be of the 'mind-bogglingly complex' variety. There were massive mirrors on swiveling stands, for instance, positioned just outside the view of the barricaded crowds. A monstrous scaffolding, nearly thirty stories tall, had been erected in front of the building. It was equipped with a skyscraper-sized curtain that could be lowered and raised on Byrne's command, giving his crews time to manage whatever complicated machinations were going to be required for the illusion. Looking at the official observation platform, half a block away, Filmore had some idea of how the trick was probably going to be accomplished. He didn't understand all of it, but he understood enough to know that the entire trick depended on countless tiny details, from sightlines and camera editing to crowd psychology and even the angle of the setting sun. In his own way, Byrne was very intelligent, although, as the man had suggested, seeing some of the complicated behind-the-scenes rigging of such a trick definitely tended to reduce one's appreciation for it.
Now that he was officially off-camera, Filmore turned and crossed the deserted lobby, entering a side door next to the security desk. There, he found a small room dominated by two soda machines, a long leather sofa and a plasma television. On the screen, a remote feed of the external cameras showed what the rest of the world was going to see. Filmore's bodyguard, John Deckham, a former fellow football player with a perfectly bald head, was seated on the sofa, watching the proceedings on the huge plasma screen with mild interest.
"Looked good," Deckham commented, nodding toward the television. "They did a close up on you waving. Very 'man of the people'."
Filmore sighed as he sat down on the opposite end of the sofa. "Feels like schtick. I hate schtick."
"Schtick makes the world go 'round," Deckham shrugged, lifting a bag of pistachios and pouring out a handful.
Filmore settled in to watch the event. On the screen, Michael Byrne raised his arms as the camera zoomed dramatically toward him, framing him against the sunset as it reflected from the city's mirrored windows.
"And now," Byrne announced, his voice amplified over the crowd, echoing grandly, "you've seen me escape from Alcatraz prison. You've witnessed my triumph over the Egyptian Sepulcher of Doom. You've watched as I've vanished a live elephant, and then an airliner, and finally a moving freight train. Now, for the first time ever, I will perform the greatest feat of illusion ever attempted. Not only will I vanish one of the greatest landmarks of the city of New York, the legendary Chrysler Building, from its very foundation: I will do so while it is occupied by your senator, a landmark himself, the honorable and respected Charles Hyde Filmore!"
On the screen, the crowd cheered again. Filmore could hear the echo of their cheers emanating from the lobby beyond. Byrne smiled triumphantly into the camera, extending his arms, palms up, exulting amidst the dying sunlight. As the crowd began to quiet again, banks of spotlights ratcheted into place, illuminating the front of the building like an enormous jewel. Byrne raised his arms, still palms up, and then dropped them. On cue, hundreds of yards of red fabric unfurled from the scaffolding that fronted the building. It poured down like water, shimmering grandly in the spotlights, and finally hit the street with an audible fwump. From the perspective of the television cameras, as well as the viewers on the observation platform, the curtain completely obscured the building. Standing silhouetted against the waving red fabric, Byrne lowered his head. He appeared to be in deep concentration. The crowd waited breathlessly.
At the end of the sofa, Deckham rooted in his bag of pistachios. "So, how's he doing this anyway?" he asked. "Did he tell you?"
"No," Filmore replied. "Trade secret and all that. All I know is we're supposed to wait in here for a minute or so while he convinces everyone the place has disappeared. When it's all over, the building reappears and I come back out the front door, waving like a goombah. Thank you and goodnight."
"Are we really the only people in the whole building?"
Filmore nodded, smiling ruefully. "That Byrne's a genius, really. He arranged to have the Department of Health evacuate the building, claiming that he could only promise the safety of one person—yours truly—when the building 'crossed over into the unknowable dimensions'."
"He didn't," Deckham laughed, crunching pistachios.
Filmore nodded again. On the television screen, Byrne was still standing with his head down, his arms hanging at his sides as if somebody had switched him off. A drumroll began. Slowly, Byrne began to raise his arms again, and as he did, he turned away from the wall of shimmering red fabric. The drumroll increased, building to an almost unbearable crescendo. Now Byrne had his back fully to the curtain, arms raised and head lowered, his hair obscuring his face, and still he paused.
Suddenly, the building around Filmore shuddered violently. Dust sifted from the ceiling and the power flickered, sputtered, and died. Filmore sat up, alarmed.
"What was—" he began, but stopped as a whirring noise deep in the bowels of the building cycled to life. The lights flickered on again and the television screen blinked into motion.
Deckham looked wary. "Was that supposed to happen?"
"I… guess so," Filmore answered slowly, nodding toward the television. "Look."
Apparently, the scene outside had not changed. Byrne still stood with his arms held out, his head lowered. Finally, theatrically, he dropped his arms and raised his head, flinging his hair back. Jets of white sparks burst into the air and the red curtain dropped, swirling and billowing as it fell. Beyond it was only empty space, punctuated by the crisscrossing beams of a dozen spotlights. The great shining building certainly appeared to be gone. The crowd exploded into frenzied applause and a live band struck up a tumultuous fanfare.