Good Nose on Ugly Dog: Determined to distance herself from both Bruiser and Evangelina, and needing to shift to heal from the wounds inflicted by Leo, Jane heads out on Bitsa to find a good location, stopping for a bucket of chicken on the way. Since she wants an extraordinary sense of smell to examine Safia’s body in the morgue, Jane takes along her fetish bone necklace and shifts into a bloodhound. Beast, never pleased when Jane shifts into any other form besides hers, nonetheless grudgingly admits that the dog does indeed have a good nose. Managing to sneak into the morgue, Jane-as-a-bloodhound finds the room where Safia’s body is kept, and opens the drawer with her paws. Jane scents a number of people and creatures on the body: Kemnebi, the female werewolf, Girrard, Katie, and Rick. After narrowly escaping detection and subsequently returning to human form, Jane goes home to look over the files from the woo-woo room at NOPD, discovering one she had never seen before discussing speculations as to the history of weres. She also finds what appears to be a page from a journal, mentioning Magnolia’s disappearance and Leo’s state afterward, but there is no indication as to whose journal the section came from, though they describe themselves as “once Christian.” When she goes online to learn more about the Cursed of Artemis, Jane reads that skinwalkers may be extinct—something that hits home to her, since she may have killed the only other one. One theory also states that the weres and skinwalkers (the weres’ forebears) may have been in conflict. This leads Jane to suspect that Leo knows more about her than she would like.
You Like the Boy Toy: Jane wakes to a call from Sloan Rosen, one of the other cops working in Rick’s section. He asks Jane if she has seen or heard from Rick, as he hasn’t checked in for over twenty-four hours, though he is supposed to twice a day. Jane realizes that the call is Sloan’s way of telling her to look for Rick, as he must be in trouble. Jane then receives a call from Leo, telling her that Kemnebi’s request that no autopsy be performed on Safia has been granted, and Leo wants Jane to find the killer. Realizing she needs help tracking down Rick, Jane calls Reach, an excellent but very expensive hacker, to locate Rick’s cell, as well as to try to determine where the photos of him were taken. Jane arrives at vamp HQ, and at breakfast gets a whiff of the waiter, sure it is Girrard, glamoured, and takes him down. She demands he take back the face she is used to, guesses that he is an elf, and wants his word he will answer questions. Girrard says he does not know who killed Safia, but that it wasn’t Leo or Bruiser. Jane, Girrard, and Wrassler watch the security feed from the night of Safia’s murder, and by slowing down the feed they see Safia come and go through a hidden place in the brick wall outside. The three then see the face of the man she was with—Rick.
When she leaves HQ, Jane finds an envelope on Bitsa’s seat, which she sticks in her bag without opening. Thinking over her relationship with Rick, Jane realizes that just as Leo owns Bruiser, the NOPD owns Rick. The envelope contains photos—of Roul standing over a dead werelion, and others with a human baby and Safia with kittens, and also a copy of Leo’s edict in 1916 banishing the werewolves from New Orleans. Suddenly Girrard appears in Jane’s room with a sword.
You Belong to Me: With Beast’s aid, Jane takes a few flying leaps, but Girrard (or Gee, as Jane thinks of him) is by that time sitting in the chair in her room, and tells her he is impressed. He asks if she likes the photos he sent, and Jane asks if they are fake, stating that his presence and that of the werewolves at the same time is too coincidental to be real coincidence. Gee explains the role of the Mercy Blade: to bring death to the rogues or scions who cannot move beyond devoveo, and their blood (that of the Blades) aids in bringing the suffering parents out of dolore. This arrangement began with the Sons of Darkness. Gee says he has gone to see Katie. When Jane asks what the reward for the Mercy Blade is, Gee responds that being around the vampires allows his kind to open a passage between worlds—a gateway to their own. Gee says Safia’s lover (he means Rick) likely saw her killed, and that Bruiser didn’t do it. Before he disappears, Gee tells Jane that she is goddess-born.
Jane calls Bruiser, asking questions, and surmises that clan members who had been with Leo since before 1915 would have knowledge of who needed to be killed so it would look as though Leo was trying to remove everyone loyal to his uncle. Jane decides that Tyler may be a good candidate for setting up Bruiser, so she goes to the clan home to search his room when he is not there. Jane hits the jackpot, finding spent shell casings and a gun hidden in a guitar case. Taking photos of the evidence, Jane e-mails them to Jodi, and then learns from Nettie, the housekeeper, that Tyler used to be head of security for Clan Rochefort, coming over from France with Leo’s son’s fiancee, Amitee. When leaving, Jane calls Sloan, who has not yet heard from Rick, but he lets her know that Jodi received her message and has a plan.
Hoping to spot Tyler out on the town, Jane heads over to the Royal MoJo Blues Company. Though she doesn’t see Tyler, she does see Katie, who appears sane. When they talk, Katie tries to hire Jane to kill Leo, for having deprived her of all of the power she gained from the blood of the vamps she was healing in, and when Jane refuses, she also suggests to Katie that she ask Leo to name her his heir.
Woad: After one more dance, Jane leaves the club, feeling clearheaded and slightly relaxed, though disappointed that she didn’t catch sight or scent of Rick or Tyler. Jane thinks about the spell that Gee put on her, and decides that he and Tyler are at the heart of whatever is going on. When she arrives back at the house, she walks in on Bruiser and Evangelina playing what appears to be a very cozy game of Parcheesi—so much so that the pink of the woman’s shirt casts a glow over the two of them. Jane tells Evangelina she needs her help in finding and removing the spell Gee put on her. Evangelina agrees, gathering her tools needed for the ritual, sending Jane into a type of trance. Taking Jane into her soul home, Evangelina tries to get Jane to tell her what she is, especially after Jane says there are always two of them together, but Jane refuses. After discovering the type of spell Gee used, a woad, at the same time as trying to disperse it, Evangelina attempts to attach her own to Jane, which results in Jane destroying both spells with fire.
When she awakens, Jane sees that Evangelina was physically burned on her arms, and she hears the woman tell Bruiser that Jane will be fine, but that she still doesn’t know what Jane is, just what she isn’t. Pretending that she is still asleep, Jane sees the pinkish glow still surrounding Bruiser, and realizes that Evangelina has put a love spell on him. When the two leave the room, Jane does so too, going outside and calling Molly. Jane explains to her friend everything that has happened, and what occurred during the spell-removal session. Molly warns Jane that soon people may discover what she is. The two women discuss the image of an eye that Jane now can see on her palm, part of Gee’s spell, which Molly says should allow Jane to track him. On the phone, Angie tells Jane that the blue man is still watching her, and that she needs to watch out for Bruiser, Rick, and the “Man-Cat” too. Jane spots Gee outside in the spot people always choose to spy on her house from, and discovers that she can now see the layers of his glamours. Jane walks over to Gee, him unaware of her presence.
A Fashionista’s Closet Full of Falling Stilettos: Sneaking up on Gee, Jane notes that he appears to be sleeping, thinking himself invisible. Using one of her blades, Jane slices into the misty sphere surrounding Gee, draws blood, and realizes that she has inadvertently cut into his actual body. The mist closes back up, and Jane gets a look at the form within—some type of creature with wings, one she has seen before in the emblem in the foyer of Leo’s clan home. Back at the house, Jane confronts Bruiser, who seems to know nothing about what Gee really is, but identifies the animal in the design as an Anzu, a mythical beast with an attachment to humans. Jane weapons up and heads over to the vamp cemetery to have a chat with Sabina, figuring that the ancient vampire will have the answers she seeks. Calling Leo to make sure she can get into the property without a problem, Jane is practically speechless with surprise when Leo apologizes for his attack on her earlier, when he was under the influence of Katie’s blood. When she arrives at the cemetery, Jane notices that the angel on top of one of the mausoleums bears a striking resemblance to Gee.