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Still, she made a great effort to speak frankly with Assaf and explain her actions. He never complained when she did that. Sometimes she wished he would. But instead he seemed to accept what she said as a far more mature person might, because he understood she could only do what she was capable of doing, or perhaps because he was so close to her in his heart that he sensed the helplessness she felt in wanting to do more and be more, to be both mother and father to him and, indeed, to be all those other family members which some boys had and he didn't.

This intense closeness between them had always been evident to Anna, and the divorce and Yossi's death had only deepened what was already there. There were times when Anna truly regretted how much they were alike in temperament, in manner, in feeling. Because it led to a great sharing between them, even when it was unspoken, and she feared in some obscure way that by sharing so much with her son she might be depriving him of his childhood, burdening him with a knowledge beyond his years and denying him childhood's richest gift, that bounty of glowing, joyful memories which could forever be cherished later in life. But Anna's own childhood had been neither lighthearted nor carefree, with her brother her only companion for much of it, and there was no way to know how Assaf's life on Ethiopia Street would have been different had Yossi lived and been part of it, even if only from a distance.

At home Assaf tended to be a quiet, dreamy boy whose fingers worked restlessly while his mind wandered elsewhere. When Anna went out to paint in the afternoons, Assaf sometimes went with her. She would find some peaceful spot in an olive grove and quickly fall under the spell of her work, while Assaf roamed the hillside and explored the crevices in the parched stony land. For hours he would play alone and amuse himself, much as she had done as a child, but it pleased her immensely that he had the sunlit slopes of Jerusalem for his playing fields, rather than the dark narrow rooms on a crowded street which she had known in Cairo.

Assaf gathered rocks and built strange structures, imagining castles and moats and causeways. Or he returned proudly with slivers of pottery to show her, a curved surface or broken handle for her to admire, some secret remnant of Jerusalem's long history which he had recovered from its hiding place in the rocks and crevices.

But if there were a view of the Old City from the hillside where she had led him, Assaf often sat down and did nothing. Then, for an entire afternoon, he would be content merely to sit and gaze through the silver-green leaves of the olive trees at the massive walls in the distance, entranced by the majestic splendors of that ancient mirage which floated so mysteriously on the far side of the valleys, the domes and towers and minarets of Jerusalem lightly adrift in the heavens on the haze of a summer day.

Assaf could also see the Old City from the balcony of his room. When she came to put him to bed in the evening, Anna sometimes found him sitting out there in the shadows, gazing east at the yearning nighttide fingers of the Old City, those same towers and minarets now darkly set against the stars. Anna sat down beside him and held him.

It's beautiful, isn't it, she whispered. So exquisitely beautiful. Nothing in the world can compare to it.

And it's so very close, whispered Assaf. How long would it take us to walk there, if we could?

Ten minutes, no more. Out to the end of Ethiopia Street and down the Street of the Prophets and across a flat space and there we would be right in front of Damascus Gate, which has that name because the ancient road to Damascus begins there. The great golden dome rising above Damascus Gate, beyond it really, is the Mosque of the Dome of the Rock, the rock which was called the threshing-floor of Araunah the Jebusite when King David first came to Jerusalem and made it his capital, the place where Abraham went to sacrifice Isaac and where Solomon raised the Temple and where Mohammed is said to have mounted his horse to ascend to heaven, a great broad rock which is the heart of the Temple Mount. And on one side of the Temple Mount is the retaining wall known as the Western Wall where our people have prayed for two thousand years, since the Second Temple was destroyed. And to the right of Damascus Gate are the two domes of the Church of the Holy Sepulchre, and in between and all around are the minarets and spires of the other churches and mosques.

Assaf nodded. He knew all this by heart but never tired of hearing it repeated.

And are the alleys of the Old City the way Tajar describes them? he asked. Are there really so many different peoples speaking so many different languages and living in a dozen different eras? Two dozen different eras?

Anna smiled at these words of Tajar repeated so exactly by her son.

Oh yes, she said, it never really changes. It was still like that when I went there before the city was divided.

Someday I'll go to the Old City, said Assaf.

I hope so, sweet one. When there's peace you'll go. But what do you think when you look at it now?

I think of father, said Assaf. I want to go there for him because he never could. I want to stand at the Wall and say his name and repeat his name so God will know I came for him. To the Wall, the place, for him.

***

Surely it's good, Anna, said Tajar. It's right for him to think of Yossi as he longs for our City of Peace. It's only as it should be. Nothing could be better for Assaf than to be growing up in Jerusalem. And peace will come, you know. There won't always be a divided Jerusalem and an ugly no-man's-land between us and the Old City. We've negotiated with the Jordanians before and it will happen again. A little time is all we need. You'll see. . . .

When Assaf was growing up he heard many stories about his father, lovingly retold by Anna and Tajar.

Yossi as a boy in Iraq, for one. Yossi leaving his village every afternoon to run across the fields and the desert to the town where he had worked as a bookkeeper, running and running as fast as the wind, seeing and feeling everything. This memory from his father's life became so deeply embedded in Assaf that he himself had to live it out in some way, which was how his dangerous trek to Petra came about.

A strange dream, the ruins of Petra, and Assaf wasn't alone in feeling its lure.

***

The desert capital of the vanished people known as the Nabataeans lay in the biblical land of Edom south of the Dead Sea, about fifteen miles east of the Israeli border near the Wadi Musa, one of the traditional sites where Moses struck the rock and water gushed forth. From Petra, some two millennia ago, the Nabataeans controlled the trade which brought spices from India and Africa to the Gulf of Aqaba, and thence by caravan up the Great Rift to Damascus in the north, and across the Negev in the west to Gaza, on the old route of frankincense and myrrh to the shores of the Mediterranean.

Herod's mother was a noblewoman of Petra. Both accessible and secluded in ancient times, its valley was enclosed by cliffs of red and purple sandstone eroded into fantastic shapes and displaying towering rock-cut temples and tombs with columned façades, so huge they appeared to be deserted palaces fashioned by a forgotten race of giants. It was an eerily romantic place which was lost to history before the Middle Ages and only rediscovered when the Swiss explorer Burckhardt passed that way in the nineteenth century and wrote his famous description of Petra: a rose-red city half as old as time.

For Assaf as for other young Israelis, the dream of seeing forbidden Petra became one of those symbolic journeys that can haunt the youthful adventurers of a generation, a way of breaking out of history's confines through a near-mystical trial of courage and daring.