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What about? asked Munk.

Nothing, as it turns out.

No, I mean what does he say?

That's just it, he doesn't say anything. Nothing at all. He's so mysterious he doesn't even see us when we come up to him. Just goes right on pacing and muttering, in his own world altogether, some kind of holy vocation, don't you see. Now the other stop is a cubbyhole not far from Damascus Gate. A cobbler works in that cubbyhole, and according to Haj Harun he's been here much longer than the man on the top of the stairs, ever since the beginning in fact. He was already a man when Haj Harun was still a boy, and that dates him certainly. So he has a great deal to say. But the odd thing is, we can never find him.

Why? asked Munk.

Because Haj Harun can never remember where his cubbyhole is. It's near Damascus Gate, but exactly where he can't recall. Of course the configurations of the alleys have changed a bit since then. The last time Haj Harun did find the cobbler on a New Year's Eve, you see, was just before the Captivity. But the cobbler's here all right. Has to be. It's his home. So we keep looking.

Joe smiled. He drummed his fingers on the table.

That's right, Munk. A case of the crypt and the cobbler. Now this cobbler, as Haj Harun remembers, is just about the most talkative fellow you'll ever meet. He talks and talks and brings the events of a year up to date in minutes. And why not, dealing with soles the way he does? Having been around since the beginning the way he was? To him the world's a shoe just walking and walking and never standing still, what else does he see? No solitary silent crypt for him, not hardly. He's out there in the turmoil with the shouts and the cries of the hawkers, out there amidst the peddlers of commerce and empires, right out there where the crowds never cease to pass, sitting in his cubbyhole not far from Damascus Gate, a witness to it all.

While that other fellow, Munk, the one with the mysteries, he just mutters and paces in the gloom on top of the stairs in the church, going no place to outward appearances but guarding his crypt all the same.

Pondering the darkness down there, I suppose. So what's that make them, do you think, opposites in the game? Partners therefore?

I've asked myself that question, Munk, and when I did, quick came the answer. Joe you unsteady bogman, said this voice inside me, listen to your own unsteady conscience. The reason you have the one is because you have the other. No way to do it without both, not if you're going to have an eternal city. A mysterious crypt, you say, and a man devoted to it? Just dandy, all fine and good. But what about everyday people and their everyday chores and concerns? That's the world too and the truth of it.

Granted, I say. Assuredly. And then the voice comes back and says to me, all right then, and what's the view from the opposite side of the bog? If the world were nothing but turmoil and cries and shouts, nothing but commerce and peddlers and emperors and so forth, just walking and walking around, would that do us? Would it really now?

Well no, I answer at once. In all truth, it wouldn't.

And so? says this voice inside me, this person thinking his and her thoughts. And so?

And so you've got me, I answer. Just walking around won't do. We have to have this other fellow who minds the crypt. Or mines it or whatever. It's all the same with a dark silent crypt containing mysterious secrets, mining it or minding it, who can say. And if all this sounds to you like a bloody convoluted description of the situation, Munk, I can only say it is. But no more convoluted than the situation itself, which is those alleys near Damascus Gate where Haj Harun has been on the lookout for his cobbler friend these last two thousand five hundred years. Where you're dealing with an eternal city, in other words, you've got to know its basic professions, cobbler and crypt minder-miner.

Makes you dizzy does it, Munk, the simplicity of these professions? It does me, I can tell you that, it makes me dizzy up here on top of the mountain. Of course it'd be different if I were like Haj Harun up there on his safe and could take the long view the way he does, but I wonder if I'd want to? Seems to me one Babylonian invasion is enough. Seems to me watching the Crusaders clank around with their bloody awful swords, just once, would be more than enough. Me, I don't want to go back on the run in the hills of southern Ireland. Don't want to crawl onto that terrible quay in Smyrna again and see Stern pick up a knife and slit a girl's throat out of kindness. I just can't manage it. I'm a bogman and I'm down there and this mountain is too high for me. I can't really climb it, can't ever reach the top. I don't have the cause that would allow me to do that. You've got a cause all right but I've just been a visitor here, and the visit's up and now I'm leaving.

Munk had been gazing thoughtfully at Joe. All at once Cairo burst out laughing. Joe looked at him and pretended to scowl.

By God what's this, laughing at such tender sentiments right to a man's face? You mummy thief and obvious blackguard; everyone knows you've stolen as much time here as I have with your mummy dust traffic through the ages. So what's so funny about what I just said?

Cairo laughed even harder. Joe threw his hands in the air.

Hear that, Munk? No respect at all for a man's inner feelings, just none. Just hoots and howls like an emperor looking down on the lesser folk. Well out with it, you Nilotic ghoul, what's so funny? Try to get hold of yourself. We're waiting.

Cairo's laughter finally subsided. He rubbed his chest, smiling broadly.

Waiting, that's right, we all are. In another moment poor Munk is going to think you're the cobbler in question.

Me? Why would he ever think such a thing?

Because of the way you've been carrying on, just talking and talking. You tell him we have to accompany Haj Harun tonight, but you don't even tell him why, the whole point of the thing.

Oh, said Joe, pretending to make another face. The whole point, is that all? Well of course I was getting around to it. I was just sort of sizing up the countryside along the way. What's the point of taking a trip if you don't see the sights? What's the point of sitting down to a stew if you don't sniff it and savor the aroma and sip it slowly around the edges first to get a hint of all the flavors? What would you have me do? Boil down the stew and reduce the trip to one word?

Haj Harun does, said Cairo, beginning to laugh again.

Well of course he does but that's because he takes the long view, as I was saying, unlike you and me.

Now Munk here's different from us, he's got his cause to take him up the mountain. And sure there it is coming right on, I can see the future now. Haj Harun and Bar Cocheba together again fending off the Roman hordes and their monstrous siege machines, rolling and rumbling machines, simply monstrous. The two of them manning the ramparts against the enemy and racing along the walls and jogging around and around through the alleys of the Old City, resolutely so, keeping on the move for sure because a moving target is harder to hit than a stationary one, I can see it now for sure. And here come the Romans hurling their monstrous boulders and insults at the city, I can see that too.

Joe, hold on there. Where are you going this time?

Me? No place. Who ever suggested such a thing? You mummy ghoul, how can you say that when you know I'm just sitting here as sober as can be. It's just that I don't like to see an era ending, that's all. I enjoyed this poker game.

Munk laughed.

That's enough from the two of you. What's the one word? Why are we going out with Haj Harun tonight?

Joe sighed.

I guess it's the same with you both, nothing but facts and down to business, straight and dry facts and nothing else. Won't allow a man to properly savor his stew. Well anyway, Munk, you know the one word already but just to make it official, just to sum it all up at the end of twelve years of poker, we'll have it formally proclaimed by the source. An official announcement that the game at this table is officially over. Haj Harun, guardian of the past and the future?