“This wun in the pram’s ayr Michael, un that’s Alma. She’s ut school now, ent yer, up Spring Lane? You come un say ’ello t’ the Third Burrer.”
Alma looked up bashfully at the Third Borough, managing a weak “Hello”. Seen from close up he was a little older than her mother, and perhaps might have been thirty. Unlike all the other workers who were white as chapel marble, his complexion was much darker, brown from hard work in the sunshine. Or perhaps he was from somewhere hot and far away like Palestine, one of the lands she’d heard the older children sing about in the big school-hall where they went for prayers, up three stone steps from Alma’s first-year infant’s cloakroom, pegs identified by locomotives, kites and cats rather than boys’ and girls’ names. “Quinquereme of Nineveh and distant Ophir …” went the song, places and words that sounded lovely, sad, and gone now.
The Third Borough crouched to Alma’s level, still with the same kindly smile, and she could smell his skin, a bit like toast and nutmeg. She could see the cowboy hero dimple in his chin, as if someone had hit it with a dart, but she still couldn’t see his eyes beneath that band of shadow falling from the cowl’s peaked brim. When he addressed her, she could not remember later if his lips had moved, or what his voice had been like. She was sure it was a man’s voice, deep and honest, that it hadn’t sounded posh, yet neither had it sounded like the pokey fireside-corner accents of the Boroughs. It was more a wireless intonation, and she didn’t seem to hear it with her ears so much as feel it in her stomach, warm and welcome as a Sunday dinner. Hello, little Alma. Do you know who I am?
Alma shivered, thoughts all of a sudden filled with thunder, stars and people weeping with no clothes on. Far too shy to speak his name aloud but wanting him to know she recognised him, she tried singing the first verse of ‘All things bright and beautiful’, which always made her think of daisies, hoping that he’d get her awkward, timid little joke and not be cross. His smile grew very slightly wider and, relieved, she knew he’d understood. Still crouching, the robed figure turned his covered head to study Michael for a moment before reaching out one sun-browned hand to run its fingers through the golden bedsprings of the toddler’s hair. Her brother clapped and laughed, a pleased budgerigar squawk, and the Third Borough straightened from his stoop, resuming his full stature to continue talking with their mum.
Alma half-listened to the adult dialogue going on above her head as she gazed idly round the shop at the four labourers, still busy with their hammers, lathes and saws. Despite identical white gowns and similarly-cut fair hair the men were not alike … one had a large mole in the centre of his forehead, while another one was crew-cut, dark and a bit foreign-looking … yet they looked as though they came from the same family, were brothers or close cousins at the least. She wondered what their robes were made from. The material was plain and strong as cotton but looked soft, with ice-blue shadows hanging in its folds, so probably it cost more. These must be the aprons worn by senior carpenters or ‘angles’, Alma reasoned, and she had the muddy recollection of a word or brand name that she’d heard once which described the fabric. Was it ‘Might’, or ‘Mighty’? Something like that, anyway.
Doreen was making polite conversation with the hooded eminence and venturing at intervals the reassuring coos that Alma recognised from those times when she’d tried explaining one of her more complicated drawings to her mother, sounds which meant that Mum had no real understanding of whatever she was being told but didn’t want to give offence or seem disinterested. She must have casually enquired of the Third Borough how the work was coming on, Alma decided, and was now compelled to stand and cluck with hopefully appropriate surprise, appreciation or concern while he replied. As with much of the talk between her elders, Alma only caught the slender gist of it and wasn’t really sure most of the time if she’d caught even that. Odd phrases and occasional expressions would lodge somewhere in her mind, provide a coat-rack of precarious hooks from which she could drape tentative connecting strings, threads of conjecture and wild guesswork linking up one notion with another until Alma either had a sketchy comprehension of whatever she had eavesdropped, or had burdened herself with a convoluted and ridiculous misunderstanding that she would continue to believe for years thereafter.
In this instance, standing listening to her mother’s varyingly pitched and wordless interjections into the Third Borough’s monologue, she picked her way between the stumbling blocks of grown-up language and tried hard to make a picture of what the discussion was about, one of her crayon dioramas but inside her head, a scene that had its different bits all in one almost-sensible arrangement. She supposed her mother had asked what the men were building, and from the reply it sounded as though they were making ready something called the Porthimoth di Norhan, which were words that Alma knew she’d never heard before and yet which sounded right, as if she’d known them all her life. It was a court of some kind, wasn’t it, the Porthimoth di Norhan, where disputes would all be aired and everyone would get what they were due? Although in this case, Alma thought it sounded more like the Third Borough meant the term another way, relating to his carpentry, with ‘Porthimoth di Norhan’ as the name for an ingeniously complicated type of joint. Some words were said about it being where the rising lines converged, which Alma thought meant something similar to ‘come together’, so she could imagine that it was perhaps an octopus-armed junction such as she supposed you might get up inside a wooden church dome, bringing all the curving, varnished beams into a clever-cornered knot there at the middle. She imagined for some reason that there’d be a rough stone cross inlaid, set back into the polished rosewood at the heart of the arrangement.
Seeming to confirm the child’s interpretation, the Third Borough was now saying it was just as well there were so many oaks here at the centre to support the weight and tension. As he said this, he placed one bronzed hand on Doreen’s shoulder, which to Alma made the comment seem two-sided. Was he talking about all the oak trees studding the town’s grasslands, or paying Doreen a form of compliment, saying their mother was an oak, a timber pillar that would take the strain without complaint? Her mum seemed pleased by the remark, however, pursing her lips diffidently, tutting to deride the thought that she was worthy of such praise.
The hooded man removed his hand from Doreen’s sleeve, continuing his explanation of the labour he was overseeing which required completion by a certain time, demanding that his men work day and night to finish up their contract. There was something contradictory in this, it seemed to Alma. She was sure that the Third Borough’s business must be one of the town’s longest standing, older than the firms who had their premises in Bearward Street, with splintering gateways over which the peeling signs of former owners were still partly visible, leading to queerly-shaped mysterious yards. Some of the pubs, her dad once told her, had been here since Jacobean times, and she sensed that the building of this Porthimoth di Norhan had been going on for just as long, would still be going on a hundred years from now with the Third Borough still checking each detail of its craftsmanship to make sure that they’d got it right. Why did it sound so urgent, then, she asked herself? If there were centuries to go before the job was done, why all this talk of pressing deadlines to be met? Alma expected that the cowl-draped man just had to plan ahead more than most people did, perhaps because of his more serious long-term responsibilities.