Behind the throne there was a narrow arched doorway which doubtless had been masked by hangings in the days of Alkmeenon's life. He glanced through it and saw that it let into an alcove, empty, and with a narrow corridor leading off from it at right angles. Turning away from it, he spied another arch to the left of the dais, and it, unlike the others, was furnished with a door. Nor was it any common door. The portal was of the same rich metal as the throne, and carved with many curious arabesques.
At his touch it swung open so readily that its hinges might recently have been oiled. Inside he halted, staring.
He was in a square chamber of no great dimensions, whose marble walls rose to an ornate ceiling, inlaid with gold. Gold friezes ran about the base and the top of the walls, and there was no door other than the one though which he had entered. But he noted these details mechanically. His whole attention was centered on the shape which lay on an ivory dais before him.
He had expected an image, probably carved with the skill of a forgotten art. But no art could mimic the perfection of the figure that lay before him.
It was no effigy of stone or metal or ivory. It was the actual body of a woman, and by what dark art the ancients had preserved that form unblemished for so many ages Conan could not even guess. The very garments she wore were intact — and Conan scowled at that, a vauge uneasiness stirring at the back of his mind. The arts that preserved the body should not have affected the garments. Yet there they were — gold breast-plates set with concentric circles of small gems, gilded sandals, and a short silken skirt upheld by a jeweled girdle. Neither cloth nor metal showed any signs of decay.
Yelaya was coldly beautiful, even in death. Her body was like alabaster, slender yet voluptuous; a great crimson jewel gleamed against the darkly piled foam of her hair.
Conan stood frowning down at her, and then tapped the dais with his sword. Possibilities of a hollow containing the treasure occurred to him, but the dais rang solid. He turned and paced the chamber in some indecision. Where should he search first, in the limited time at his disposal? The priest he had overheard babbling to a courtesan had said the treasure was hidden in the palace. But that included a space of considerable vastness. He wondered if he should hide himself until the priests had come and gone, and then renew the search. But there was a strong chance that they might take the jewels with them when they returned to Keshia. For he was convinced that Thutmekri had corrupted Gorulga.
Conan could predict Thutmekri's plans, from his knowledge of the man. He knew that it had been Thutmekri who had proposed the conquest of Punt to the kings of Zembabwei, which conquest was but one move toward their real goal — the capture of the Teeth of Gwahlur. Those wary kings would demand proof that the treasure really existed before they made any move. The jewels Thutmekri asked as a pledge would furnish that proof.
With positive evidence of the treasure's reality, the kings of Zimbabwei would move. Punt would be invaded simultaneously from the east and the west, but the Zembabwans would see to it that the Keshani did most of the fighting, and then, when both Punt and Keshan were exhausted from the struggle, the Zembabwans would crush both races, loot Keshan and take the treasure by force, if they had to destroy every building and torture every living human in the kingdom.
But there was always another possibility: if Thutmekri could get his hands on the hoard, it would be characteristic of the man to cheat his employers, steal the jewels for himself and decamp, leaving the Zembabwan emissaries holding the sack.
Conan believed that this consulting of the oracle was but a ruse to persuade the king of Keshan to accede to Thutmekri's wishes — for he never for a moment doubted that Gorulga was as subtle and devious as all the rest mixed up in this grand swindle. Conan had not approached the high priest himself, because in the game of bribery he would have no chance against Thutmekri, and to attempt it would be to play directly into the Stygian's hands. Gorulga could denounce the Cimmerian to the people, establish a reputation for integrity, and rid Thutmekri of his rival at one stroke. He wondered how Thutmekri had corrupted the high priest, and just what could be offered as a bribe to a man who had the greatest treasure in the world under his fingers.
At any rate he was sure that the oracle would be made to say that the gods willed it that Keshan whould follow Thutmekri's wishes, and he was sure, too, that it would drop a few pointed remarks concerning himself. After that Keshia would be too hot for the Cimmerian, nor had Conan had any intention of returning when he rode way in the night.
The oracle chamber held no clue for him. He went forth into the great throne room and laid his hands on the throne. It was heavy, but he could tilt it up. The floor beneath, a thick marble dais, was solid. Again he sought the alcove. His mind clung to a secret crypt near the oracle. Painstakingly he began to tap along the walls, and presently his taps rang hollow at a spot opposite the mouth of the narrow corridor. Looking more closely he saw that the crack between the marble panel at that point and the next was wider than usual. He inserted a dagger point and pried.
Silently the panel swung open, revealing a niche in the wall, but nothing else. He swore feelingly. The aperture was empty, and it did not look as if it had ever served as a crypt for treasure. Leaning into the niche he saw a system of tiny holes in the wall, about on a level with a man's mouth. He peered through, and grunted understandingly. That was the wall that formed the partition between the alcove and the oracle chamber. Those holes had not been visible in the chamber. Conan grinned. This explained the mystery of the oracle, but it was a bit cruder than he had expected. Gorulga would plant either himself or some trusted minion in that niche, to talk through the holes, the credulous acolytes, black men all, would accept it as the veritable voice of Yelaya.
Remembering something, the Cimmerian drew forth the roll of parchment he had taken from the mummy and unrolled it carefully, as it seemed ready to fall to pieces with age. He scowled over the dim characters with which it was covered. In his roaming about the world the giant adventurer had picked up a wide smattering of knowledge, particularly including the speaking and reading of many alien tongues. Many a sheltered scholar would have been astonished at the Cimmerian's linguistic abilities, for he had experienced many adventures where knowledge of a strange language had meant the difference between life and death.
The characters were puzzling, at once familiar and unintelligible, and presently he discovered the reason. They were the characters of archaic Pelishtic, which possessed many points of difference from the modern script, with which he was familiar, and which, three centuries ago, had been modified by conquest by a nomad tribe. This older, purer script baffled him. He made out a recurrent phrase, however, which he recognized as a proper name: Bit-Yakin. He gathered that it was the name of the writer.
Scowling, his lips unconsciously moving as he struggled with the task, he blundered through the manuscript, finding much of it untranslatable and most of the rest of it obscure.
He gathered that the writer, the mysterious Bit-Yakin, had come from afar with his servants, and entered the valley of Alkmeenon. Much that followed was meaningless, interspersed as it was with unfamiliar phrases and characters. Such as he could translate seemed to indicate the passing of a very long period of time. The name of Yelaya was repeated frequently, and toward the last part of the manuscript it became apparent that Bit-Yakin knew that death was upon him. With a slight start Conan realized that the mummy in the cavern must be the remains of the writer of the manuscript, the mysterious Pelishti, Bit-Yakin. The man had died, as he had prophesied, and his servants, obviously, had placed him in that open crypt, high up on the cliffs, according to his instructions before his death.