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It was not a very large room (I suppose it was fifteen feet square) and it looked rather smaller than it was, because it was heaped almost to the roof in one or two places with boxes and kegs, and the various sea-stores, such as new rope and spare anchors. In one corner of it (in the corner at which I entered it) a flight of worn stone steps led downwards into the bowels of the earth. "Aha!" I thought; "so that's how you reach your harbour!" Then I crept up to one of the piles of boxes and cautiously peeped over.

I looked over cautiously, for as I entered the room I had the eerie feeling which one gets sometimes at night; I felt that there was somebody else in the room. Sure enough there was somebody else—two somebodies—and my heart leaped up in joy to see them. Sitting on the ground, tied by the body to some of the boxes over which I peered, were the two missing coastguards. Their backs were towards me, and their hands and feet were securely bound; but they were unhurt, that was the great thing. One of them was quietly smoking, filling the cave with strong tobacco smoke; the other was asleep, breathing rather heavily. It was evidently a pleasant holiday for the pair of them. No other person was in the room, but I saw that on the far side of the chamber another gallery led on into the cliff to another chamber, and from this chamber came the sound of many voices talking (in a dull quiet way), and the slow droning of the song of a drunken man. I shut my eyes, and lay across the boxes as still as a dead man, trying to summon up enough courage to speak to the coastguard; and all the time the drunkard's song quavered and shook, and died down, and dragged on again, as though it would never end. Afterwards I often heard that song, in all its thirty stanzas; and I have only to repeat a line of it to bring back to myself the scene of the sunny cave, with the bound coastguard smoking, and the smugglers talking and talking just a few paces out of sight.

  "And the gale it roar-ed dismally

   As we went to New Barbary,"

said the singer; and then some one asked a question, and some one struck a light for his pipe, and the singer droned on and on about the bold Captain Glen, and the ship which met with such disaster.

At last I summoned up enough courage to speak. I crawled over the boxes as far as I could, and touched the coastguard. "Sh!" I said, in a low voice, "Don't make a sound. I've come to rescue you."

The man stared violently (I dare say his nerves were in a bad way after his night in the cave), he dropped his pipe with a little clatter on the stones, and turned to stare at me.

"Sh!" I said again. "Don't speak. Don't make a sound."

I crept round the boxes to him, and opened my knife. It was a strong knife, with very sharp blades (Marah used to whet them for me), so that it did not take me long to cut through the "inch-and-a-half-rope," which lashed the poor fellow to the boxes.

"Thankee, master," the man said, as he rose to his feet and stretched himself. "I was getting stiff. Now, let's get out of here. D'ye know the way out?"

"Yes," I said, "I think I do. Oh, don't make a noise; but come this way. This way."

Very quietly we stole out by the gallery by which I had entered. We made no attempt to rouse the sleeping man; he slept too heavily, and we could not afford to run risks. I don't know what the coastguard's feelings were. As for myself, I was pretty nearly fainting with excitement. I could hear my heart go thump, thump, thump; it seemed to be right up in my very throat. As we stepped into the gloom of the gallery, the smugglers behind us burst into the chorus at the end of the song—

  "O never more do I intend

   For to cross the raging main

   But to live at home most cheerfull-ee,

   And thus I end my traged-ee."

I felt that if I could get away from that adventure I, too, would live at home most cheerfully until the day of my death. We took advantage of the uproar to step quickly into the darkness of the passage.

Just before we came to the low stone breastwork which had given me such a shock a few minutes before, we heard some one whistling a bar of a tune. The tune was the tune of—

  "Oh, my true love's listed,

  and wears a white cockade."

And to our horror the whistler was coming quickly towards us. In another second we saw him stepping along the gallery, swinging a lantern. He was a big, strong man, evidently familiar with the way.

"Back," said the coastguard in a gasp. "Get back, for your life, and down that staircase."

The man didn't see us; didn't even hear us. He stopped at the stone breastwork, opened his lantern, and lit his pipe at the candle, and then stepped on leisurely towards the chamber. Our right course would have been "to go for him," knock him down, knock the breath out of him, lash his wrists and ankles together, and bolt for the entrance. But the coastguard was rather upset by his adventure, and he let the minute pass by. Had he rushed at the man as soon as he appeared; but, there—it is no use talking. We didn't rush at him, we scuttled back into the chamber, and then down the worn stone steps cut out of the rock, which seemed to lead down and down into the bowels of the earth. As we hurried down, leaping lightly on the tips of our toes, the quaver of the tune came after us, so clearly that I even made a guess at the whistler's identity.

When we had run down the staircase about half-way down to sea-level we found ourselves in a cave as big as the church at Dartmouth. It was fairly light, for the entrance was large, though low, and at low water (as it was then) the roof of the cave mouth stood six feet from the sea. The sea ran up into the cave in a deep triangular channel, with a landing-place (a natural ledge of rock) on each of the sides, and the sea entrance at the base. The sea made a sort of clucking noise about the rocks; and at the right inland it washed upon a cave-floor of pebbles, which clattered slightly as the swell moved them. The roof dripped a little, and there were little pools on both the landings, and the whole place had a queer, dim, green, uncanny light upon it; due, I suppose, to the deep water of the channel. I saw all these things afterwards, at leisure; I did not notice them very clearly in that first moment. All that I saw then was a large sea-lugger, lying moored at the cavemouth, some few feet lower down. She was a beautiful model of a boat (I had seen that much in seeing her bow from the top of the cliff), but of course her three masts were unstepped, and she was rather a handful for a man and a boy. We saw her, and made a leap for her together, and both of us landed in her bows at the same instant, just as the man with the lantern, peering down from the top of the stairs, asked us what in the world we were playing at down there.

The coastguard made no answer, for he was busy in the bows; I think he had his knife through the painter in five seconds. Then he snatched up a boat-hook (I took an oar), and we drove her with all our strength along the channel into (or, I should say, towards) the open sea and freedom.