Mick Farren
JIM MORRISON’S ADVENTURES IN THE AFTERLIFE.
Copyright © 1999 by Mick Farren.
ISBN 0-312-20654-2
ISBN 978-0-312-20654-3
First Edition: November 1999
This book and its completion is dedicated to Felix Dennis, Captain of the Hispaniola, who, more than once, sailed to the rescue in the nick of time.
The only completely consistent people are the dead.
–ALDOUS HUXLEY
Say what you like, folks always make a big deal over death.
Aimee McPherson stood on the terrace and stared balefully across the landscape of Heaven. For perhaps the two millionth time since her death, her rage at the manner in which God had betrayed her boiled to one of its cyclical peaks. How dare He, if indeed He existed at all, treat her with such unconscionable treachery? She had done so much on His behalf. She had avoided temptations, bypassed indulgences, forgone the pleasures of the flesh. She had sacrificed to the maximum in His name and, from her perspective, He had cynically betrayed her. Her entire life had hinged on a single belief in which she had placed absolute trust. He had promised a Heaven when she died. That He then so totally reneged on the deal transcended the criminal and took the burden of guilt to a new level of divine iniquity. Aimee McPherson had arrived in the Afterlife only to discover that, if she wanted a Heaven, she was expected to build it herself. God Himself had failed to put in even the most cursory manifestation, and she had begun to doubt that He actually existed at all.
If there was a God, He appeared to believe that this psychic erector set would be ample reward for a lifetime of love and devotion, of prayer, praise, and supplication. He had presented her with a blank celestial slate and left her to make it up for herself. After all the promises, the only Heaven she had received or perceived had come directly out of her own imagination, without help, without encouragement, without even the benefit of an instruction manual.
Aimee McPherson stood on the terrace and stared balefully across the landscape of Heaven and knew that it was entirely her own creation. This should have pleased her, if for no other reason than that of pride in accomplishment. Pride in accomplishment, however, counted for little beside abandonment by God. This Heaven had been torn, at a great cost of emotion and energy, piece by piece and construct by construct, from the deepest soul core of her imagination, and the effort of its manufacture had not been easy. Back on Earth, from the moment that she had devoted herself to God and His works, she’d had little call to use her imagination, and now she found it a weakened and atrophied thing. Creating Heaven from the ground up had been a struggle and chore, imposed on her at exactly the time she was expecting only relief. Heaven should have been ready and waiting for her when she arrived, spick-and-span, fluffed and folded, like some metaphysical five-star hotel with Saint Peter to greet her at the reception desk, angelic bellhops to assist her, a deputation of long-deceased pets waiting for her with soulful eyes and wagging tails, and a metaphoric complimentary mint on the pillow.
Even coming up with an overall design concept had been no easy thing. At first she had leaned heavily on what she remembered of the work of the artist Maxfield Parrish, coupled with no slight touch of Disney’s Fantasia. This early borrowing, and her admittedly flawed memory, tended to account for the overly vibrant cartoon colors, the wine-dark indigo of the water in the lake, the dazzling ultramarine of the cloudless sky, the deep somber green of the cypresses and Scotch pines on the headland on the far side of the water. The heliotrope of the ice-cream mountains in the far distance and the velvet unreality of the immaculate daisy-flecked grass that ran down to the water’s edge, drawn directly from the Disney school, was, if anything, less plausible. She had to admit that the way the outcropping of raw, gold-veined marble tended to resemble some strange, overripe, processed cheese food was actually her own fault. She seemed to be incapable of producing authentic-looking minerals, much in the way that some people can’t draw hands. The Maxfield Parrish memory also accounted for the presence of the small neoclassic temple over on the promontory that projected into the lake some two hundred yards from where she was standing. Parrish had inspired the half dozen diaphanously clad virgins who danced, hand in hand, perky and unflagging sprites, endlessly circling in a dance with basic choreography in the interpretive tradition of Isadora Duncan. Disney, on the other hand, had provided the fawns, bunnies, and happy little bluebirds that cavorted in the air above, whistling and cheeping the melodies of saccharine pop ballads of the thirties, forties, and fifties, as Aimee stood on the terrace regarding her Creation.
As though sensing, if not her actual thoughts, certainly her general mood, a lone bluebird darted to within eighteen inches of her face and hung hovering, smiling blandly and whistling disjointed snatches of “Over the Rainbow.” Suddenly furious, Aimee snarled and swatted at the bird. “Get away from me, you inane figment! Get the hell away from me!”
The bird deftly dodged her slapping hand, but then only retreated some six inches and continued to hover. It started to whistle the chorus from “Swinging on a Star.” This time she swung at the bluebird with a clenched and unexpectedly accurate fist. The blow connected, taking the bluebird completely by surprise. It staggered back, cartoon-style on empty air, with small stars, suns, and planets circling its head. Aimee allowed herself a grim smile. “That’ll teach you to screw around with me, you flying rodent.”
The bluebird shook itself in midair, shedding three feathers that drifted lazily down to the terrace. The bird looked at her reproachfully and then zigzagged away to join its companions. Aimee glared after it. “I ought to erase the whole bunch of you and start all over again.”
In moments of self-doubt, anxiety, and depression, Aimee would castigate herself for concocting a Heaven that resembled nothing more than a very bad animated painting on black velvet, set to a soundtrack of Snow White and the Seven Dwarfs blended with New Age elevator music. In the depths of this emotional trough, she found it all too easy to believe that even her own creations, the bluebird included, were turning against her and secretly laughing at her presumptuous ambition. Fortunately, after she discovered that both Prozac and Valium could be conjured out of the air merely by thinking about them, she was able to ensure that the frequency of such moods was strictly limited, and she began to find both the construction of Heaven and the contemplation of the finished product a great deal less stressful.
For a time, she had half believed that God might come to her, like some crowning glory or ceremonial prize, when Heaven was finally completed to both His and her satisfaction. This belief had finally wilted and died, however, when God failed to put in His much-anticipated appearance. After no manifest rainbow, no pillar of fire, not so much as a lousy dove, her attitude had changed and her resolution hardened. If God was going to forsake her so casually, she, doing as she had been done by, would likewise forsake Him. She would continue to extend her Heaven, and it would be open to all who came. It would be exactly what every Christian soul needed and expected after the trauma of death and its immediate aftermath, right down to the very last golden sunbeam, faithful collie, and cascading waterfall. The only difference was that she would provide the godhead herself. She would make herself the focus of the cumulative praise and adoration; she would be the happy recipient of the lauding and magnifying. She knew that it might take a certain degree of adjustment, particularly on the part of the males, before they could accept her as the legitimate deity. On the other side of the coin, she would have the instant loyalty of all those feminists who maintained that God was a woman. She was aware that there might be a number of unwavering fundamentalists who, even in death, would refuse to accept a fait accompli as to the legitimacy of her divinity. For them, of course, there was always Golgotha and the Pit.