Although the funeral was typically merry, a wild, winding party ("In yo' face, Mr. Death") enjoyed by all, it was fueled by an ill-concealed cache of anger. Dark curses were shouted at police cars, and placards of somber protest appeared along the way. That night, an ancient work began behind locked shutters. Black candles were burned, bitter powders were sprinkled, crude objects were fashioned of wood or wax, pythons were addressed, and chickens were put to uses that would have shocked the pants off Colonel Sanders, not to mention Julia Child.
There were formal protests, as well. A steady stream of black community leaders visited the police department and city hall, demanding justice. So great was the outcry that the mayor wasted little time in scheduling a hearing. At the insistence of blacks, and of white liberals, a special commission was appointed to conduct the investigation. To the dismay of “law-and-order” factions, only one policeman was named to the panel.
According to reports, several people had witnessed the shooting of the Jamaican. Two had viewed it at close range. Two women, the story went, one white, one black. And the white woman was said to be tight with blacks. Why, it was ol' Madame Devalier, the French Quarter perfumer, a one-time supplier of Special Delivery Oil, she who was rumored to possess the secret of hurricane drops!
So New Orleans buzzed. Black folks buzzed. White folks buzzed. Bingo Pajama's bees buzzed. And the bee buzz was the most disturbing of all.
It was a tiny swarm: fifty bees at the outside, maybe only forty. Their number was to their advantage. A swarm of many thousands, as is customary in a honey colony, would have been easily tracked and cornered, but a fist of forty, flying in excess of a dozen miles per hour and climbing to altitudes loftier than New Orleans' tallest building, could be elusive, evading entomological patrols and escaping DDT barrage or apiarian capture.
With his life, the bees left Bingo Pajama. Nobody saw them go. They flew away in the night with his soul. Only the pollen grains that the coroner found in the slain man's hair indicated that they had ever existed.
Ah, but the next morning! When the streetlamps went out, the bees lighted up. Wearing the dawn like silver on their wings, they returned in a glassy phalanx to the scene of the crime. Like a glass spearhead come suddenly to life, like an animated dagger with an angry voice, like an electrified pineapple spike; like a darting fish made of noisy sparks, half full of fire and half full of cold, the swarm circled the death scene, diving and looping, again and again, a crazed cactus loose in the air, humming defiance, forty little spines dripping poison and pain.
For most of the day, reporters, photographers, police investigators, sympathizers, and curiosity-seekers were held at bay. Those who challenged the swarm's territorial claim retreated quickly with burning welts about the neck and face. From time to time, the swarm would settle on the map of dried blood where their master had lain. It was as if they were feeding there. A newsman or a cop would grow brave, but at his approach—banzai! — the missile would launch itself, screaming toward target.
In late afternoon, beekeepers were brought in. Like brides behind their protective veils, they wooed the golden phallus, but it would not surrender to them. It scorned their traps of honey, its forty tongues preferring to lick crusty blood.
Curses and consternation abounded. From a nearby telephone booth, calls were made to universities and the Department of Agriculture. “This is not your common North American honeybee,” said an entomologist gazing through binoculars. He was probably correct. According to an official handbook, “Stinging requires a bee to use twenty-two different muscles.” These bees used twenty-three.
At nightfall, the swarm departed, but it returned the next day. So did the media and the crowds. Barricades were set up. Traffic was snarled. The proud pragmatism of civilized intelligence was being insulted again by goofy nature. It was time for might to make things right.
Spray teams were dispatched. Foggers from the swamplands. Experts at gassing mosquitos. Their Jeeps pulled trailers with compressors and hoses and metal tanks full of gaseous insecticides. They wiped out every cricket in the neighborhood and mutated countless future generations of mockingbirds. But the swarm took to the sky, disappearing through a trapdoor in a low-flying, and ominously dark, cumulus cloud.
Thirty minutes later, it flew through an open window at city hall, where the chief of police was explaining to the district attorney that that very swarm had been used as a murder weapon by Bingo Pajama and would be useful as an exhibit during the hearing for the courageous officers who, in self-defense, had eliminated the mad Jamaican. “Here's your exhibit, Chief,” yelled a mayoral aide, diving for cover. Exhibit B.
Faces swollen and painted pink with calamine lotion, the city fathers looked like buffoons that evening on the six-o'clock news.
The bees were not seen again until the next afternoon, when they followed Bingo Pajama's funeral parade along its entire route. None of the marchers was stung, and it was reported by a trombonist and a couple of second-liners that the swarm kept time with the band.
After that, the bees played hide-and-seek. They were observed all over the city. They appeared in the Garden District, in the Irish Channel, uptown, downtown, in Audubon Park, along the lakefront, the riverfront, on Metairie Ridge, and in the forgotten voodoo groves of Bayou St. John. Nobody could guess where they would strike next. They harassed cops on the beat, dive-bombed adulterous judges on the patios of Lake Pontchartrain love nests, interrupted work on the Mafia wharfs, and sent tourists running from Jackson Square, portraits half-painted, Sno-Kones half-eaten and spilled on the bricks. The press began to speak of the swarm as if it were a terrorist band.
Like a necklace of gouged-out crocodile eyes — yellow-green and menacing, shiny and ancient — the renegade bees encircled New Orleans, a mosaic albatross that wouldn't lie still.
Such was the situation in New Orleans when Priscilla arrived: a buzz of black anger, a buzz of white fear; a buzz of multicolored rumor, panic, and superstition; a buzz of bees.
Initially, she scarcely noticed. After two days and three nights on a Greyhound bus (the detective had refused to refund her retainer, and she was functioning far below the summit of her economic potential), her homecoming was rather numb.
She headed directly to the Quarter, to Royal Street, to the Parfumerie Devalier, only to find the shop dark. It was shuttered and locked. After a night's rest on a lumpy mattress at a YWCA, she returned to the shop, truly expecting it to be open for business. Still it was closed. Moreover, with Christmas hardly a week away, the quaint little perfume-bottle nativity scene that had graced Madame Devalier's show window every December for as long as Priscilla could remember was nowhere in sight.
Lingering over a café au lait at Morning Call, she speculated that the shop's closure was connected to the bottle of K23. It was not. It was connected to the buzz.
I'll bet they're in Paris or New York, making some kind of deal, thought Priscilla.
In fact, Lily Devalier and V'lu Jackson were nowhere near Paris. They were in Baton Rouge.
A few hours after Bingo's shooting, threatening phone calls began to jangle into the shop. Rough voices warned Madame and her assistant not to testify against the policemen who had blown the Jamaican down. “Whatever are we to do, cher?” asked Madame. “It could be the cops threatening us, or it could be the Klan.”