Raphael gets onto his feet. He picks up the gun case and sits it on the plank he was lying on a moment earlier. Melissa uses duct tape to put the hole she cut in the curtain back into place. Then she switches her cell-phone light back on. Raphael starts taking apart the gun and putting it away. The magazine is empty. There is a mostly empty packet of bullets in the gun case—it’s the last of their supply. There are only two bullets left inside it. Plus the bullet she had to order especially. That one she hands to Raphael.
“This one goes at the top of the magazine,” she says.
He hefts it in his hand, checking the weight, as if it would make a difference.
“This is the armor-piercing bullet?” he asks.
“Don’t miss with it. It’s our only one.”
“I won’t,” he says.
He puts the round into the case, jamming it downward into the foam to separate it from everything else.
“Try not to use the other two rounds,” she says. “The longer you stay up here, the higher chance of getting caught. We need this done in one round. More rounds also means more people being put at risk.”
“It’ll get done in one.”
Melissa climbs up onto the platform and gets to her feet.
“What are you doing?” Raphael asks.
She reaches up and pushes a ceiling panel aside.
“Safer for us if the gun stays here,” she says.
“Why?”
“Because I don’t think it’ll look good on Monday morning if you have to carry it in here. We hide it up here, you use it, then you put it back up there. The police are going to figure out where the shot came from, but there’s no reason for them to think the gun will still be here. And even if they do somehow get lucky, it’s going to be clean.”
“Makes sense,” he says. “Here, let me get it.”
They swap positions. He reaches up and puts the case into the ceiling. She hands him the bag with his police uniform in it. “We keep this here too,” she says.
He slides the panel back into place then climbs down.
“So you won’t be back here,” he says.
She shakes her head. “No reason to,” she says, because she’s going to be down among all the action, among the cops and the protesters, right in the middle of the tension and the chanting and the screamed insults. Raphael is the shooter. She is the collector. No reason to pretend any different.
“We’re not going to practice anymore?”
She shakes her head. She tucks aside the curtain and looks out the window at the van as it starts to pull away. The only difference in the layout between now and Monday is there will be an ambulance there too. There’ll be a few of them scattered around the streets near the courthouse.
There’ll need to be because the protesting is a powder keg ready to explode.
That’s why she got her hand on a paramedic’s uniform months ago. After all, she’s the one who’s playing the collector.
Chapter Forty-One
The prison comes up on the left. We turn off. Having the windows down in the van has helped, but only marginally. Being cold was a sacrifice everybody seemed prepared to make, only the damp air that flooded in seemed to soak up the smell and then cause it to stick to every surface like a thin film of condensation. We pass the barrier gates and go to the same entrance I was taken out of earlier. The warden is there to greet me. He looks at me with disgust. Everybody does. Just because I’m used to that look doesn’t mean I like it. In a fair and just world, I wouldn’t be in chains and these people would all be drawing short straws.
“Get him cleaned up,” the warden says to nobody in particular, and nobody in particular takes any notice because I end up standing there with people who don’t want to look at me. I’m standing on a slight angle because of my missing shoe. The warden seems the most annoyed out of everybody, and if he’d joined our trip and been part of the vote I’m sure I’d still be out there now, surrounded by spotlights and crime-scene tape. There is more paperwork. I stand there watching it get filled out and signed. Then the same four guards that escorted me out earlier escort me back in. They don’t look pleased with the job. They don’t want to touch me. I’m tossed the key for the cuffs and told to undo them myself then step away from the chain. I’m told to take my remaining shoe off first because it’s muddy, and the opposite sock too. The concrete floor is cold. The pressure in my stomach has built back up. I’m taken directly to the showers. I’m given sixty seconds to clean myself up. I make use of every one of them. I don’t think I’ve ever had a shower feel so good. When the water is shut off I’m thrown a towel and a fresh jumpsuit and socks and given another minute to get dressed. Then I’m taken back to my cellblock. There are others sitting around playing cards and watching TV and making idle chitchat, the kind of idle five-or-ten-or-twenty-year-passing chitchat that gets repetitive after day one. I don’t partake in it, instead I head into my cell and I climb onto the toilet and I spend ten minutes feeling about as sorry as a guy can for himself, the toilet no doubt feeling even sorrier.
I keep waiting to feel better. I don’t.
I try to figure out what happened with Melissa. I can’t.
I should have been free by now. I’m not.
Optimistic Joe is struggling to live up to his name.
I’m off the toilet for barely a minute before the guards come in and lead us all away for dinner. I still have no shoes. There are no new people in our group. Nobody has left. It’s the same mystery meat. Caleb Cole is sitting a few tables away. He’s sitting by himself. Seeing him, my face starts to hurt. I look at the food and can’t touch any of it.
“Looking forward to Monday?” Santa Suit Kenny asks me. He sits down on my left and starts in on the meat that could have easily started out the day as somebody’s pet. Or as somebody.
I think about his question. I’m not sure. In some ways no, because there could be a travesty of justice and I’m found guilty. In other ways yes, because it’ll be different from the rest of this bullshit. It gives me a chance to clear my name.
I sum all of this up by shrugging.
“Yeah, I know what you’re saying,” he says, which really goes to prove I should sum more things up by shrugging. I’ll remember that for when I’m on the stand. Mr. Middleton, did you kill those women? You’re shrugging? I see . . . well, I think we all understand now.
“Trials are tough,” Santa Kenny says. “People don’t see the real you. They judge on the potential of bad things you can do just because of the bad things they think you’ve done, and that potential grows with every cop show and serial-killer movie they’ve seen. To them, we’re all Hannibal Lecter, but without the class.”
I don’t bother pointing out that to them Kenny is just a child rapist in a Santa Claus suit, and no amount of cop movies or Christmas movies is going to alter that.
“It’s totally unfair,” he adds.
I push my tray aside. At this stage any food entering my body would trigger a violent reaction. Santa Kenny stuffs in his mouth some mashed potatoes that, like the meat, probably started the day as something completely different. He chews quickly and swallows it with an audible gulp, then starts up the conversation again. No matter what anybody hears, prison can be full of really friendly folk.
“I’ve been thinking,” he says, “of what I should do with my life if the band doesn’t want to get back together.”
For the first time I answer him. “It seems being an inmate is something you’re good at,” I tell him. “And you’re experienced at it.”
“I’ve always wanted to be an author.”
I can’t contain my surprise. “Really?”
“Yeah. A crime writer,” he says. “You read romance books right? Well, people love crime books more than romance books,” he says.
I have the urge to tell him to fuck off.
“I think I’d try and combine the two,” Santa Kenny says.