In 1835 a far greater trouble fell on him in the death of the gentle Lady Heathcote, leaving him three sons and a daughter. In the midst of his grief, he was able to bring his old friend and tutor nearer to him. Mr. Keble at the funeral gave him the poem, as yet unpublished,
I thought to meet no more,
which had been written after the funeral of his own sister, Mary Anne Keble. The elder Mr. Keble died in the course of the same year, and Mr. Gilbert Wall Heathcote, resigning the living to become a fellow of Winchester, it was again given to the Rev. John Keble. Mr. Heathcote had brought to Otterbourne a young Fellow of New College, a deacon just twenty-three, the Reverend William Bigg Wither, who came for six weeks and remained thirty-five years. He found only twelve Communicants in the parish, and left seventy!
Mr. Keble was already known and revered as the author of the Christian Year, and was Professor of Poetry at Oxford, when he came to Hursley; having married, on the 10th of October 1835, Charlotte Clarke, the most perfect of helpmeets to pastor or to poet, save only in the frailness of her health.
He had two years previously preached at Oxford the assize sermon on National Apostasy, which Newman marks as the beginning of the awakening of the country to church doctrine and practice. He and his brother were known as contributors to the Tracts for the Times, which were rousing the clergy in the same direction, but which were so much misunderstood, and excited so much obloquy, that Mr. Norris of Hackney, himself a staunch old-fashioned churchman, who had held up the light in evil times, said to his young friend, the Rev. Robert Francis Wilson, a first-class Oriel man, to whom the curacy of Hursley had been offered, "Now remember if you become Keble's curate, you will lose all chance of preferment for life."
Mr. Wilson, though a man of much talent, was willing to accept the probability, which proved a correct augury.
The new state of things was soon felt. Daily Services and monthly Eucharists, began; and the school teaching and cottage visiting were full of new life. Otterbourne had, even before Mr. Keble's coming, begun to feel the need of a new church. The population was 700, greatly overflowing the old church, so that the children really had to be excluded when the men were there. It was also at an inconvenient distance from the main body of the inhabitants, who chiefly lived along the high road. Moreover, the South Western Railway was being made, and passed so near, that to those whose ears were unaccustomed to the sound of trains, it seemed as if the noise would be a serious interruption to the service.
Mr. Yonge had begun to take measures for improving and enlarging the old church, but was recommended to wait for the appointment of the new incumbent. Mr. Keble threw himself heartily into the scheme, and it was decided that it would be far better to change the site of the church at once. The venerable Dr. Routh, who was then President of St. Mary Magdalen College, and used yearly to come on progress to the old manor house, the Moat House, to hold his court, took great interest in the project, and the college gave an excellent site on the western slope of the hill, with the common crossed by the high road in front, and backed by the woods of Cranbury Park. Also a subscription of large amount was given. Sir William Heathcote as patron, as well as Mr. Keble, contributed largely, and Mr. Bigg Wither gave up his horse, and presented £25 out of each payment he received as Fellow of New College. Other friends also gave, and, first and last, about £3000 was raised.
Church building was much more difficult in those days than in these. Ecclesiastical architecture had scarcely begun to revive, and experts were few, if any indeed deserved the title. An architect at Winchester, Mr. Owen Carter, was employed, but almost all the ideas, and many of the drawings of the details came from Mr. Yonge, who started with merely the power of military drawing (acquired before he was sixteen years old) and a great admiration for York Cathedral.
The cruciform plan was at once decided on (traced out at first with a stick on Cranbury grand drive), but the slope of the ground hindered it from being built duly east and west; the material is brick, so burnt as to be glazed grey on one side. Hearing of a church (Corstan, Wiltshire) with a bell-turret likely to suit the means and the two bells, Mr. Yonge and Mr. Wither rode to see it, and it was imitated in the design. The chancel was, as in most of the new churches built at this time, only deep enough for the sanctuary, as surpliced choirs had not been thought possible in villages, and so many old chancels had been invaded by the laity that it was an object to keep them out.
Mr. Yonge sought diligently for old patterns and for ancient carving in oak, and in Wardour Street he succeeded in obtaining five panels, representing the Blessed Virgin and the four Latin Fathers, which are worked into the pulpit; also an exceedingly handsome piece of carving, which was then adapted as altar-rail-evidently Flemish-with scrolls containing corn and grapes, presided over by angels, and with two groups of kneeling figures; on one side, apparently an Emperor with his crown laid down, and the collar of the Golden Fleece around his neck, followed by a group of male figures, one with a beautiful face. On the other side kneels a lady, not an empress, with a following of others bringing flowers. At the divisions stand Religious of the four Orders, one a man. The idea is that it probably represents either the coronation of Maximilian or the abdication of Charles V. In either case there was no wife, but the crown is not imperial, and that is in favour of Maximilian. On the other hand the four monastic Orders are in favour of Charles V.'s embracing the religious life.
For the stone-work, Mr. Yonge discovered that the material chiefly used in the cathedral was Caen stone, though the importation had long ceased. He entered into communication with the quarrymen there, sent out a stone mason (Newman) from Winchester, and procured stone for the windows, reredos, and font, thus opening a traffic that has gone on ever since.
Mistakes were made from ignorance and lack of authoritative precedent, before ecclesiology had become a study; but whatever could be done by toil, intelligence, and self-devotion was done by Mr. Yonge in those two years; and the sixty years that have since elapsed have seen many rectifications of the various errors. Even as the church stood when completed, it was regarded as an effort in the right direction, and a good example to church builders. The first stone was laid in Whitsun-week 1837 by Julian Bargus, Mr. Yonge's five-year-old son. A school for the boys was built on a corner of the ground intended as churchyard, and a larger room added to the girls', the expense being partly defrayed by a bazaar held at Winchester, and in part by Charlotte Yonge's first book, The Château de Melville, which people were good enough to buy, though it only consisted of French exercises and translations. The consecration took place on the 30th of July 1838, and immediately after daily matins were commenced. So that the Church of St. Matthew has never in sixty years been devoid of the voice of praise, except during casual absences. Most of the trees in the churchyard were planted by Mr. Bigg Wither, especially the great Sequoia, and the holly hedge around was grown by him from the berries of the first Christmas decoration, which he sowed in a row under the wall of the boys' school, and transplanted when large enough.
It was in 1839 that Mr. Keble published his Oxford Psalter, a work he had been engaged on for years, paying strict and reverent attention to the Hebrew original, and not thinking it right to interweave expressions of his own as guidance to meaning. His belief was that Holy Scripture is so many-sided, and so fathomless in signification, that to dwell on one point more than another might be a wrong to the full impression, and an irreverence in the translation. Thus, as a poet, he sacrificed a good deal to the duty of being literal, but his translation is a real assistance to students, and it is on the whole often somewhat like to Sternhold's, whom he held in much respect for his adherence to the originals.