Fairford Church is much larger than Hursley, so that the plan could not be exactly followed, but it was always in Mr. Keble's mind. It was proposed that the glass should be given by the contribution of friends and lovers of the Christian Year. Two of the windows came from the Offertory on the Consecration day, one three-light was given by Mrs. Heathcote (mother of Sir William), another by Sir William and Lady Heathcote, one by the Marchioness of Bath, and one by the Marchioness of Lothian. The designs were more or less suggested by Dyce and Copley Fielding, but the execution was carried out by Wailes, under the supervision of Butterfield. The whole work was an immense delight to Mr. Keble, and so anxious was he that the whole should be in keeping, that the east window was actually put in three times before it was judged satisfactory. The plan of the whole was Mr. Keble's own; and though the colours are deeper, and what is now called more crude, than suits the taste of the present day, they must be looked upon with reverence as the outcome of his meditations and his great delight. I transcribe the explanation that his sister Elisabeth wrote of their arrangement:
The Hursley windows are meant to be a course of Instruction in Sacred History from Adam to the last day the church being dedicated to All Saints.
The north-west window has Adam and Noah. The windows along the north aisle each represent two persons from the Old Testament.
The three-light window on the north side, David with the ground plan of the Temple, Moses with the Tables of the Law, Solomon with the Model of the Temple. The Medallion under Moses is the Altar of Incense, and some of the Holy things.
The whole of that window means to represent the fixing and finishing of the Old Religion.
Then comes in the north chancel, Isaiah, Jeremiah, Ezekiel, and Daniel, the prophets preparing for the Gospel.
The north-east window has the Circumcision connecting the Law with the Church, with the figures of Anna and Simeon on each side.
East window: The Crucifixion, The Blessed Virgin and St. John on each side, The Agony, Bearing the Cross, and the Scourging.
The side window of the Sanctuary has St. Stephen and St. John the Baptist as the nearest Martyrs to our Lord, both before and after Him, and their martyrdoms underneath.
The south-east window: The Resurrection, with soldiers at the Sepulchre. St. Peter and St. Paul on each side.
The south chancel windows: The Four Evangelists; under, St. Luke, the Disciples at Emmaus; under, St. John, he and St. Peter at the Sepulchre.
The three-light south window: St. James the Less, first Bishop of Jerusalem; underneath, the Council in Acts x. 6. At his side two successors of the Apostles, St. Clement of Rome, Phil. iv. 3, and St. Dionysius of Athens, Acts xvii. 34, to show how the Church is built upon the Apostles.
In the west window, the Last Judgment, with St. Michael with his scales, and answering to Adam and Noah in the west window of the north aisle; and as a repentance window, St. Peter and St. Mary Magdalene in the west of the south aisle. In the two windows close to the font, St. Philip and Nicodemus, for baptism.
So were carried out the lines in the Lyra Innocentium.
The Saints are there the Living Dead,
The mourners glad and strong;
This sacred floor their quiet bed,
Their beams from every window shed
Their voice in every song.
The clerestory windows were put in somewhat later, on finding that the church was dark, and Mr. Keble wished to have the children mentioned in Scripture, in outline upon them, but this was not carried out.
It was first thought probable that readers of the Christian Year and the Lyra Innocentium might have presented these stained windows, but the plan fell through, and the only others actually given were the repentance window, representing St. Peter and St. Mary Magdalene, by Mr. Harrison. Two were paid for by special offertories, and the rest were finally given by Mr. Keble, as the sums came in from his published writings.
The spire, completing the work, was added to the ancient tower by Sir William Heathcote.
The foundation stone, a brass plate with an inscription surrounded by oak leaves and acorns, was laid on the 29th of May 1847, but the spot is unknown. The entire cost, exclusive of the woodwork and the gifts mentioned, amounted to £6000. The large barn was used as a temporary church, and there are happy recollections connected with it and with the elm-shaded path between the Park and the vicarage field. When all sat on forms without the shade of pews, example taught a lesson of reverent attitude to the congregation, who felt obliged to lay aside any bad habits which might have grown up out of sight, so as to be unconsciously prepared for the new church, where the very width of the open benches and the shape of their ends are suggestive of kneeling in prayer. The period of the building was a time of enjoyment to Mr. Keble, for it was symbolical to him of the "edifying," building up, of the living stones of the True Church, and the restoring her waste places. When the workmen were gone home he used to walk about the open space in the twilight silence in prayer and meditation.
When the topmost stone was to be added, on 18th October 1848, and the weathercock finally secured, Mr. Keble ascended to the elevation that he might set his hand to the work, and there said a thanksgiving for the completion-"The hands of Zerubbabel have laid the foundation of this house. His hands shall also finish it" (Zech. iv. 9).
The day of the Consecration was an exceedingly happy one, on 24th October 1848, the only drawback being that Sir William Heathcote was too unwell to be present. There was a great gathering-the two Judges, Coleridge and Patteson, and many other warm and affectionate friends; and Sir John Coleridge was impressed by the "sweet state of humble thankfulness" of the Vicar and his wife in the completion of the work.
The sermon at Evensong on that day was preached by Mr. Keble himself, in which he spoke of the end of all things; and said the best fate that could befall that new church was that it should be burnt at the Judgment Day.
He thought, probably, of the perils of perversion from true Catholic principles which the course of affairs in these days made him dread exceedingly, and hold himself ready to act like the Non-jurors, or the Free Kirk men in Scotland, who had resigned all for the sake of principle. "Nevertheless," he wrote, "I suppose it is one's duty to go on as if all were encouraging."
And he did go on, and supported others till, by God's Providence, the tide had turned, and much was effected of which he had only dreamt as some day possible. It was in this frame of mind that the poem was composed of which this is a fragment:
The shepherd lingers on the lone hillside,
In act to count his faithful flock again,
Ere to a stranger's eye and arm untried
He yield the rod of his old pastoral reign.
He turns and round him memories throng amain,
Thoughts that had seem'd for ever left behind
O'ertake him, e'en as by some greenwood lane
The summer flies the passing traveller find,
Keen, but not half so sharp as now thrill o'er his mind.
For indeed every lapse in his parish turned to fill their pastor with self-blame.
CHAPTER XI-THE GOLDEN DAYS OF HURSLEY
Those forebodings of Mr. Keble's mercifully never were realised; many more years were granted in which Hursley saw the Church and the secular power working together in an almost ideal way.
To speak of what Sir William Heathcote was as a county gentleman would be difficult. He was for many years Chairman of the Quarter Sessions, and it is worth recording that when King Frederick William IV. of Prussia wished for information on the practical working of the English system of government, and sent over two jurists to enquire into the working of the unpaid magistracy, they were advised to attend the Winchester Quarter Sessions, as one of the best regulated to be found. They were guests at Hursley Park, and, as a domestic matter, their interest in English dishes, and likewise their surprise at the status of an English clergyman, were long remembered.