Half a block away he could see the lines of power in the air. Like heat waves, shimmering, distorting everything around them. It was a signature that wasn't really a signature, a set of psychic eraser marks. He'd seen them for the first time seventeen years ago, in a dead boy's room not far from here, where women had been brutally cut to pieces as part of a conspiracy that ended with the great, devouring monstrosity of TIAMAT orbiting the sun.
He was lightheaded and his pulse was going crazy. He realized that he was scared, really, honest-to-Christ terrified, for the first time in seventeen years.
He sent a wedge of power out in front of him and ran toward the place where the lines came together. People spun away on both sides of him, shouting at him but unable to touch him.
Demise screamed. Even over the noise of the crowd Fortunato could hear the crunch of mangled bone and cartilage and the thud of a body hitting the sidewalk.
As he broke through the wall of people, they were already turning, trying to get away. Somebody dragged away a wounded cop, his right hand burned black, his face pocked with blood. There was a ten-foot circle of sidewalk, empty except for Demise.
Demise lay on his back, the lapels of his gray suit and the open collar of his scruffy shirt exposed. His head was turned completely around, his face flat against the pavement. Blood ran out of his mouth and nose.
A man in the crowd was screaming. "There! He's right over there! He's getting away! Stop him, for God's sake!" He was pointing at nothing at all. All Fortunato could see was a blur of faces, like he was trying to look too far to one side, even though he was staring straight ahead.
Jamming me, he thought. He focused his power and slowed time, until the man's voice and the moans of shock and disgust around him dropped to a subsonic rumble. A tornado of psychic energy hungin the frozen chaos around him, Demise's power, Fortunato's own, the viral energy of the jokers. It was hopeless.
He let go and time came up to speed. There was nothing he could do. Demise was dead. It was not much of a loss.
Most of what he knew about Demise was second- or thirdhand, picked up from cops and bystanders after the riot at the Cloisters. He was a loser a middle-class failure who'd caught the wild card and died of it in Tachyon's clinic. Tachyon brought him back and Demise never forgave him for it. He'd come back a projecting telepath, so they said, and what he could project was the memory of his own death, strongly enough to kill with it. For a while he'd sat at the Astronomer's right hand, until Fortunato and the others had destroyed their base at the Cloisters and Fortunato had blasted their Shakti device into atoms.
He'd have done the same for Demise and the Astronomer if he'd been able. But now Demise seemed inconsequential. From a sense of wounded aesthetics Fortunato got on one knee and twisted Demises head the right way around. He was about to walk away when Demise said, "Thanks. I needed that." Fortunato turned back, his skin crawling. Demise squatted on his heels, rubbing the swollen purple lumps in his neck where blood vessels had burst. Already the bruises were turning yellow, healing as Fortunato watched.
Demise smiled. His mouth was a little too long and thin, and it came up too high on one side. The smile was full of terror and the man's hands shook so hard he held them up and laughed at them. "Didn't know about that little trick, did you? I got my little black message I can send and I got this other thing, too. Even the Astronomer didn't know about it. I can heal, brother." He hacked up a gob of blood and it was a solid brown crust by the time it hit the sidewalk.
"Then he thinks you're dead," Fortunato said.
"Christ, I hope so. Not that he wouldn't have gone ahead and ripped my heart out, just to be sure, if you hadn't shown up. Son of a bitch even told me he was going to do it. If I had stayed in Brooklyn maybe I could have kept out of his way." He coughed up another lump. "If the dog hadn't stopped to piss he would've caught the rabbit."
"Why does he want you dead?"
"Thinks I sold him out. All it was, after that shit at the Cloisters, I started thinking another line of work might be healthier." Demise stared at him. There was a spark back there. Fortunato could see it. If not genius, at least some craft and cunning. Most people wouldn't see it because people didn't spend much time looking into Demise's eyes. One way or another.
Behind the spark was something else. Fortunato had seen it before, seventeen years ago, when he brought a dead boy back to life. It was the black despair of having looked at death too closely.
"In fact," Demise said, "I'm surprised he didn't take you out while he was here. Unless he's saving you for dessert."
"Dessert?"
"This is it, man. Judgment Day, he calls it. I'm gonna die, you're gonna die, every one of you fuckers that hit him at the Cloisters is gonna die, and it's all coming down today. With all this other shit going down in Jokertown he doesn't have to worry about cops or anybody else getting in his way." Fortunato had a sudden hunch, a convergence of invisible power lines. "You know anything about some stolen books? Or a man named Kien?"
"You ask a lot of questions."
"I just saved your life."
"No. No to the books, no to whatever-his-name-was."He was telling the truth, but Fortunato still felt the connection. "A man named Loophole, or Latham?"
"Sorry. No dice."
Fortunato started to turn away. "Hey, listen," Demise said. "I didn't mean to get snippy. Maybe you could hide me out for a while? Just till this time tomorrow'?"
"Why tomorrow?"
"Just the way the man was talking. 'Parting shot' and shit like that. I got a real strong sense that by tomorrow morning you can color me gone. So what do you say? Got someplace to stash me?"
"Don't push your luck," Fortunato said.
Demise shrugged. The gesture was a little stiff, but otherwise his neck looked almost normal. "I guess I better turn up something on my own, then, hadn't I?"
The ice sculptures arrived at half past ten, in a refrigerated truck that had fought its way through the holiday crowds from the artist's loft in SoHo. Hiram went down to the lobby to make certain that there were no mishaps as the life-size sculptures were transported up the service elevator. The artist, a rugged-looking joker with bone-white skin and colorless eves who called himself Kelvin Frost, was most comfortable at temperatures around thirty below, and never left the frigid comforts of his studio. But he was a genius in ice-or "ephemeral art," as Frost and the critics preferred to call it.
When the sculptures were safely stored in the Aces High walk-in freezer, Hiram relaxed enough to look them over. Frost had not disappointed. His detail was as astonishing as ever, and his work had something else as well-a poignancy, a human quality that might even be called warmth, if warmth could exist in ice. Hiram sensed something forlorn and doomed in the way Jetboy stood there, looking up at the sky, every inch the hero and yet somehow a lost boy too. Dr. Tachyon pondered like Rodin's The Thinker, but instead of a rock, he sat upon an icy globe. Cyclone's cloak billowed out so you could almost feel the winds skirling about him, and the Howler stood with legs braced and fists clenched at his side, his mouth open as if he'd been caught in the act of screaming down a wall.
Peregrine looked as though she'd been caught in some other act. Her sculpture was a recumbent nude, resting languidly on one elbow, her wings half-spread behind her, every feather rendered in exquisite detail. A sly, sweet smile lit that famous face. The whole effect was rnaguificently erotic. Hiram found himself wondering if she'd posed for him. It was not unlike her.
But Frost's masterpiece, Hiram thought, was the Turtle. How to bring humanity to a man who'd never once shown his face to the world, whose public persona was a massive armored shell studded with camera lenses? The artist had risen to that challenge: the shell was there, every seam and rivet, but atop it, in miniature, Frost had carved a myriad of other figures. Hiram walked around the sculpture, admiring, picking out detail. There were the Four Aces at some Last Supper, Golden Boy looking much like Judas. Elsewhere a dozen jokers struggled up the curve of the shell, as if climbing some impossible mountain. There was Fortunato, surrounded by writhing naked women, and there a figure with a hundred blurred faces who seemed to be deep in sleep. From every angle, the piece unveiled new treasures.