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One soon enough discovered, of course, that this impression was not the Coast The hawks flapping heavily over Bathurst, a long low backcloth of houses and trees along a sandy beach; a swarm of figures in the native quarter like flies on a piece of meat; the not being allowed to land because of yellow fever; the sense of isolation that the woman had as she went off to join her husband in the quarantined town; this was more really the Coast-the seedy Pole in a singlet and a pair of dirty white trousers who came on board at Konakry, couldn’t speak any English or French and wanted to learn the name of the suits in Bridge. The Captain took his gun and shot a hawk which sat in the rigging, the gulls scattered, twisting in the glittering air, and the dusty body plunged through them on to the deck, like a reminder of darkness.

The Shape of Africa

A reminder of darkness: the girl in the Queen’s Bar. I met her weeping across Leicester Square when the leaves had dropped and made the pavements slippery; she went into the vestibule of the Empire Cinema and verged violently away again (that wouldn’t do), settled at last on a high chair in the Queen’s Bar, made up her face, had a gin and tonic; I hadn’t the nerve to say anything and find out the details. Besides, it’s always happening all the time everywhere. You don’t weep unless you’ve been happy first; tears always mean something enviable.

The aeroplane rocked over Hanover, the last of the storm scattering behind it, dipped suddenly down five hundred feet towards the small air station, and soared again eastwards. Behind the plane the sun set along the clouds; we were above the sunset; looking back it lay below, long pale ridges of stained clouds. The air was grey above the lakes; they were sunk in the ground, like pieces of lead; the lights of villages in between. It was quite dark long before Berlin, and the city came to meet the plane through the darkness as a gorse fire does, links of flame through tie heavy green night. A sky-sign was the size of a postage stamp; one could see the whole plan of the city, like a lit map in the Underground when you press a button to find the route. The great rectangle of the Tempelhof was marked in scarlet and yellow lights; the plane swerved away over the breadth of Berlin, turned back and down; the lights in the cabin went out and one could see the headlamps sweeping the asphalt drive, the sparks streaming out behind the grey Luft Hansa wing, as the wheels touched and rebounded and took the ground and held. That was happiness, the quick impression; but on the ground, among the Swastikas, one saw pain at every yard.

Arrived about nine o’clock at the Gare St. Lazare, Easter, 1924, went to an hotel, then on to the Casino to see Mistinguette, the thin insured distinguished legs, the sharp “catchy” features like the paper faces of the Ugly-Wuglies in The Enchanted Castle (” littleWalk on your toes, dearlittle the bonneted Ugly-Wugly whispered to the one with the wreath; and even at that thrilling crisis Gerald wondered how she could, since the toes of one foot were but the end of a golf club and of the other the end of a hockey stick”). The next night the Communists met in the slums at the end of a cul-de-sac. They kept on reading out telegrams from the platform and everyone sang the Internationale; then they’d speak a little and then another telegram arrived. They were poor and pinched and noisy; one wondered why it was that they had so much good news coming to them which didn’t make any difference at all. All the good news and the singing were at the end of an alley in a wide cold hall; they couldn’t get out; in the little square the soldiers stood in tin helmets beside their stacked rifles. That night from the window of an hotel I saw a man and woman copulating; they stood against each other under a street lamp, like two people who are supporting and comforting each other in the pain of some sickness. The next day I read in the paper how the Reds had tried to get out, but the soldiers had stopped them; a few people were hurt, a few went to prison.

The first thing I can remember at all was a dead dog at the bottom of my pram; it had been run over at a country crossroads, where later I saw a Jack-in-the-Green, and the nurse put it at the bottom of the pram and pushed me home. There was no emotion attached to the sight. It was just a fact. At that period of life one has an admirable objectivity. Another fact was the man who rushed out of a cottage near the canal bridge and into the next house; he had a knife in his hand; people ran after him shouting; he wanted to kill himself.

Like a revelation, when I was fourteen, I realised the pleasure of cruelty; I wasn’t interested any longer in walks on commons, in playing cricket on the beach. There was a girl lodging close by I wanted to do things to; I loitered outside the door hoping to see her. I didn’t do anything about it, I wasn’t old enough, but I was happy; I could think about pain as something desirable and not as something dreaded. It was as if I had discovered that the way to enjoy life was to appreciate pain.

I watched from the other end of the bar; she wept and didn’t care a damn; she embarrassed everybody; they cleared a space as if a fight was on and she sat there drinking gin and tonic and crying with empty chairs on either side; the barman kept on serving drinks at the other end. I thought for some reason even then of Africa, not a particular place, but a shape, a strangeness, a wanting to know. The un” conscious mind is often sentimental; I have written ‘a shape’, and the shape, of course, is roughly that of the human heart.

Freetown

FREETOWN, the capital of Sierra Leone, at first was just an impression of heat and damp; the mist streamed along the lower streets and lay over the roofs like smoke. Nature, conventionally grand, rising in tree-covered hills above the sea and the town, a dull uninteresting green, was powerless to carry off the shabby town. One could see the Anglican cathedral, laterite bricks and tin with a square tower, a Norman church built in the nineteenth century, sticking up out of the early morning fog. There was no doubt at all that one was back in home waters. Among the swarm of Kru boats round the ship the Princess Marina with its freshly painted name was prominent. “Princess Marina” the half-naked owner kept on calling. “Sweetest boat on the coastlittle’

Tin roofs and peeling posters and broken windows in the public library and wooden stores, Freetown had a Bret Harte air without the excitement, the saloons, the revolver shots or the horses. There was only one horse in the whole city, and it was pointed out to me by the proprietor of the Grand Hotel, a thin piebald beast pulled down the main street like a mule. There had been other horses from time to time, but they had all died. Where there wasn’t a tin shed there were huge hoardings covered with last year’s Poppy Day posters (the date was January the fifteenth). On the roofs the vultures sat nuzzling under their wings with horrible tiny undeveloped heads; they squatted in the gardens like turkeys; I could count seven out of my bedroom window. When they moved from one perch to another they gave no sensation of anything so aerial as flight; they seemed to hop across the street, borne up just high enough by the flap-flap of their dusty wings.

This was an English capital city; England had planted this town, the tin shacks and the Remembrance Day posters, and had then withdrawn up the hillside to smart bungalows, with wide windows and electric fans and perfect service. Every call one paid on a white man cost ten shillings in taxi fares, for the railway to Hill Station no longer ran. They had planted their seedy civilisation and then escaped from it as far as they could. Everything ugly in Freetown was European : the stores, the churches, the Government offices, the two hotels; if there was anything beautiful in the place it was native: the little stalls of the fruit-sellers which went up after dark at the street corners, lit by candles; the native women rolling home magnificently from church on a Sunday morning, the cheap European cottons, the deep coral or green flounces, the wide straw hats, dignified by-the native bearing, the lovely roll of the thighs, the swing of the great shoulders. They were dressed for a garden party and they carried off cheap bright grandeur in the small back-yards among the vultures as nature couldn’t carry off Freetown.