Brown interrupted. 'Right. Not exactly. It might give some lawyers something to argue over.' He hesitated before continuing. '… But I'm not expecting to win this case in court.' He did not amplify.
After a second's silence> Wilcox started in again. 'I don't eyen think Ferguson's grandmother'll let us look around unless we've got a warrant. Hell, I don't think she'd even tell us if the sun was up without an order from a judge. Waste of time.'
'She'll let Cowart look.'
'When we drive him up? No way.'
'She will.'
'She probably hates the press worse'n I do. After all, they helped put her little darling on the Row in the first place.'
'Then got him out.'
'I don't think that's the way she thinks. She's an old Baptist Bible-thumper. She probably believes that Jesus Hisself came down and opened the prison gate for her darling little boy, because she bombarded Him with prayers every Sunday at the meeting house. Anyway, even if she does let him in and let him poke around, which she won't, he doesn't even know what to look for. Or even how to look for it.'
'Yes, he does.'
'Okay, then suppose, just suppose, for the sake of fuckall, that he finds something. What does that do for us?'
'One thing,' Brown replied. He rolled down his window, letting some of the day's heat slip into the police cruiser, where it quickly overcame the stale cold of the air conditioner. He spoke softly, his voice barely cresting the wind noise from the window. 'Then we'll know that about this, at least, Sullivan was telling the truth.'
'So what?' Wilcox snapped. 'What the hell does that do for us?'
The question drew more silence from the police lieutenant.
'Then we'll know what we're dealing with,' Cowart finally interjected.
'Hah!' Wilcox snorted.
He drove on, gripping the steering wheel tightly, frustrated by the sense that his friend and partner and his adversary had shared some information to which he was not privy. It gave him an angry, hateful feeling within. He drove hard, raising a cloud of brown dust behind, half-wishing some mangy old dog or squirrel would run out in front of the car. He punched the accelerator, feeling the rear fishtail slightly on the dirt, scrabbling for thrust.
Cowart watched a tree line on the edge of a distant forest. 'Where does that go?' he asked, pointing.
'Eventually to where we found Joanie. Edge of the same swamp. Runs back a half dozen miles or so before spreading out and curling toward town. Quicksand that'll kill ya and mud so thick you step in, it's like you put your foot in glue. Mile after mile of dead trees, weeds, and water. All dark and looks kinda the same. Get lost back in there, take a month to find your way out. If ever. Bugs, snakes, and gators and all sorts of slimy, crawling things. But good bass fishing, some real hawgs hanging underneath the dead wood. You just gotta be careful,' Wilcox answered. 'Not that you'd care.'
As the police cruiser careened down the back road, jerking and swaying with the bumps and ruts, Cowart thought of the folded sheets of computer paper that contained the stories he'd printed out in the Journal's library. They were inside his suit coat pocket, rubbing uncomfortably against his shirt, as if they had some radioactive quality that made them glow with heat. He had not shared the information with Tanny Brown.
It could just be coincidence, he insisted to himself. The man gave a speech in a church. Four days later a little girl disappears. That doesn't add up to anything. You don't know if he was still around or what he did after going to that church service, where he was, what he was doing. Four days. He could have been all the way back in Pachoula. Or Newark. Or Mars, for all you know.
His memory abruptly filled with the photograph of Joanie Shriver hanging on the wall at the elementary school. He saw the eyes of Dawn Perry staring out with little girl's insouciance and enthusiasm from the page of the police flyer. White and black. His throat felt suddenly dry. 'Getting close,' Wilcox announced.
His partner's words cracked through Tanny Brown's thoughts. When he had arrived home in Pachoula, he had quickly been inundated in the routine of his life. One of his daughters had failed to get the lead in the class play; the other had discovered that her date curfew was an hour earlier than any of her friends'. These were problems of considerable dimension, items that needed his immediate attention. There were certain duties that his father simply would not perform; making the rules was one of them. 'Your house. I'm just a visitor here,' the old man had said. He'd been quite content, however, to listen to the younger complain about not getting the acting role. Tanny Brown wondered if the old man's occasional deafness was not an advantage in those situations.
He had lied to them about where he'd been, lied, as well, about what he was doing. And, he realized, he would have lied if anyone had asked him what he was afraid of. He had been relieved that both girls were caught up in their own lives, with that uniquely obsessive way children have. He had looked at the two of them, only half-listening to their complaints, and seen the picture of Dawn Perry that he still kept in his coat pocket. Why are they any different? he wondered.
He had castigated himself: You cannot be a policeman and survive if you allow yourself to see events as anything other than cases with file numbers. He had forced himself to cling to what he knew, what he could testify to. He kept denying his instincts, because his instincts insisted there was something out there that was far more terrible than he'd ever considered.
'There we go,' Wilcox said.
They approached the shack rapidly, rattling loose stones against the undercarriage. Wilcox slammed the car to a halt and stared out, up at the tired wooden-frame house before saying, 'Okay, Cowart, let's see you talk your way inside.' He turned and glared at him.
'Give it a rest, Bruce, Brown grumbled.
Cowart did not reply but stepped out of the car and moved quickly across the dust of the front yard. He glanced back once, seeing the two detectives leaning side by side against the cruiser, watching his progress. He turned his back on them and climbed up the steps to the front porch. He called out, 'Missus Ferguson? You home, ma'am?'
He shaded his eyes, blinded as he stepped from the bright sunlight of the front yard into the dark shade of the porch. He tried to make out some movement inside but couldn't at first.
'Missus Ferguson? It's Matthew Cowart. From the Journal.'
There was still no reply.
He knocked hard on the doorframe, feeling it rattle beneath his knuckles. The whitewashed boards were peeling.
'Missus Ferguson, ma'am? Please.'
Then, finally, a scratching sound came from the darkness within. A moment passed before a disembodied voice floated through the shadows within the shack toward him. The voice had lost none of its crackling edge and angry tone. 'I know who you are. Whatcha want this time?'
'I need to talk to you again about Bobby Earl.'
'We done talked and talked, Mr. Reporter. I ain't hardly got no words left. Ain't you heard enough now?'
'No. Not nearly. Can I come in?'
'What? Y'all only got inside questions?'
'Missus Ferguson, please. It's important.'
'Important for who, Mr. Reporter?'
'Important for me. And for your grandson.'
'I don't believe that, she replied.
There was another silence. Cowart's eyes slowly adjusted to the shade, and he began to make out shapes through the screen door. He could see an old table with a flowered water pitcher on top and a shotgun and a cane standing in a corner. After a moment, he heard footsteps approaching the door and finally the wispy old black woman hovered into view, her skin blending with the darkness of the interior, but her silver hair catching the light and shining at him. She was moving slowly and scowling as if the arthritis in her hips and back had penetrated her heart as well.