I sink back down onto the studio floor, breathless with fear, which is now on an entirely different Richter scale than my little scare on the train.
More time goes by. I hug my knees, shivering in the damp morning. I creep downstairs. I try the front door, but it’s locked, from the outside. I have the sense that I’m going to be trapped here forever, that I’ll grow old and wither and die locked in this squat.
How late can artists sleep? What time is it? But I don’t need a clock to tell me Willem has been gone too long. With each passing minute, the explanations I keep concocting ring increasingly hollow.
Finally, I hear the clank of the chain and keys jangle in the locks, but when the door swings open, it’s a woman with two long braids carrying a bunch of rolled up canvases. She looks at me and starts talking to me in French, but I just spring past her.
Out on the street, I look around for Willem, but he’s not here. It seems like he would never be here, on this ugly stretch of cheap Chinese restaurants and auto garages and apartment blocks, all gray in the gray rain. Why did I ever think this place was beautiful?
I run into the street. The cars honk at me, their horns strange and foreign sounding, as if even they speak another language. I spin around, having absolutely no idea where I am, no idea where to go, but desperately wanting to be home. Home in my bed. Safe.
The tears make it hard to see, but somehow I stumble across the street, down the sidewalk, ricocheting from block to block. This time no one is chasing me. But this time I am scared.
I run for several blocks, up a bunch of stairs and onto a square of sorts, with a rack of those gray-white bicycles, a real estate agency, a pharmacy, and a café, in front of which is a phone booth. Melanie! I can call Melanie. I take some deep breaths, swallow my sobs, and follow the instructions to get the international operator. But the call goes straight to voice mail. Of course it does. She left the phone off to avoid calls from my mother.
An operator comes on the line to tell me I can’t leave a message because the call is collect. I start to cry. The operator asks me if she should call the police for me. I hiccup out a no, and she asks if perhaps there is someone else I might call. And that’s when I remember Ms. Foley’s business card.
She picks up with a brisk “Pat Foley.” The operator has to ask her if she’ll accept the collect call three times because I start crying harder the minute she answers, so she can’t hear the request.
“Allyson. Allyson. What’s the matter? Are you hurt?” she asks over the line.
I’m too scared, too numb to be hurt. That will come later.
“No,” I say in the tiniest of voices. “I need help.”
Ms. Foley manages to pull the basics out of me. That I went to Paris with a boy I met on the train. That I’m stuck here, lost, with no money, no clue where I am.
“Please,” I beg her. “I just want to go home.”
“Let’s work on getting you back to England, shall we?” she says calmly. “Do you have a ticket?”
Willem bought me a round trip, I think. I rifle through my bag and pull out my passport. The ticket is still folded neatly inside. “I think so,” I tell Ms. Foley in a quivery voice.
“When is the return booked for?”
I look at it. The numbers and dates all swim together. “I can’t tell.”
“Top left corner. It’ll be in military time. The twenty-four-hour clock.”
And there I see it. “Thirteen-thirty.”
“Thirteen-thirty,” Ms. Foley says in that comfortingly efficient voice of hers. “Excellent. That’s one-thirty. It’s just past noon now in Paris, so you have time to catch that train. Can you get yourself to the train station? Or to a Metro?”
I have no idea how. And no money. “No.”
“How about a taxi? Take a taxi to the Gare du Nord?”
I shake my head. I don’t have any euros to pay for a taxi. I tell Ms. Foley that. I can hear the disapproval in her silence. As if nothing I’ve told her before has lowered me in her esteem, but coming to Paris without sufficient funds? She sighs. “I can order you a taxi from here and have it prepaid to bring you to the train station.”
“You can do that?”
“Just tell me where you are.”
“I don’t know where I am,” I bellow. I paid absolutely no attention to where Willem took me yesterday. I surrendered.
“Allyson!” Her voice is a slap across the face, and it has just the intended effect. It stops my caterwauling. “Calm down. Now put the phone down for a moment and go write down the nearest intersection.”
I reach into my bag for my pen, but it’s not there. I put the phone down and memorize the street names. “I’m at Avenue Simon Bolivar and Rue de l’Equerre.” I’m butchering the pronunciation. “In front of a pharmacy.”
Ms. Foley repeats back the information, then tells me not to move, that a car will be there within a half hour and that I’m to call her back if one doesn’t arrive. That if she doesn’t hear from me, she will assume that I will be on the one-thirty train to St. Pancras, and she will meet me in London right at edge of the platform at two forty-five. I’m not to leave the train station without her.
Fifteen minutes later, a black Mercedes cruises up to the corner. The driver holds a sign, and when I see my name—Allyson Healey—I feel both relieved and bereft. Lulu, wherever she came from, is truly gone now.
I slide into the backseat, and we take off for what turns out to be all of a ten-minute drive to the train station. Ms. Foley has arranged for the driver to take me inside, to show me right where to board. I’m in a daze as we make our way through the station, and it’s only when I am slumped into my seat and I see people wheeling bags through the aisles that I realize that I’ve left my suitcase at the club. All my clothes and all the souvenirs from the trip are in there. And I don’t even care. I have lost something far more valuable in Paris.
I keep it together until the train goes into the Tunnel. And then maybe it’s the safety of the darkness or the memory of yesterday’s underwater journey that sets everything loose, but once we leave Calais and the windows darken, I again start to quietly sob, my tears salty and endless as the sea I’m traveling through.
At St. Pancras, Ms. Foley escorts me to a café, stations me at a corner table, and buys me tea that grows cold in its cup. I tell her everything now: The underground Shakespeare play in Stratford-upon-Avon. Meeting Willem on the train. The trip to Paris. The perfect day. His mysterious disappearance this morning that I still do not understand. My panicked flight.
I expect her to be stern—disapproving, for deceiving her, for being such a not-good girl—but instead she is sympathetic.
“Oh, Allyson,” she says.
“I just don’t know what could’ve happened to him. I waited and waited for a few hours at least, and I got so scared. I panicked. I don’t know, maybe I should’ve waited longer.”
“You could’ve waited until next Christmas, and I scarcely imagine it would have done a spot of good,” Ms. Foley says.
I look at her. I can feel my eyes beseeching.
“He was an actor, Allyson. An actor. They are the worst of the lot.”
“You think the whole thing was an act? Was fake?” I shake my head. “Yesterday wasn’t fake.” My voice is emphatic, though I’m no longer sure who I’m trying to convince.
“I daresay it was real in the moment,” she says, measuring her words. “But men are different from women. Their emotions are capricious. And actors turn it on and turn it right back off.”