At ten fifteen, I pay my (ten-euro) entry and go in. The club is packed, and there’s a band on the stage, all heavy guitars and a violin screeching feedback, and the tiniest Asian girl singing in this high, squeaky voice. All alone, surrounded by these hipsters, I don’t think I’ve ever felt so out of place, and every part of me is telling me to leave before I make a fool of myself. But I don’t. I haven’t come this far to chicken out. I fight my way to the bar, and when I see Modou, I greet him like a long-lost brother. He smiles at me and pours me a glass of wine. When I try to pay, he waves the bill away, and immediately, I feel better.
“Ahh, Céline is there,” he says, pointing to a table up front. She sits, alone, watching the band with a strange intensity, the smoke from her cigarette curling witchily around her.
I walk over to her table. She doesn’t acknowledge me, though I can’t tell if it’s because she’s snubbing me or concentrating on the band. I stand next to the open chair waiting for her to invite me to sit down, but then I just give up. I pull the chair out and sit. She gives me the slightest of nods, takes a puff of the cigarette, and blows smoke all over me, which I suppose counts as a greeting. Then she turns back to the band.
We sit there, listening. We are sitting right up close to the speakers, so the sound is extra deafening; my ears are already beginning to ring. It’s hard to tell if she’s enjoying the music. She doesn’t tap her toes or sway or anything. She just stares and smokes.
Finally, when the band takes a break, she looks at me. “Your name is Allyson.” She pronounces it Aleeseesyoohn, which makes it sound ridiculous somehow, an SUV of an American name with too many syllables.
I nod.
“So, not French at all?”
I shake my head. I never claimed it was.
We stare at each other, and I realize she won’t give me a thing. I have to take it. “I’m looking for Willem. Do you know where I can find him?” I’d meant to come in guns blazing, French spouting, but my nerves have sent me scurrying back to the comforts of my mother tongue.
She lights a new cigarette and blows more smoke on me. “No.”
“But, but he said you were good friends.”
“He said that? No. I am just like you.”
I cannot imagine in what way she would think she is even remotely like me, aside from us both possessing two X chromosomes. “How, how are we anything alike?”
“I am just one of the girls. There are many of us.”
It’s not like I didn’t know this about him. Not like he hid it. But hearing it out loud, from her, I feel exhausted, jet lag dropping me like a plummeting elevator.
“So you don’t know where he is?”
She shakes her head.
“And you don’t know where I can find him?”
“No.”
“And would you even tell me if you did?”
Her eyebrow goes up into that perfect arch as smoke curls out of her mouth.
“Can you even tell me his last name? Can you tell me that much?”
And here she smiles. Because in this little game we are playing, have been playing since last summer, I just showed my hand. And what a rotten hand it is. She takes a pen and a scrap of paper and writes something down. She slides the paper over to me. His name is on there. His full name! But I won’t give her the satisfaction of my eagerness, so I casually tuck it in my pocket without even glancing at it.
“Do you need anything else?” Her tone, haughty and gloating, manages to carry over the sounds of the band, who have started playing again. I can already hear her laughing about me with all her hipster pals.
“No, you’ve done quite enough.”
She eyes me for a long second. Her eyes aren’t so much blue as violet. “What will you do now?”
I force a bitchy smile, which I expect doesn’t look bitchy so much as constipated. “Oh, you know, see the sights.”
She blows more smoke on me. “Yes, you can be a touriste,” she says, as though tourist were an epithet. Then she begins ticking off all the places lowly people like us go. The Eiffel Tower. Sacré-Coeur. The Louvre.
I search her face for hidden meaning. Did he tell her about our day? I can just picture them laughing about me throwing the book at the skinheads, telling Willem I’d take care of him.
Céline is still talking about all the things I can do in Paris. “You can go shopping,” she is saying. Buy a new handbag. Some jewelry. Another watch. Some shoes. I can’t quite fathom how someone spouting off Ms. Foley–like advice can be so condescending.
“Thank you for your time,” I say. In French. Annoyance has made me bilingual.
Thirty-one
Willem de Ruiter.
His name is Willem de Ruiter. I rush to an Internet café and start Googling him. But Willem de Ruiter turns out to be a popular name in Holland. There’s a Dutch cinematographer with that name. There’s some famous diplomat with that name. And hundreds of other nonfamous people who nevertheless have some reason to be on the Internet. I go through hundreds of pages, in English, in Dutch, and I find not one link to him, not one piece of evidence that he actually he exists. I Google his parents’ names Bram de Ruiter. Yael de Ruiter. Naturopath. Actor. Anything I can think of. All these combinations. I get vaguely excited when some weird theater thing comes up, but when I click through, the website is down.
How can it be this hard to find someone? It occurs to me that maybe Céline intentionally gave me the wrong name.
But then I Google myself, “Allyson Healey,” and I don’t come up, either. You have to add the name of my college before you get my Facebook page.
I realize then it’s not enough to know what someone is called.
You have to know who they are.
Thirty-two
The next morning, Kelly and her friends ask me if I want to join them for a trip to the Rodin Museum, followed by some shopping. And I almost say yes. Because that’s what I would like. But there is still one more stop. It’s not even that I think I’ll find anything; it’s just that, if I’m facing down demons, I have go to there too.
I’m not sure where it is, exactly, but I do know the intersection where Ms. Foley had me picked up. It is seared into my brain. Avenue Simon Bolivar and Rue de l’Equerre, the cross streets of Humiliation and Defeat.
When I get out of the Metro, nothing seems familiar. Maybe because the last time I was here, I was flipping out in such a panic. But I know I didn’t run that far before finding the pay phone, so I know it can’t be that far to the art squat. I methodically go up one block. Down the next. Up and back. But nothing seems familiar. I attempt to ask directions, but how do you say “art squat” in French? Old building with artists? That doesn’t work. I remember the Chinese restaurants in the vicinity and ask for them. One young guy gets really excited and, I think, offers a recommendation to one supposedly good place across on Rue de Belleville. I find it. And from there, I find a sign for double happiness. It could be one of many, but I have a feeling it’s the one.
I wander around for fifteen more minutes and, on a quiet triangle of streets, find the squat. It has the same scaffolding, same distorted portraits, maybe a little more weather-beaten. I knock on the steel door. No one answers, but there are obviously people inside. Music wafts out from the open windows. I give the door a push. It creaks open. I push it farther. I walk inside. No one pays me any notice. I go up the creaking staircase, to the place where it all happened.