The Potters’ street was the smallest of our streets. It had only five houses. Lingayya and Ramayya and Subbayya and Chandrayya owned the four big houses, and old Kamalamma had a little broken house at the end of the street where she spent her last days with her only son. Formerly, they say, the Potters’ street was very flourishing, but now, with all these modern Mangalore tiles, they’ve had to turn to land. But Chandrayya still made festival pots, and for Gauri’s festival we’ve always had our pots done by him. He makes our images too and he even sold them at the Manjarpur fair. The rest of the potters were rather a simple, quiet lot, who tilled their lands and now and again went out to the neighbouring villages to help people to make bricks.
Now, when you turned round the Potters’ street and walked across the temple square, the first house you saw was the nine-beamed house of Patel Rangè Gowda. He was a fat, sturdy fellow, a veritable tiger amongst us, and what with his tongue and his hand and his brain, he had amassed solid gold in his coffers and solid bangles on his arms. His daughters, all three of them, lived with him and his sons-in-law worked with him like slaves, though they owned as much land as he did. But then, you know, the Tiger, his words were law in our village. ‘If the Patel says it,’ we used to say, ‘even a coconut-leaf roof will become a gold roof.’ He is an honest man, and he has helped many a poor peasant. And heavens! What a terror he was to the authorities!
The other Sudras were not badly fed householders and they had as usual two or three sons and a few daughters, and one could not say whether they were rich or poor. They were always badly dressed and always paid taxes and debts after several notices. But as long as Rangè Gowda was there, there was no fear. He would see them through the difficulties. And they were of his community.
The Brahmin street started just on the opposite side, and my own house was the first on the right.
Between my house and Subba Chetty’s shop on the Karwar road was the little Kanthapurishwari’s temple. It was on the Main street promontory, as we called it, and became the centre of our life. In fact it did not exist more than three years ago, and to tell you the truth, that’s where all the trouble began. Corner-house Narsamma’s son, Moorthy — our Moorthy as we always called him — was going through our backyard one day and, seeing a half-sunk linga, said, ‘Why not unearth it and wash it and consecrate it?’ ‘Why not!’ said we all, and as it was the holidays and all the city boys were in the village, they began to put up a little mud wall and a tile roof to protect the god. He was so big and fine and brilliant, I tell you, and our Bhatta duly performed the consecration ceremony. And as Rangamma said she would pay for a milk and banana libation and a dinner, we had a grand feast. Then came Postmaster Suryanarayana and said, ‘Brother, why not start a Sankara-jayanthi? I have the texts. We shall read the Sankara-Vijaya every day and somebody will offer a dinner for each day of the month.’ ‘Let the first be mine,’ said Bhatta. ‘The second mine,’ said Agent Nanjundia. ‘The third must be mine,’ insisted Pandit Venkateshia. ‘And the fourth and the fifth are mine,’ said Rangamma. ‘And if there is no one coming forward for the other days, let it always be mine,’ she said. Good, dear Rangamma! She had enough money to do it, and she was alone. And so the Sankara-jayanthi was started that very day.
It was old Ramakrishnayya, the very learned father of Rangamma, that said he would read out the Sankara-Vijaya day after day. And we all cried out, ‘May the Goddess bless him,’ for there was none more serene and deep-voiced than he. We always went to discuss Vedanta with him in the afternoons after the vessels were washed and the children had gone to school. And now we gathered at the Iswara’s temple on the promontory, instead of on Rangamma’s veranda. How grand the Sankara-jayanthi was! Old Ramakrishnayya read chapter after chapter with such a calm, bell-metal voice, and we all listened with our sari-fringes wet with tears. Then they began to lay leaves for dinner. And one boy came and said, ‘I shall serve, Aunt!’ And another came and said, ‘Can I serve paysam, Aunt?’ And another came and said, ‘I shall serve rice, Aunt,’ and this way and that we had quite a marriage army and they served like veritable princes. Then, when we had eaten and had washed our hands, the younger women sang, and we discussed the mayavada, and after that we went home. We hastily pushed rice on to the leaves of the young and came back for the evening prayers. There used to be bhajan. Trumpet Lingayya with his silver trumpet was always there, and once the music was over, we stayed till the camphor was lit, and throwing a last glance at the god, we went home to sleep, with the god’s face framed within our eyes. It was beautiful, I tell you — day after day we spent as though the whole village was having a marriage party.
Then sometimes there used to be Harikathas. Our Sastri is also a poet. You know, the Maharaja of Mysore had already honoured him with a palace shawl, and Sastri had just sent His Highness an epic on the sojourn of Rama and Sita in the hill country. They said he would soon be honoured with a permanent place in the court. And he is a fine singer, too. But he is an even grander Harikatha-man. When he stood up with the bells at his ankles and the cymbals in his hands, how true and near and brilliant the god-world seemed to us. And never has anyone made a grander Harikatha on Parvati’s winning of Siva. He had poetry on his tongue, sister. And he could keep us sitting for hours together. And how we regretted the evening the Sankara-jayanthi was over. The air looked empty.
But by Kenchamma’s grace it did not end there. The next morning Moorthy comes to us and says, ‘Aunt, what do you think of having the Rama festival, the Krishna festival, the Ganesh festival? We shall have a month’s bhajan every time and we shall keep the party going.’
‘Of course, my son,’ say we, ‘and we shall always manage each to give a banana libation if nothing else.’
‘But,’ says he, ‘to have everything performed regularly we need some money, Aunt.’
‘Money!’
It made us think twice before we answered, ‘And how much money would you need, my son? But, if it’s camphor, I’ll give it. If it’s coconut, I’ll give it. If it’s sugar candy. ’
‘No, Aunt,’ says Moorthy, ‘it’s not like that. You see, Aunt, while I was in Karwar we had Rama’s festival and Ganapati’s festival, and we had evening after evening of finest music and Harikatha and gaslight processions. Everybody paid a four-anna bit and we had so much money that we could get the best Harikatha-men like Belur Narahari Sastri, Vidwan Chandrasekharayya. ’
‘Do you think they’ll come here?’ say I.
‘Of course, Aunt. And what do you think: pay them ten rupees and give them their cart fare and railway fare and that’ll do. They don’t ask for palanquins and howdahs. And we shall have Harikathas such as no one has ever heard or seen in Kanthapura.’
‘All right, my son. And how should we pay?’
We know Moorthy had been to the city and he knew of things we did not know. And yet he was as honest as an elephant. ‘One rupee, Aunt. Just one rupee. And if there is some money left, we shall always use it for holy work. You understand, Aunt? That is what we did in Karwar.’