Kicking It
An anthology of stories edited by Faith Hunter and Kalayna Price
When nine kick-ass writers and their kick-ass heroines get together, most anything can happen. Welcome to our worlds! And hang on tight. These boots are made for stalking.
FAITH HUNTER AND KALAYNA PRICE,
THE EDITORS
FORKED TONGUES
A Holly and Andrew Story
BY RACHEL CAINE
It wasn’t the first time I’d woken up to a cross burning on my front lawn, but it was definitely not my favorite time, either.
The first I knew about it was the sudden violent movement of the bed as my boyfriend, Andrew, jumped out from under the covers. When Andy moved like that, I instinctively moved, too; I wasn’t battle-tested like he was, and I didn’t have gunslinger reflexes, but I could throw myself facedown on the floor with the best of them.
“Goddammit,” he growled, and twitched the curtains aside a little more. I caught a glimpse of firelight. “I’m about to shoot some sumbitches, Holly.”
I lifted my head from the floor, crawled to the window, and peered out through the bottom. Yep. Cross, burning on our lawn, and a beat-up red pickup zooming down the street, full of heroes wearing black ski masks, armed with cheap beer and attitude. “No shooting,” I told him. “This may be Texas, but we don’t like to have gunfights in the streets.”
“All right,” he said. “I’ll just follow ’em home and shoot ’em in their own yards. That’s civilized.”
Andy’s voice was tight, and I couldn’t really tell if he was just being scorchingly sarcastic. After all, he’d been born into a different time—a time when it was perfectly okay to take your grudges all the way across town, and also to shoot up Main Street on a Saturday night, just because it was Saturday night. And if you lost your gunfight, you might be displayed in a stand-up coffin for a day or two with a sign around your neck as a lesson to others.
Andy was Old West at its best, and sometimes at its worst, too.
He’d been brought back from his long-ago death a while back, but he still hadn’t quite adjusted to modern life . . . and I was sometimes afraid he never would.
He was yanking jeans on now over long, lean legs, and his eyes were narrowed and glinting like stone in a hard-set face. Handsome man, Andy Toland—broad-shouldered, slim-hipped, an old-fashioned kind of handsome that had an interesting dash of mischief to it. And history. The scars on his chest, some still red, were a road map to a hundred tales, most of which I knew I’d never learn.
But he could hold a grudge. Oh, yes.
As he pulled his checked shirt off the hanger in the closet, I scrambled up and put a hand on his arm. That stilled him, just for a few seconds. Long enough for me to say, “No, Andy. Stay here. Stay with me.” It was a magic incantation, something I said to him almost every day—sometimes a murmur on the edge of sleep, sometimes caught on a breath during lovemaking. But it meant something to me, and to him.
He shot me a guilty look as he put on the shirt and quirked a quick smile in apology. “All right, I ain’t going,” he said. “Rubs me sandy to let them get away clean, though.”
“Hey, they did the hard work of building the damn thing, hauling it, sticking it in the ground, and setting it on fire,” I said. “It’s the least we can do to let them drive off drunk and run into a tree.”
He hugged me, his shirt still hanging open. “And that is why I love you, Holly Anne Caldwell. Because you’re just so saintly about it all. Hey, what is that you have on?”
“Nothing,” I said, and put my arms around his neck. “Why? You like it?”
“I think it suits you fine,” he said. “Wish I could take you back to that bed and tell you plain, but—”
“But the neighbors might be scandalized.”
“Mostly by the burning cross we left burning.”
I pulled away from him, reluctantly, and dressed quickly—underwear, because going out without it would scandalize the already-butt-hurt neighborhood, and then a pair of jeans I could afford to get dirty and a work shirt I normally chose for gardening. Thick work boots, too.
By the time I was dressed, had grabbed my cell phone, and went outside, Andy was already using our fire extinguisher on the cross. I called 911 with the report and took a cell phone picture before the fire was out completely, then a few more with the flash for good measure.
It wasn’t a huge cross; I guessed our harassers hadn’t been especially ambitious this time. But our neighbors were awake and watching, though no one came out. My house was in a quiet suburban neighborhood, one of those that kept the sidewalks clean and had association meetings about “bad elements.” I was not ignorant of the fact that I was one of those bad elements, especially since not one of those watching came out to see if we were okay.
Not one.
“Holly,” Andy said, in a much different sort of voice—a sober one. “Better come see this.”
I didn’t know what he was talking about at first; when you’re facing a five-foot blackened cross still giving off wisps of smoke, it does tend to command center stage. But then he pointed at the ground in front of it.
Punched into the lawn by a knife was a picture. I turned on the light on my cell phone and crouched, not touching it or the knife, to study it, and I felt my stomach withdraw into a tight little clench as I realized what it was.
It was a photo of a dead woman, staring up at the camera. Her throat had been slashed, and her mouth was open and bloody; it looked as if she’d been beaten before the final cut. Her eyes were open and empty.
And I knew her. So did Andy.
“That’s Portia,” he said. “God damn them. Want to tell me I shouldn’t have shot them on their porches now?”
No. No, I didn’t. But I took in a deep breath, dialed 911 again, and reported the photo.
I asked for Detective Rosen, to save time; he’d show up, where some of the others might not. They’d have all kinds of excuses—out on a call, unable to respond, batteries dead. But the truth was that after the particularly painful murder of one of their own, Detective Prieto, a significant portion of the Austin Police Department didn’t want to protect and serve people like us.
People like witches, I mean.
Andy nodded toward the cross. “We should get that thing down.”
“No,” I said. “Leave it up. Let them see it as it is.”
“Want me to set it back on fire, too?” His voice was too tight, and so were his shoulders. He prowled restlessly, back and forth, and I could feel the fury snapping off him like invisible lightning. Andy was a dangerous man in this mood. “Not taking this flat on my back, Holly. Not taking this any damn way. They want to come at us, they better come ready for hell.”
Moments like this, I wished that witchcraft worked the way it did in the movies . . . that I could just murmur some fake Latin and blow away bad things. But the tradition of it had come down through the ages, and it was not only hard, but each of us was limited in what we could do with it. Andy and I, we were potions witches; give us time and ingredients, and we could do everything from heal the sick to raise the dead and keep them walking. But potions took time, energy, and concentration, and they didn’t keep well.
Potions couldn’t help us with something like this. Might as well take a slug of whiskey to calm the nerves, and then break out the shotgun.
There were a few witches in the world capable of actually cursing someone, fast and with effective spells. I’d never met one, and they damn sure didn’t live in Austin, Texas. The picture of Portia proved she wasn’t one of them, either.
We sat down on the steps of the house, and Andy put his arm around me. We didn’t speak. I watched lights go on and off in the other houses and thought that this would, yet again, be brought up at the association meeting as a disruption. We were those people now. And while we lived in a time a bit too PC for pitchforks and torches, I could feel the tide of sentiment turning against us.