“He was intoxicated but obviously not blind drunk. He found the key to the Aston Martin, he drove it from the garage, he made it halfway down the street. Was he sober enough to form the intent to kill? That is the question. Drunkenness is no excuse for homicide but does permit a verdict of manslaughter. And you may be of a mind to consider that verdict.”
So that’s where she was going, not for the throat, no, a high-minded approach, offering a comfortable middle way, tempting the jury with easy compromise. But the jury would not be told that the judge held free rein in sentencing, with life imprisonment the max. Juries aren’t allowed to consider such things.
She ended on a strong note, about how the jury should be proud of themselves for taking part in this great, hallowed, democratic process of the common law.
Eight and a half out of ten.
The boss seemed in no hurry to leave court during the break, instead hung about the prosecutors’ table, offering Abigail a bouquet of compliments, earning a little hug. As Wentworth headed morosely for the door, Haley joined him. “He’s so courteous, even in defeat.” He merely nodded. “Oh, stop being such a grump, Wentworth.”
“Sorry, it’s the tension.”
“I know how to relieve that.”
He was totally uninterested. Find happiness once, and the next time is always better. April hadn’t written him off. That was the one bright spot of his day.
Cud and Felicity joined him on the terrace. “Okay, that’s the crucifixion; I’m ready for the resurrection.” He hugged Felicity. “Rhymes with erection, baby. The jury don’t know the real me, Woodward, that’s what Arthur’s got to work on.”
The boss opened casually, with his standard courtroom jokes, tested over the decades, jury relaxants, he calls them. Then some banter about how, with farm chores stacking up, his wife campaigning, he’d felt bound to take this trial on short notice, and now knew why the first lawyer had a breakdown. Laughter.
He schooled them on the basics, burden of proof, reasonable doubt, the presumption of innocence that remains with the accused through every moment of the trial. A great baritone tremolo as he concluded with a quote from Canada’s highest court: “‘If the presumption of innocence is the golden thread of criminal justice, then proof beyond a reasonable doubt is the silver, and these two threads are forever intertwined in the fabric of criminal law.’”
Then he made a show of abandoning a folio of notes on the table-I don’t need these, was the message-and strolled toward the jury to talk from the heart. It was the old Beauchamp, the master, one of his best, maybe just a step below the McHugh case, the rogue chiropractor.
He made what hay he could over the scandal-Whynet-Moir and the justice minister-telling the jury they must be mindful that someone may have desperately wished to stop Whynet-Moir’s mouth, to hush up “what we now know has become an explosive political scandal.”
That got Kroop into it. “You’re in danger of transgressing, Mr. Beauchamp.”
The judge remained obsessive about refusing to hear the word bribe, stubbornly holding onto his early, ill-thought-out ruling. That didn’t deter Arthur, who hammered away at the possibilities: a hired assassin, or someone with a grudge against Whynet-Moir, or someone whose freedom or reputation was at stake, someone who brokered the multi-million-dollar payout-this with a fierce look at Shawn Hamilton, who remained poker-faced under the jury’s gaze.
Arthur deftly handled Astrid Leich, reminding the jury of her confident fingering of Brian Pomeroy. This is the man. Said twice, emphatically. Having made a completely wrong identification of Brian Pomeroy- “Mr. Brown’s former lawyer, for goodness sake”-how could her second choice be relied on even in the remotest degree? “Especially after, during a break, my flustered friends for the Crown persuaded her to attempt a last-minute patch job as a means of saving face.”
Blaming it not on the sweet soul who erred but on the prosecutors, implying they leaned on her hard. Pretty crafty. Nudged the line, but you do what you have to in a tight case.
“Let us dispel any notion that the issue of manslaughter is of any consequence whatsoever. You can’t get there, my friends, without being satisfied to a moral certainty and beyond any reasonable doubt-that, as His Lordship will tell you, is the unswerving rule that must guide you-that my client was the assailant.”
He moved down the aisle, a fatherly hand on Cud’s shoulder. “Cudworth Brown, who runs the recycling depot on Garibaldi Island, a blunt-talking working man with a bad back, raised in a hardrock mining town, a former steelworker, active in his union, who gave every cent he earned to support his impoverished parents, a poet who writes of love and truth and beauty-often intemperate in manner, yes, as poets often are, lustful, yes, and easily led. But where’s the crime in that? Cudworth Brown had done harm to no man or woman. And then one day-” striding back to the jury, voice rising, “-he was chosen to be a victim of a diabolical scheme, seduced into a spiderweb of deceit and trickery. A web woven by the black widow of 2 Lighthouse Lane.”
Wentworth felt a shiver wiggle up his spine, the room silent but for an errant cough.
“And who was her aide-de-camp? Her true lover, her only true lover, handsome, dashing Carlos Espinoza. You’ve seen his photo-compare him with this rough-hewn fellow in the third row, with his slightly off-kilter nose: an honest, plain mug to be sure, but it hasn’t won him any beauty pageants.”
This drew smiles from the jury, particularly from the Steelworkers guy, who obviously liked the way Arthur was portraying Cud as a good old-fashioned union guy with human faults.
“But, you say, Carlos was caught on police video two thousand miles away from the intended murder. Of course he was! Because this was his carefully crafted alibi. Florenza’s real lover is no fool-no, Carlos took pains to be seen in a most public place, a popular Hollywood restaurant, on the night he knew Judge Whynet-Moir would die.”
He smiled upon the prosecution table. “Come now, Ms. Hitchins, surely you don’t expect the jury to believe that Carlos, with all his criminal connections, would do the deed himself. Nervous Carlos, who fled from his mistress’s side when a lawyer came sniffing about-no, he doesn’t dirty his hands with the foul business of murder, not when there’s a wealthy heiress to pay the shot. What’s a few hundred thousand dollars when it can buy the services of the finest assassin the Colombian mafia can offer? Thus saving her from the complications of an ugly, contested divorce and a costly award that would deplete her fortune.
“Who was this hired hit man? We may never know. Why would the police care to put in a lot of extra work when they had an easier target, someone so handy, so nearby? Tunnel vision, ladies and gentlemen, a known occupational hazard that besets our otherwise dedicated constabulary.”
Hank Chekoff was taking it okay, he was basically onside. The boss was getting away with murder, building a compelling structure with zero evidence, strands pulled from the air. And the jury was listening.
“When was the scheme hatched? We can’t be sure, but its details must have clicked together a few days before the fundraising dinner, when Florenza learned Cud Brown had been sent in as a late substitute. The same self-taught poet she’d heard on the radio, with his backwoods philosophies. A loquacious rebel, but a man of no great complication, unsophisticated in the ways of high society. Yes, the perfect dupe had just become available, a sap to take the rap.”
It made sense to set up the client as more dull-witted than he actually was, but Wentworth worried Arthur was putting the blocks to Cud too hard, relishing it too much. He feared to look behind him, hoped Cud was masking his reaction to these slurs.