It was not the first time eating had been part of her love-making, but never before so many, even if all the pairings were performing much the same ritual. Or was that why the air was electric with sensuality?
“A song, Lars. A song while you can still stand on your feet.”
Suddenly there was the loud roll of drums and tambourine, and applause, while half a dozen stringed instruments strummed vigorously to presage the advent of evening entertainment. Then the applause settled into a rhythmic beat and the feasters began to chant.
“Lars Dahl, Lars Dahl, Lars Dahl!”
Giving her thigh a final squeeze, Lars Dahl rose to his feet, spreading his arms for silence, smiling compliance at the chanters and abruptly the clamor ended, a respectful silence awaited his pleasure.
Lars Dahl lifted his head, a proud smile curving his lips, as he surveyed his audience. Then, taking one backward step, he raised his arms and hit an A, clear, vibrant, beautifully supported. Utterly astounded, Killashandra stared up at him, the half-formed suspicion solidifying into confirmation just as his voice glided down the scale. There couldn’t be two tenor voices of similar caliber on one planet. This was her unknown tenor of that spontaneous duet. Fortunately Lars Dahl took the expression on her face as pleasure in his performance. He swung into a rollicking sea ballad, a song as gay, as nonchalant as himself, a song that was instantly recognized and appreciated by his audience.
At the verse, voices joined his in harmony, people swaying to the tempo of the song. Hastily Killashandra joined in, mouthing words until she learned the simple chorus. She took good care to sing in her alto register. If she could recognize his tenor, he’d know her soprano. And she didn’t want him to be tipped to her true identity – at least not until morning. Now she relaxed into the music, letting her alto swell in a part singing she hadn’t enjoyed since her early adolescence on Fuerte. Suddenly she remembered family outings in the summer in the mountain lakes, or at the ocean shore, when she had led the singing. Was that what Antona had had in mind for Killashandra to keep as enriching memories? Well, there were aspects of even those mellow evenings which Killashandra would have as soon forgot. For her older brothers had always teased her about screeching at the top of her lungs, and showing off and preening herself in public.
Even before this evening, Killashandra had been aware that some melodies seem to be universal, either recreated within a planet’s musical tradition or brought with the original settlers and altered to fit the new world. Words might be changed, tempo, harmony, but the joy in listening, in joining the group singing was not: it struck deep nostalgic chords. Despite her musical sophistication, despite her foreswearing that same background, there was no way Killashandra could have remained silent. Indeed, not to participate in the evening would have marked her as antisocial. For the Angel Islanders, singing was a social grace.
Nor was the singing simple, for the islanders added embellishments to choruses and songs, six-part harmonies and intricate descants. Lars Dahl functioned as both stage manager and conductor, pointing to the people expected to rise and sing or perform on their instruments: performing to a high degree of musical competence on such unexpected instruments as trumpet, a woodwind that looked like a cross between an oboe and an ancient French horn, and on a viola with a mellow, warm tone that must have arrived with the early settlers. The hand drums were played with great skill and showmanship, the three drummers executing a whirling dance in time to their intricate rhythms.
Even when the rest of the audience was not actively participating, their attention was rapt, and their reaction to the occasional mistake immediate and understanding. There were songs about polly planters: one sung by two women, humorously itemizing the necessary steps to make one polly plant produce everything needed by their family. Another tune, sung by a tall thin man with a deep bass voice, told of the trials of a man bent on catching an ancient granddaddy smacker fish which had once demolished his small fishing boat with a negligent flick of its massive tail. A contralto and a baritone sang a sad haunting ballad on the vicissitudes of gray fishing and the vagaries of that enormous and elusive quarry.
“You’ve dallied long enough, Lars, you and Olav sing it now,” a man demanded from the shadows at one point. A wave of cheering and handclapping seconded that order.
Grinning amiably, Lars nodded, beckoning to someone seated to Killashandra’s left. The man who came to stand beside Lars had to be related to him for their features were similar, if differently arranged. Though the older man had a thin, long face, the nose was the same, and the set of the eyes, the shape of the lips, and the firm chin. Neither man could really be called handsome, but both exuded the same unusual quality of strength, determination, and confidence that made them stand out as individuals.
A respectful silence fell and the instruments began the overture. Killashandra had a good musical memory: she could hear a composition once and remember not only the theme, if there was one, but the structure. If she had studied the score in any detail, she would know the composer and performances, what different settings or arrangements the music had had over the years, and possibly which Stellars had performed it and where.
Before the men began to sing, she recognized the music. The words had been altered but they suited the locality: the search for the lost and perfect island in the mists of morning, and the beautiful lady stranded there for whose affections the men vied. Lar’s beautiful tenor paired well with the older man’s well produced baritone, their voices in perfect balance with each other and the dynamics of the music.
Nevertheless, at song’s end Killashandra stared at Lars in amazement. He had the most outrageous gall . . . until she also remembered that he had been required to sing it, however appropriate it might also be to her circumstances. And Lars Dahl had not had the grace to look abashed.
Why should he? The performer in her argued with her sense of personal outrage. The music was beautiful, and so obviously a favorite of the islanders that the last chorus trailed off into reverent silence.
Then the baritone held out his hand, into which was placed a twelve stringed instrument that he presented to Lars Dahl.
“The Music Masters may not have approved your composition for the Summer Festival, Lars, but may we at least hear it?”
Plainly the request distressed Lars Dahl, for his mouth twitched and he had ducked his head against the compelling level gaze. Nevertheless, he took a deep breath, reluctantly accepting the instrument. His lips were pressed into a thin line as he strummed a chord to test the strings. Lars did not look at Olav, though he could not refuse the older man’ s request, nor did he look out at the audience. His expression was bleak as he inhaled deeply, concentrating onward to the performance. The rankling disappointment, the pain of that rejection, and the sense of failure which Lars had experienced were as clear to Killashandra as if broadcast. Her cynical evaluation of him altered radically. She was possibly the only one in the entire assembly who could empathize, could understand and appreciate the deep and intense conflict he had to overcome at that moment. She also could approve heartily of the professionalism in him that unprotestingly accepted the challenge of an excruciating demand. Lars Dahl possessed a potentially Stellar temperament.
Despite her proximity to him, she almost missed the first whispering chords which his strong fingers stroked from the strings. A haunting chord, expanded and then altered into a dominant, just like the dawn breeze through the old polly tree on her island of exile. Soft gray and pink as the sky lightened, and then the sun would warm the night-closed blossoms, their fragrance drifting to beguile senses: and the rising lilts of bird, the gentle susurrus of waves on the shore, and the lift in the spirit for the pleasure of a new day, for the duties of the day: climbing the polly for the ripe fruit, fishing off the end of a headland, the bright sun on the water, the rising breeze, the colors of day, the aroma of frying fish, the somnolence of midday when the sun’s heat sent people to hammock or mat . . . an entire day in the life of an islander was in his music, colored and scented, and how he managed that feat of musical conjuring on a limited instrument like a twelve-string, Killashandra did not know. How that music would sound on the Optherian organ was something she would give her next cutting of black crystal to hear!