“Who in earth,” Peregrine had asked, “is Mrs. Constantia Guzmann?”
“Inquire of the King Dolphin,” Harry rejoined. He insisted on referring to Marcus Knight in these terms, to the latter’s evident annoyance. Peregrine saw Knight turn crimson to the roots of his hair and thought it better to ignore Harry.
The two members of the company who were wholeheartedly moved by Peregrine’s announcement were Emily Dunne and Charles Random and their reaction was entirely satisfactory. Random kept saying: “Not true! Well, of course. Now, we know what inspired you. No—It’s incredible. It’s too much.”
He was agreeably incoherent.
Emily’s cheeks were pink and her eyes bright, and that, too, was eminently satisfactory.
Winter Meyer, who was invited to the meeting, was in ecstasy.
“So what have we got?” he asked at large. “We have got a story to make the front pages wish they were double elephants.”
Master Trevor Vere was not present at this rehearsal.
Peregrine promised Jeremy that he would arrange for him to see the glove as often as he wanted to, at the museum. Meyer was to get in touch with Mr. Greenslade about safe-housing it in the theatre and the actors were warned about secrecy for the time being, although the undercover thought had clearly been that a little leakage might be far from undesirable as long as Mr. Conducis was not troubled by it.
Stimulated perhaps by the news of the glove, the company worked well that afternoon. Peregrine began to block the tricky second act and became excited about the way Marcus Knight approached his part.
Marcus was an actor of whom it was impossible to say where hard thinking and technique left off and the pulsing glow that actors call star-quality began. At earlier rehearsals he would do extraordinary things: shout, lay violent emphasis on oddly selected words, make strange, almost occult gestures and embarrass his fellow players by speaking with his eyes shut and his hands clasped in front of his mouth as if he prayed. Out of all this inwardness there would occasionally dart a flash of the really staggering element that had placed him, still a young man, so high in his chancy profession. When the period of incubation had gone by the whole performance would step forward into full light “And,” Peregrine thought, “there’s going to be much joy about this one.”
Act Two encompassed the giving of the dead child Hamnet’s gloves on her demand to the Dark Lady: a black echo, this, of Bertram’s and Bassanio’s rings and of Berowne’s speculation as to the whiteness of his wanton’s hand. It continued with the entertainment of the poet by the infamously gloved lady and his emergence from “the expense of passion in a waste of shame.” It ended with his savage reading of the sonnet to her and to W.H. Marcus Knight did this superbly.
W. Hardy Grove lounged in a window seat as Mr. W.H. and, already mingling glances with Rosaline, played secretly with the gloved hand. The curtain came down on a sudden cascade of his laughter. Peregrine spared a moment to reflect that here, as not infrequently in the theatre, a situation in a play reflected in a cock-eyed fashion the emotional relationships between the actors themselves. He had a theory that, contrary to popular fancy, this kind of overlap between the reality of their personalities in and out of their roles was an artistic handicap. An actor, he considered, was embarrassed rather than released by unsublimated chunks of raw association. If Marcus Knight was enraged by the successful blandishments of Harry Grove upon Destiny Meade, this reaction would be liable to upset his balance and bedevil his performance as Shakespeare, deceived by Rosaline with W.H.
And yet, apparently, it had not done so. They were all going great guns and Destiny, with only the most rudimentary understanding of the scene, distilled an erotic compulsion that would have peeled the gloves off the hands of the dead child as easily as she filched them from his supersensitive father. “She really is,” Jeremy Jones had said, “the original overproof femme fatale. It’s just there. Whether she’s a goose or a genius doesn’t matter. There’s something solemn about that sort of attraction.”
Peregrine had said, “I wish you’d just try and think of her in twenty years’ time with china-boys in her jaws and her chaps hitched up above her lugs and her wee token brain shrunk to the size of a pea.”
“Rail on,” Jeremy had said. “I am unmoved.”
“You don’t suppose you’ll have any luck?”
“That’s right. I don’t. She is busily engaged in shuffling off the great star and teaming up with the bounding Grove. Not a nook or cranny left for me.”
“Oh, dear, oh dear, oh dear,” Peregrine had remarked and they let it go at that.
On this particular evening Peregrine himself had at last succeeded after several rather baffling refusals in persuading Emily Dunne to come back to supper at the studio. Jeremy, who supervised and took part in the construction and painting of his sets at a warehouse not far away, was to look in at The Dolphin and walk home with them over Blackfriars Bridge. It had appeared to Peregrine that this circumstance, when she heard of it, had been the cause of Emily’s acceptance. Indeed, he heard her remark in answer to some question from Charles Random: “I’m going to Jeremy’s.” This annoyed Peregrine extremely.
Jeremy duly appeared five minutes before the rehearsal ended and sat in the front stalls. When they broke, Destiny beckoned to him and he went up to the stage through the pass-door. Peregrine saw her lay her hands on Jeremy’s coat and talk into his eyes. He saw Jeremy flush up to the roots of his red hair and glance quickly at him. Then he saw Destiny link her arm in Jeremy’s and lead him upstage, talking hard. After a moment or two they parted and Jeremy returned to Peregrine.
“Look,” he said in stage Cockney, “Do me a favour. Be a pal.”
“What’s all this?”
“Destiny’s got a sudden party and she’s asked me. Look, Perry, you don’t mind if I go? The food’s all right at the studio. You and Emily can do very nicely without me: damn sight better than with.”
“She’ll think you’re bloody rude,” Peregrine said angrily, “and she won’t be far wrong, at that.”
“Not at all. She’ll be enchanted. It’s you she’s coming to see.”
“I’m not so sure.”
“Properly speaking, you ought to be jolly grateful.”
“Emily’ll think it’s a put-up job.”
“So what? She’ll be pleased as Punch. Look, Perry, I—I can’t wait. Destiny’s driving us all and she’s ready to go. Look, I’ll have a word with Emily.”
“You’d damn well better, though what in decency’s name you can find to say!”
“It’ll all be as right as a bank. I promise.”
“So you say,” Peregrine contemplated his friend, whose freckled face was pink, excited and dreadfully vulnerable. “All right,” he said. “Make your excuse to Emily. Go to your party. I think you’re heading for trouble but that’s your business.”
“I only hope I’m heading for something,” Jeremy said. “Fanks, mate. You’re a chum.”
“I very much doubt it,” said Peregrine.
He stayed front-of-house and saw Jeremy talk to Emily onstage. Emily’s back was towards him and he was unable to gauge her reaction but Jeremy was all smiles. Peregrine had been wondering what on earth he could say to her when it dawned upon him that, come hell or high water, he could not equivocate with Emily.
Destiny was up there acting her boots off with Marcus, Harry Grove, and now Jeremy, for an audience. Marcus maintained a proprietary air, to which she responded like a docile concubine, Peregrine thought. But he noticed that she managed quite often to glance at Harry with a slight widening of her eyes and an air of decorum that was rather more provocative than if she’d hung round his neck and said: “Now.” She also beamed upon poor Jeremy. They all talked excitedly, making plans for their party. Soon they had gone away by the stage-door.
Emily was still onstage.
“Well,” Peregrine thought, “here goes.”