Per request, a copy of this memorandum was forwarded to Director, Military Intelligence Division, and Director, Federal Bureau of Investigation.
Signed, Pvt. THOMAS WILLIAM GENTILE, Pvt. 4433366698.
The memorandum ended there. The bottom of the page bore no number, so it was probably the first and last page of the memo. It raised more questions than it answered, and Mary’s thoughts churned. “Judy, don’t you wonder why they monitored Brandolini’s conversation?”
“No, I’m too tired.”
“In the individual files, only a few had memos of monitored conversations, and they were of internees the government actually believed were dangerous, like that guy who ran a fascist newspaper. Why would the FBI care about a fisherman from Philly?”
“Let’s call it a day, Mare.” Judy smoothed her bangs back but they popped forward again.
“Why did they keep the FBI informed? It says ‘per request.’ ” Mary couldn’t stop looking at the document. Oddly, she’d found it among correspondence from the camp commander’s office about coffee rations, milk orders, and laundry schedules, the quotidian business of running an internment camp during a world war. “Aren’t you curious why this page was stuck in the correspondence file?”
“You’ll figure it out. We’re tired. Very tired.” Judy patted Penny, who had curled into a neighboring swivel chair and fallen asleep. Dogs were allowed up on the furniture at Rosato amp; Associates, which was the sort of thing that happened at an all-woman law firm. That, and the refrigerator was full of Lean Cuisine.
“And think about what we learned from the files of the internees who died in the camps.” Mary reached for the three files of deceased internees and stacked them in front of her on the table. “Each one has a death certificate and burial arrangements. These files are thicker than the others, that’s why I noticed them. So where is Amadeo’s death certificate?”
“What a good doggie you are,” Judy cooed to the drowsy retriever.
“Like you said, it’s a big deal when someone commits suicide in federal custody.” Mary opened up the second and third folders and laid them side by side with the first. On the top of each was a letter that read LEGATION OF SWITZERLAND. “All three of these files are the same. When an internee dies, a letter gets written to Geneva informing them of the death. So where’s Amadeo’s letter?”
“Don’t know.” Judy stroked the dog’s smooth head. “Maybe Penny knows. My smart Penny -”
“Amadeo would still be covered by the Geneva Convention, he was a prisoner of war.” Mary was freewheeling here. International law wasn’t her forte. Unfortunately, she lacked a forte, which was part of the rationale behind that college refund business.
“Such a good doggie.” Judy petted the dog, whose tongue had slipped from her mouth in a stupor common to golden retrievers and crack addicts.
“Also, the internees who died in the camps were buried locally. I found a file of one other internee who died at Fort Missoula, and he was buried in the Catholic cemetery in Missoula. He died of colitis, and his file had a death certificate. So where is Amadeo’s death certificate?” Mary shuffled through the file again, then realized something. “I wonder where Amadeo’s buried. I don’t even know. I never thought about that before. If he committed suicide, they might not let him be buried in a Catholic cemetery.”
“I love you, Penny.”
“All this time, I’ve been concentrating on his business. What happened to his body? Is it in Missoula or Philly?”
“I love you, yes I do.” Judy lapsed into a continuous loop of pretty dog, smart dog, good dog, and soon Mary would have to barf.
“His son was in the army when he died, so he couldn’t have had the body sent back, and his wife was already gone. Amadeo had no other family in the area, and I have no idea if his wife’s parents were still alive. But still, would his in-laws send for a body all the way across the country, during wartime? When their daughter was already dead? I doubt it. It had to be expensive, and a pain in the ass. What do you think, Jude?”
Mary looked over but Judy was resting her forehead against Penny’s while she baby talked to her, the two of them floating on a cloud of girl-and-dog love. Mary checked her watch. Almost ten o’clock. Maybe it was time to go home. “Okay, you two, you win.”
“Woohoo!” Judy got out of the chair and stretched. So did Penny, climbing out of the chair and extending her forelegs until they lined up almost even, which made Mary smile.
“Thanks for helping, Jude. I couldn’t have done it without you.”
“Of course you couldn’t.” Judy finished stretching, lowering her arms and rubbing her slim tummy. “I’m the one who found the memo.”
“Lucky.”
“Ingrate.”
“Freak.”
“Geek,” Judy said, and the women continued to trade pleasantries as they gathered their bags, papers, briefcases, and backpacks, then walked to the elevator, with Penny trotting behind them, her tail wagging.
Mary hit the button for the elevator, inwardly elated. The memo was safe in her briefcase, and though it raised more questions than it answered, she couldn’t wait to get it home.
With her secret stash.
Six
At her apartment, Mary downed a bowl of Special K, slipped into an oversized McNabb jersey, and piled her hair on top of her head in a Pebbles ponytail. It was almost midnight but she felt oddly energized, sitting cross-legged on her puffy blue comforter with her newfound FBI memo and Amadeo’s personal effects spread out in front of her. She had gotten them from Frank Cavuto, the estate’s lawyer, who’d gotten them from Amadeo’s son, Tony. She had seen the effects a hundred times, but the FBI memo had got her blood going, and she looked at Amadeo’s things with new eyes.
On her left sat three photographs. The first was of Amadeo, bending over in a fishing boat and evidently doing something to one of the nets that lay in ropey piles on the deck of his boat. Mary squinted but couldn’t see what he was doing. Repairing the net? The deck? Either way, he focused intently on his task and didn’t smile for the camera. It told her that he wasn’t a vain man; he was a little shy. Mike had been like that. She set the photo down on the bed.
The next photo was a wedding portrait of Amadeo and his wife, Theresa. He stood stiff as a toy soldier with his bride, and Theresa’s dark eyes shone behind the gauzy veil. Her hair curled to her shoulders, and her dress was frilly in an appealing, old-fashioned way. Mary found herself drawn back to Amadeo. His eyes, brown-black but so animated, had been joyful on his wedding day. Again, it reminded her of Mike, on their wedding day. He had teared up at the altar, and his frat brothers had never let him forget it. Mary smiled at the memory, then remembered something Judy had said, in her office:
It’s like you have a crush on him or something.
Mary set the photo down. The next was of Theresa and Amadeo holding a baby boy with dense, black curls; their son, Tony. The end of the photo was tattered, as if it had been torn from a booklet. Mary turned it over to read JULY 4, penciled in a woman’s flowing hand. There was no notation of what year the photo had been taken, but if the baby was Tony, it had to be around 1920; Tony grew to be old enough to enlist when World War II came around. But in the happier times of the picture, they were all dressed up to celebrate the birth of their new country. Mary couldn’t ignore the irony, as bitter on her tongue as broccoli rabe.
She set the photos next to the last item, a flimsy black wallet with a cheap fake brass snap. It was made of black plastic and inside were three clear photo compartments, now cloudy with age. She flipped to the first, which held a black-and white picture of a woman’s face, cut out in the shape of a circle. Mary slid it out and flipped it over, the paper thin and pulpy in her hands. The writing on the back was printed Italian, cut off where the circle was, but the name was visible. Francesca Saverio. Mother Frances Xavier Cabrini, patron saint of immigrants. Mary should have recognized her. Cabrini’s face was typically framed by a black veil and graced with a sweetly melancholic smile; her story was that she was a quiet, withdrawn child. Her symbol was a boat. It made sense that Amadeo, an immigrant and a sailor, would have adopted Cabrini as his patron. And if his suicide was any indication, he had been the melancholy type, too.