“Sure.” He plucked a file from the rack and held the door for her. The air in the hall was warmer, and the odor of death was exchanged for the strong disinfectant smell of chlorine.
His office farther down the hall had the smell of stale cigar smoke, and a hint of the aftershave he slathered on for his wife’s sake. “You’re lucky Starr’s gallery dealer didn’t want to waste money on embalming.” As he sat down to his cluttered desk, he waved her to a leather armchair. “So tell me what you want first. Markowitz would’ve wanted to know what he had for breakfast.”
“Did he die instantly?”
“No, by the blood flow, I’d give him a full minute to live.”
“I want to know why he didn’t scream. He’d just been stabbed. That must have hurt like hell.”
“Not necessarily. He had enough drugs and wine in his system to dull the pain of major surgery. And the back isn’t the most sensitive area of the body. You’d be surprised how many people have reported not realizing they’d been stabbed in the back. They know something’s happened. There’s a localized pain, but they’re not aware of the penetration. I can tell you there’s evidence of long-term drug habituation.”
“Same as Peter Ariel, the artist who died twelve years ago.”
She handed him a copy of his own autopsy report on Ariel. He scanned the lines, and finding the entry he wanted, he nodded his head. “Both artists used the same combination of drugs. It’s a heroin cocktail with some interesting additives. Why in God’s name are you digging around in that old case? It was over and done with twelve years ago.”
“It’s being reopened… quietly. We never had this little chat, okay? So, the heroin cocktail gives me a link to Peter Ariel.”
“Well, no it doesn’t. You won’t find the exact same combination. They have brand names now. Even if the combo is close, a lawyer could argue that link is no stronger than two people sharing the same blend of tobacco or coffee beans.”
“What about the weapon?”
“I agree with the first postmortem. Ice pick probably. But you were right, it couldn’t be the one they found by the body. It had to be at least six to seven inches in length. I’m guessing the point of the weapon was filed down. The rod was thin for an ice pick, and razor sharp. No tearing on entry. Very smooth, very neat. There wouldn’t be any blood splatters on the clothing of the killer. It’s the perfect weapon for a public killing.”
“I need another link to the old murder.”
“Frankly, outside of the drugs, I can’t see the similarity at all. The first crime was brutal, insane. Kathy, I don’t-”
“Mallory,”she corrected him as she always did. They had played this game for all of the five years since she had joined the police force and forbidden him to use her given name.
“Well, you’re still Kathy to me. I’ve known you since you were ten.”
“Eleven,” she corrected him again.
“Ten. You lied that extra year onto your age. You put it past Helen Markowitz, but you never fooled me. So don’t expect me to treat you like a cop, when every time I look at you I see a ten-year-old brat. You haven’t changed all that much, Kathy.”
“Mallory.‘’
“All right, what else do you want from me?”
“I want to know about the detail that Markowitz held back.”
“I have no idea what you mean. We never discussed the case after the autopsy. I know Markowitz didn’t believe it was Oren Watt, but I did.”
“I know the old man was holding out-that was his trademark. There was something he didn’t want anyone else to know, not even his own men. It was a real bad year for department leaks. It seemed like every damn detail of a case wound up in the tabloids. He knew Oren Watt was lying when he confessed. I know the old man had something, and he used it to trip up Watt. It was something about one of the bodies, wasn’t it?”
“That was twelve years ago. I’ve worked on a great many bodies since then.”
“This was the most brutal homicide you ever worked on. Don’t tell me the details just slipped your mind. You know what I remember about that year?”
“You were only a little kid, and you lived inside a computer. Don’t go telling me that Markowitz discussed this case with you. He wouldn’t-he didn’t.”
Slope was right about that. The old man had only given her shopping lists of things he needed from other people’s computers. And Mallory had never cared to ask what the information was for. She had been perfectly focussed on the wonderful novelty of sitting at a computer terminal in a police station and raiding cyberspace for all the data she could steal, stealing until she was sated with theft. And getting away with it-that was the best-licensed to steal. It had been one great year.
“I’ll tell you what I remember best,” she said. “It was the weekly poker games. You missed three games in a row that year. Everybody knew you’d had a falling out with Markowitz. But I’m the only one who knows why. You were a long time forgiving him for asking you to bend the law and hide the facts.”
“You’re blowing smoke, young lady.”
Slope had been the best poker player among Markowitz’s old cronies. His face was always a model of composure, defying even God to guess what cards he held.
She reached into the pocket of her blazer and pulled out a sheaf of yellowed pages bearing the seal and signature of Chief Medical Examiner Edward Slope. She set the papers down on the desk in front of him and tapped them with one long red fingernail. “This is the first autopsy report on Aubry Gilette. It’s dated two days earlier than the report on file.”
“Where did you get that?”
Slope reached out for the papers. Mallory was faster, picking up the report and casually turning it over in her hands.
“I found it in the basement of the old house in Brooklyn. That’s where Markowitz kept his personal case notes.”
She leafed through the pages. “It’s much more interesting than your amended report. I think Aubry Gilette’s brain weight is a bit light. I have a weight of three pounds, one ounce for Peter Ariel’s brain-that’s standard, right? But there’s barely six ounces left of Aubry Gilette’s brain. I didn’t see any mention of missing organ parts in your second report, the official report.” As though she were merely confirming the time of day, she asked, “Now falsifying an autopsy on a homicide- that’s a felony, isn’t it?”
Edward Slope stared at the pages in her hand, his head shaking slowly from side to side. “Why on earth would Louis have kept it?”
“He probably wanted to protect you. If anything had gone wrong, he could have substituted this original for the one on file. The signature copy is the only one that could come back on you. None of the duplicate copies would be admissible in court.”
She understood the shock in Slope’s eyes. In her hand was damning proof of the worst crime in his profession- the collusion of police and ME to falsify and suppress evidence. “If you remember any other irregularities in the old case, call me.”
She slipped the papers back into her pocket.
“I think you can trust me with this,” she said softly, with only a suggestion of sarcasm, “because you know how well I can keep a dirty secret. You can trust me because you know I wouldn’t rat on you if you broke a hundred laws.” Her eyebrows lifted with the afterthought of a third reason for his trust. “Oh, and I’m a cop.”
Night and dark came on. Andrew Bliss settled down with a new bottle and looked up at the stars. There were hardly any. He had to hunt them down with his binoculars. They were faint, pathetic things, washed out by the glittering cityscape, only pinholes in the ceiling. He believed the poetry of stars would be more deservedly dedicated to the dazzle of city lights. The traffic of headlights and turn signals kept to the rhythm of classical symphonies. Great buildings loomed as shimmering behemoths footed in concrete. Poetry was here in every physical metaphor. An aureole of light crowned the city.