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“I can question Gregor Gilette. Or I can go after your dear old mother. Choose one.”

And now they had come to a standstill in the center of the room, as all the dancers swirled around them.

“You know I could-”

“Have me fired? And I suppose you thought Markowitz was afraid of losing his job? He wasn’t! Markowitz let you get away with a lot because he figured he could use you. You were his tour guide through the art community. But I don’t think you were as useful as you could’ve been. I think you held out on my father, and I think you’re holding out on me.”

“You can’t possibly believe-”

“It’s a given. Everybody does it. Who wants to strip naked for a homicide investigation? If you want to go after my badge, go for it. But if you get it, I’ll have to get even with you, won’t I? I’m good at revenge. I’ll turn your life inside out, and I know how to do that. I’ll see you in tabloid hell. You only think you know what naked is. And you don’t want to think about what I could do to an old woman like your mother. I could do her with my eyes shut. Now change partners with Gilette.”

Emma Sue Hollaran began the tortuous journey across the ballroom floor. She was moving slowly, smiling despite the pain and nausea. Her swollen, bruised legs were encased in the tightest long-line girdle made. Every step was agony in this grotesque parody of the little mermaid of fairy tale, whose every step on human feet was the thrust of knives through her soles. Emma Sue was in constant pain now, but she had become accustomed to it over the years of surgeries.

Resplendent in her designer gown of iridescent colors, she was closing the distance on Gregor Gilette. He was stirring every part of her mind and the nether regions of her body where pain could not obliterate simple longing, ungodly desire that never ended. Once she had sent him love letters every day. He had never answered one of them. It was Sabra who eventually responded, if one could call it that.

Ah, but Sabra was gone, and Gregor was back from his long exile in Europe.

Emma Sue Hollaran banished Sabra from her thoughts and all the way to hell where she belonged, for Gregor Gilette was turning around now. Any moment he would see her in her finest hour, her new-formed body, her much worked-over face.

She was closer to him, nearly there, almost within touching distance. And now she was staring into his remarkable eyes, which penetrated her facades and knew her secrets; they probed the places of heat and sex, all the soft places. She felt herself being drawn into him as if she had no more substance than light. For this one stunning moment, she was young again, with all her possibilities intact.

Her hand fluttered up to her chest to quell the havoc there of blood rushing unchecked through her veins, heart pumping faster, chasing blood with blood, filling her with warmth and flooding her face with a vivid redness. Every step toward him was a knife wound, but she would have endured much more for this moment of triumph. She had waited so long.

And now.

His eyebrows shot up with recognition-followed closely by the revulsion in his eyes.

He turned away from her as introductions were being made to a young woman in a green satin gown. And now, Gregor and this woman were revolving, spinning away from her, locked in one another’s arms, moving across the floor with grace and speed.

He was out of her reach.

She turned away from the dancing pair and, trembling, she walked aimlessly through that room, awash in physical pain and the worse agony of humiliation. Finally, she summoned a cab to take her home to a bed that was too wide.

At fifty-eight, Gregor Gilette was far from old. His white hair was incongruous with the bull’s chest and the limber, supple motions of the body. His golden-brown eyes were remarkably young, and the craggy contours of his face also insisted on youth and strength. It was a face where paradox lived, beautiful and yet strikingly grotesque, animal sensuality and keen intelligence.

“I like your work,” Mallory said. “I was wondering what kind of sculpture was planned for the plaza. I understand the chairwoman of the Public Works Committee is an old enemy of yours. Does that worry you?”

Gilette laughed. “Emma Sue Hollaran? She’s not big enough to be an enemy. She’s a barnyard animal. A small one.”

She could hear the trace of a foreign accent, not the French of his father’s people, but a lingering influence of his Hungarian mother. According to Mallory’s background check, he had immigrated with his mother at the age of seventeen. In his spectacular rise from poverty and obscurity, he was the American dream machine at its best. And his daughter had been the American nightmare. Aubry had won the national lottery of the victim with the most extensive media fame.

“This new building is your first American commission in years, isn’t it?”

“So you do know my work. Yes, this building is my swan song. It’s the last commission I will ever take. I want to end my career at the height of my powers.”

“I suppose you spent all this time in Europe because New York had too many reminders of your daughter.”

“No, that’s not it. I carry reminders of Aubry everywhere I go. I must have a hundred portraits of her. No, my problem was just the opposite. Here in New York, no one ever spoke of her anymore. Friends and relatives were all afraid to mention her name, afraid to cause me fresh pain. In every day which excluded any mention of my child, I felt she was being erased.”

Charles was surprised to see Mallory leaving with Gregor Gilette. As she was passing through the doors, he saw her turn to search the sea of faces, and finding his, she waved. There was the lift of one white shoulder to say, It can’t be helped.

The tilt of his head to one side asked, Why not? But the doors were already closing behind her. The tight line of his mouth wobbled in a foolish, self-conscious smile.

The music began again and the dancers whirled around the floor, making a circle of hushing fabrics, a rushing blend of perfumes, a mosaic of brilliant color and motion all around the solitary man with the sad face, who was staring down at his shoes.

Just as Andrew Bliss had assembled his canopy of raincoats on a loose net of ropes, the rain had stopped. Well, that was life. Now a wet breeze licked the edges of his designer raincover. Traffic noises were sporadic. The night was cool and ten-thirty dark. A heavy truck was making wet static in the street below, and now a car. A siren, far off, was fading down some other street. And on the street below, two boom box radios dueled rap music to heavy metal.

Exhausted, Andrew fell on his bed of quilts and relapsed into fitful sleep, mangling satin sheets into a damp and winding rope. His dream blew apart in pyrotechnics of brilliant red flashes. His hands clutched the air, reaching for the blasted color fragments.

He mimed a scream as his body jerked with spasms and slowly folded in on itself to resemble a twitching fetus with hands pressed to its gut. The dream slid away from him, the pain subsided and his body unfolded in a free fall, floating down into deepest sleep.

“No, I never dream,” he would say, when conversations turned to that subject. And he believed that this was so. He never did remember his dreams, though this one had been much the same every night.

His face was composed now, the flesh smoothed back. He was forty-eight years old, and there should have been at least a character line, a laugh line about the eyes or mouth, but there was nothing there. No ancient scar to prove any rite of passage. But for the size of his body, he might have been a child.

He was child-size in his dream, and the world inside his head was bright as day and hot, a touch of hell in the afternoon. He rode silently, covertly inside a bag lady’s trolling cart, resting on a buttonless blue coat, the find of two trash cans past. A salty drop sweated down his shaded face. He made no sound, lest she find him there and drive him out. No free rides in New York City. In the rolling wire nest of junk, he found a Chinese fan, cracked lacquer and one hole, but useful still and soothing. Now his hand found the axe, wet and red. He screamed, but only the smallest squeak could be heard, no louder than the creaking cart wheels.