“You’re on.”
“Oh, I have your research.” Charles placed a bundle of Xeroxes by Mallory’s coffee cup. “These are samples of Dean Starr’s reviews under his real name. He was not a brain trust. Just barely literate.” He set another bundle on top of this one. “And these are all the articles that appeared following Watt’s confession. The first fifteen stories are descriptions of an affair between Peter Ariel and Aubry Gilette.”
Mallory scanned the first two sheets. She turned to Riker. “According to Markowitz’s notes, Quinn said there was no personal relationship between the artist and the dancer. That’s it? There was no follow-up on these articles?”
“I did the follow-up,” said Riker. “Quinn was the spokesperson for the family. According to him, the parents had no idea she was having an affair until they read about it in the newspaper. I talked to all the people quoted by the reporters. I had the feeling they didn’t really know Aubry at all. That happens sometimes. Everybody wants to get their name in the papers.”
“So all we’ve got on her relationship to the painter is what we read in the papers? Is that what you’re telling me?”
“Quinn told us no one who really knew her could corroborate it.”
She handed him one of the sheets. “It seems Andrew Bliss knew her, and he corroborated it. He had his own newspaper column, so it’s not like he needed to break into print.”
Riker read the short interview where Bliss was quoted, and he knew he was reading it for the first time. “Damn.” He looked at the date of the article. It was a full month after the case had officially shut down, but Markowitz had still been working it. So this had gotten by them.
She plucked the sheet from his hand. “Didn’t Aubry have any friends who could help you sort this out?”
“Naw. She was a lonely kid. She didn’t have any friends at all.”
Mallory pulled an old battered notebook from her pocket and opened it. Across the table, Riker recognized the scrawl that had been Markowitz’s handwriting. She flipped back the first three pages and put her finger to one note. “Aubry was twenty years old. She attended the same ballet school for six years.”
“A couple of girls who took classes with her were interviewed. None of them ever saw her outside of class.”
Mallory scanned two more pages. “What about this Madame Burnstien? It says Aubry took classes with her for the entire six years.”
“We couldn’t get a statement from Burnstien. She’s old but she’s fast. The first time, she gave Markowitz three minutes. The second time he tried to talk to her, she gave him the slip. I think Quinn had something to do with that. All the family information came through him, and he was really tight with the personal stuff. Maybe the old lady was close to the family.”
“I want to see this woman.”
“Lots of luck, kid. Markowitz could charm snakes, and he couldn’t get anything out of her. So I figure you haven’t got a prayer. I got five bucks says you can’t get near her.”
“Deal.”
Jack Coffey stood before the desk for a full minute before he was invited to sit down in the leather wing chair. Coffey stared at the window beyond Blakely’s head while waiting out the ritual of being ignored. This set his status in the world far below the level of the chief of detectives, a man with more important things to do, or such was the chief’s own personal mythology of himself. On his rare visits to the Special Crimes Section, Blakely carried his bulk like he owned all the real estate he walked upon.
Coffey studied the man behind the desk, who filled a chair to overflowing, his body gone to soft flab, and skin the sallow color of sickness. The office had the smell of opulence, an odor that always made Coffey suspicious. The rugs were not the standard city expenditures on civil servants. The desk was miles too broad to have any efficient use. All over the walls were souvenirs and proofs of power. Blakely appeared in photographs with famous and important people. Every portrait represented the currency of a favor owed or a favor paid.
Two years ago, Coffey had been invited to sit down in Markowitz’s office for a chat with an FBI agent. The agent had asked him if he thought the mob owed Blakely any favors. Coffey had said no to the agent, never mentioning the rumors that said otherwise. He remembered Markowitz nodding his approval behind the agent’s back. It was best to keep the dirty stories in the family, and stories were all they ever were. But now Coffey looked at the photographs again, almost expecting to see Blakely frozen in a warm handshake with a Mafia don.
He continued to wait while Blakely read his newspaper. From the opposite side of the desk, Coffey stared at the upside-down photograph of Mallory in a ball gown, dancing with a white-haired man. A cup of coffee sat at Blakely’s left hand and the aroma blended with a hint of rot. The patches of bad wood in the exposed floor near the baseboards might account for that, but he could not lose the idea that the decay originated with Blakely.
The chief folded back the paper to frame the photograph. He held it up to Coffey. “You’ve seen it? This shot of Mallory and Gregor Gilette?”
“Yes, sir. She went to the ball with Charles Butler, an old friend of Markowitz’s. Butler has some social connection to the Gilette family. It’s only natural that she should dance with the man. She probably danced with a lot of men.”
“I thought I told you to pack her off to Boston.”
“That was before the press conference.”
“Nothing has changed, Jack. She goes.”
“This can’t be the commissioner’s idea. He loved every minute of Mallory torching that fed in public.”
“She’s going today. She can embarrass the feds in Boston, too. I know what you did at that press conference, Jack. You sicked her on that poor bastard, Cartland. And I know why you did it. And it worked for a while. Beale thinks she walks on water. But now it’s time for her to move on to another case. We’ll leave it to the feds to clean up the Starr murder.”
“They’ll screw it up.”
“And they’ll take the heat. This time you will do what I tell you to do.”
“What’s the real reason for losing Mallory?”
“I don’t need one, Jack. Insubordination is a bad mark on the record of a man who’s bucking for a captain’s rank.”
“Who suggested it? The city attorney? Is he that worried about a lawsuit from the crazy artist? Heat from the Quinn family? Or maybe it’s Senator Berman. It wouldn’t look too good for the ex-commissioner if it turned out Markowitz could have proved Watt didn’t do it-if his hands hadn’t been tied.”
“Jack, think about your pension, your job. Oh, and your promotion, which is all but in the bag as we speak. Then shut your mouth and get out of my office while you still have all of that in your future.”
Andrew Bliss understood what it was to suffer for one’s art. As he leaned over the retaining wall, he felt dizzy. He pulled back and pondered the vitamin content of wine. He was weakening more each hour now, and his stomach was a churning knot of cramps.
Lately, the avenue had been dominated by K-mart escapees. That tyranny must end, and he didn’t care how he brought it about. He had no time to ruminate on the morality of terrorism. He was on a mission. Ruthlessly, he would strike out at every passing offender.
And he had been true to his cause, jump-starting his heart each morning with espresso and Russian cigarettes which were actually manufactured in New Jersey. The traffic-watch helicopter flew by. Andrew returned the cheery wave with a harsh critique of the traffic reporter’s tasteless, low-rent, polyester jumpsuit. The copter veered off sharply.
And to every ragged panhandler, he screamed, “GET A JOB AND A CHARGE CARD!”
After a time, Andrew’s bullhorn fell silent. Green-haired children from SoHo and tourists from Iowa were allowed to stroll the avenue unmolested.
No sign of life could be detected around the canopy of raincoats, nor through the leaves of the browning potted foliage which Andrew had thoughtfully watered with wine.