There were four photographs at the top of the article. Below the pictures was a headline: ‘scotland yard still unable to identify two of four cathedral victims’. And beneath that, an increasingly breathless, and regurgitated, account of the shootings in St Paul’s. He couldn’t help staring at the images. One of them was of good quality and showed the smiling face of a young priest; the second was of an old lady. The remaining two were less distinct, clearly stills from a CCTV image. They showed a woman in her late thirties with a hunted expression; and a young boy with tousled hair.
‘World’s gone mad, if you ask me.’
The gunman looked up and as he did so the hood fell back from over his eyes. He scrambled to cover his head again, but by then it was too late. The ticket inspector’s eyes had moved from the clipping to his face and they widened at the sight of him. At the sight of the patches of his head where the hair had burned away and the skin was scorched and withered; at his face, with its vicious scar down the side and the area of damaged flesh that stuck to his skull like cling film; at his neck, the state of which hinted that the burn marks were not limited to his head, but continued down the rest of his body.
The ticket inspector blinked, then coughed with embarrassment as he tried not to stare. ‘Ticket, please,’ he repeated.
The gunman bowed his head and wordlessly handed his ticket over. The ticket inspector clipped it, returned it to its owner and moved swiftly on to the next carriage.