Mario Ruggerio wondered, a fast thought because there was much in his mind, how were the children and the baby that he loved, and the thought brought a gentle smile to his face. The smile was still on his face as he walked down the alleyway in his grey wool jacket with his check cap worn forward.
When she came into the playground to halt the football game and round up the children with their lunchboxes, she saw him waiting and smoking in his car. She thought of the old man hurrying to his home on the estate.
From the balcony she watched him go. She held the baby. Piccolo Mario jumped excitedly on the balcony tiles and leaned across the pots of geraniums to see his father at the car below, and Francesca held her hand and cried quietly.
He turned from the car and he waved up at the bungalow, and Angela's answering gesture was a limp flap of her hand. She did not wait to see him into the car, nor to see him drive away through the main gates that would have been opened by the uniformed portiere. She left piccolo Mario on the balcony, she carried the baby and led Francesca back into the living area of the apartment, and past the statue that she thought disgusting, and over the stain she could not remove in the carpet from Iran. She loathed Palermo. To
Angela Ruggerio, the city was a prison. In Rome, if they still lived in Rome, she could have gone back to the university, but it was not acceptable in Palermo that a married woman should go alone to a university. In Rome she could have gone to a health gymnasium, but in Palermo it was not permitted that a married woman could go to a gymnasium without a friend for a chaperone and she did not have that friend. In Rome it would have been possible for her lo have taken part-time work in a gallery or in a museum, but it was not possible in Palermo that a married woman of her class should go to work… She could not, in Palermo, paint the walls of the apartment, wield a roller brush, because, in Palermo, that would imply her husband could not afford to employ an artisan to the work.
She loathed the city most when he left to go abroad. Then the money for household expenses was left in the drawer beside her bed, because, in Palermo, it was not usual for a married woman to have her own bank account, own credit cards, own resources. In Rome, during the good days in Rome, he would have talked with her the night before a business flight to London or Frankfurt or New York, but not now, because, in Palermo, it was not necessary for, a married woman to know the detail of her husband's work.
She slumped down into the depth of the wide sofa. She flicked the pages of a magazine and read nothing… The boy shouted. Picolo Mario yelled from the balcony that he had seen his uncle, really, and she must come. She pushed herself up from the sofa, She held the baby tight against her. She went onto the balcony. She looked down, across the car park, past the security gates, onto the pavement. She saw nobody, but piccolo Mario shouted that he had seen his uncle, yelled that his uncle had walked past the gates and looked for them and had waved, and she saw nobody that she knew. How many times did he come, the little old man with the bowed shoulders and the jowl at his throat and the grey jacket and the checked cap, and walk past the apartment in the Giardino Inglese and look up towards the flowers on their balcony, how often? She knew, of course, all that was said of ipiccolo Mario's uncle on the television, all that was written of Peppino's brother in the Giorale di Sicilia… She took the boy from the balcony. It was not right that the boy should talk of his uncle.
In four days they would be at the villa, they would be by the sea, where, if it were possible, she would be more lonely than in the city. She prayed, almost with fervour, that Charlotte would come.
When she rang the bell for the end of mid-afternoon break she saw him sitting with a magazine in his car. She thought of the old woman, in fear, going back to her one bedroom with the hidden tin of savings that made her vulnerable.
There were only two pictures on the walls of the room in the barracks at Monreale.
There was the picture of his daughter and there was the photograph of Generale Carlos Alberto dalla Chiesa. The smiling ten-year-old girl and the militaristic portrait served to heighten Giovanni Crespo's sense of total isolation.
He dialled the number, he threw the switch that activated the scrambler.
Isolato, isolated, was a cruel word for the captain of carabineri. His daughter was growing up in Bologna. He was isolated from her, saw her twice a year at best, three days at a time, and spoke briefly on the telephone each Sunday evening. That was isolation. But it was the general who had taught him the true meaning of the word isolato. The general, hero of the counter-terrorist campaign against the Brigate Rosse, prefect of Palermo, had been ridiculed, sneered at, whispered of, isolated and shot to death thirty-eight days after Giovanni Crespo had joined his staff as liaison officer.
They were all isolated, all the condemned men, before the gunfire or the bomb. To stay alive, living and breathing and fucking and drinking, he thought it most necessary to recognize isolation.
His call was to an unlisted number in Rome, a quiet side-street office on the Via Sardegna, to the desk of the DEA's Country Chief.
"Vanni here. Go secure, Bill.'
He was asked to wait out. He heard the clicked interruption on the line. The voice was fainter, with metallic distortion. He was told he could speak.
'Just wanted to know how my friend was, whether my friend had optimism…'
He was told the young woman was 'OK, nothing special'. He was told she was
'predictable' and that she had taken time 'to think on it'.
'You know, Bill, we don't even have a name for this. It is ridiculous, but we don't even have a name. So, we don't have a file, that's good, and we don't have computer space, that's better, but we should have a code name, do you not think?'
Giovanni Crespo, aged forty-two, captain of carabineri, member of the specialist Reparto Operativo Speciale team tasked with securing the arrest of Mario Ruggerio, would never speak a confidence even on a line scrambled with state-of-the-art electronics. On the island he trusted no man. In his life he trusted only one man. He had taken the letter posted by Angela Ruggerio, sister-in-law of Mario Ruggerio, to Rome and to the one man he trusted. The detail of the matter was not shared with his own people, for lack of trust of his own people. He had taken the detail of the matter, the link, to Ins friend.
He was asked what he thought.
I 'Helen. Helen of Troy. Bill, when all else failed, in Italian we would say uccello da richiamo, I think your word is "decoy", yes? The decoy behind the walls. The way through the gate. Codename Helen, for when we talk, Bill. But, Bill, it is to be kept close.'
II It was authorized in Washington. Herb had authorized it. Yes, he knew Herb. He was told it should be kept closer than a choirboy's 'sphincter, and the Country Chief's laugh rang in his ear, pealing as if from inside a box of metal.
'Is that dirty talk, Bill? Hey, but, Bill, we keep this close. You call in. when you have something, something on Codename Helen. It's bad here at the moment, so quiet. There is nothing to touch, nothing to feel, nothing to see. When it is quiet, then I have the anxiety. You tell him, he gives the Codename Helen a good kicking because I need her here, just tell him.'
The one man that he trusted, that Giovanni Crespo would give his life to, was Axel Moen.
'Bill, he is moving, climbing. Did you see that a bad bastard from Agrigento went missing? Old style, old school, so conflict was inevitable It is the lupara bianca, the disappearance. Between him and the top place, where he will try to be, is only the Catania man, that's what we hear. If he gets to the top place, our friend, then there is a time of maximum danger, perhaps for many people, when he would seek to prove himself. Bill, I have a big anxiety. The only way for our friend to prove himself is to kill