Production Order under the Police Criminal Evidence Act (1984). Getting the judge's signature on the order, asking him to put nib to paper a second time for the search warrant, and seeing his reluctance because it was a solicitor that they were going to jump when the office opened in the morning. Maybe that had been worth it, the study of distaste on the good old judge's face, because it was a solicitor, same clan and same tribe. Harry Compton had done the donkey's load of the investigation into the bent bastard whose hands were into clients' savings, the greedy bastard who was excavating trustee funds, the solicitor who had broken trust, but it was the detective superintendent's show and he'd made the call that had hauled the junior man off his expenses dinner. The panic reason was that the senior partner, information received, was going abroad and hadn't given his colleagues a coming-home date. Under a Schedule 1 Production Order and a search warrant the papers and archives were being packed away in cardboard boxes, down to the last sheet and the last file, loaded up and would be d riven for close analysis to the S06 office behind Holborn police station.
Harry Compton was dog-tired, out on his feet. He had finished with the judge at midnight, had the briefing with the team at thirty minutes after midnight, been home and slept three hours, been up and driven to the senior partner's home in Essex for a dawn knock and the clicking of handcuffs. He trudged up the stairs again for the next load of papers.
'Where did we get to?' The detective superintendent stopped on I he landing and breathed hard.
'Last night? Sort of nowhere and somewhere. Chummy meets a guy, they have dinner, they talk financials through the evening. It was pretty unexceptional stuff.
Anyway, the NCIS material on chummy was kind of vague, not much more than a single report of a medium cash deposit in a bank,?28,000, along with sharp-moving accounts with plenty of action in drops and withdrawals and not a lot to point to where the money comes from and where it's going, but not showing up as obvious illegal. That was the "nowhere".'
They were back in the senior partner's office. A small mountain of cardboard boxes remained to be shifted. And there was more to move in the secretary's office, and more from the junior partners' rooms, and then there was the whole of the bloody archive in the basement.
'Get a hernia from this. You're a cussed sod, Harry, always keep the best to last. What was the "somewhere"?'
The detective sergeant grinned, welcomed the compliment. 'Smooth as new paintwork. The guest, wearing his money on his back, Italian, very tasty… and he'd flown in from Palermo.'
Each of them heaved up a box and headed for the door.
'You wouldn't be telling me, would you, Harry, that every businessman from Palermo is bloody mafia?'
Harry Compton winked. "Course they are – if it was a grannie aged eighty from Palermo, a kid aged five from Palermo, I'd have 'em locked up for "organized crime".
It has a sort of ring, doesn't it, Palermo?'
'We can run the name through.'
'Don't have the name, had a phone call before I'd even got stuck into the sweets trolley.
I'll get the name.'
'But you'll work this bloody lot first, too right.'
There were forty-seven boxes of papers from the offices, and there would be twenty-nine plastic bin sacks from the archives, and they'd need going through before he could get back to a hotel in Portman Square for a guest's name. It would all be a matter of priorities.
She passed him the letter, but the American made no move to take it. He turned to face her.
'Who else has read this letter?'
She bridled. 'Nobody has.'
'You are telling me, certain, nobody else has touched this letter.'
'Of course they haven't.'
She watched. He took a handkerchief from his pocket, shook it, then took the letter from her. The handkerchief protected the letter from the touch of his fingertips.
To Charley, holding the letter in a handkerchief seemed ridiculous. 'Why?'
He said bleakly, 'So that it doesn't look as if it's been shown round, so that my prints aren't on it.'
'Would it be looked at that closely?'
'We do it my way, let's understand that from now.'
He was impassive. He talked as if to an annoying child. He swung round, away from her, to read the letter held in the handkerchief. Bugger him. Charley had thought it clever to give him a meeting point on the cliffs. The dusk had been falling when she had ridden her scooter to the car park, empty but for his hire-car, that served the coastal footpath. He had been where she had told him to be. There was a nest of cigarette ends by his feet, enough for him to have been there for hours, from long before she had told him to be there. It was a good place for the big seabirds, and the gulls and shags and guillemots were chorusing and floating in the wind and settling on the rocks below where the sea's charge broke. It was a favourite place, when home just suffocated her, to come to. It was where she came and sat and brooded when the clinging attentions of her mother and father swamped her. It was a place of peace and wildness. She had thought it clever to come to the cliffs, to sit on the bench of coarse wood planks. Here she would be in control… He passed the letter back to her, then pocketed the handkerchief, then flicked a cigarette from the Lucky Strike packet.
'Aren't you going to ask me why I decided-?'
'Not important to me.'
'Whether it's excitement or duty, whether it's adventure or obligation-?'
'Doesn't matter to me.'
She bit at her lip. She ran her tongue the length of her lip. She had sought control.
The blood was running in her. 'Well, sure as hell, it's not your courtesies. You are the rudest man-'
'If that's what you want to think, you should fax it to them in the morning.'
She crumpled, and the control that she had sought slipped further. 'But… but I don't have the fax number.'
He said, as if he were tired, as if it were tedious, 'The fax number was on their letter.'
'But I tore it up, didn't I? I wasn't going, was I? I destroyed the letter, and then I changed my mind.'
He should have asked why she had changed her mind. He didn't. He was reaching inside his windcheater and he took out the folded sheet of paper and opened it. From the photocopy of the letter sent to her he wrote the number and the international code on a note pad, tore off the sheet from the pad and handed it to her. There was a growl in his voice. She thought him so bloody cold. 'Write it in your own hand on the back of the letter.'
She did what she was told. He took the paper from his notebook back and tore it into small pieces. He threw the pieces into the air and they flaked away below them, carried on the wind gusts, down towards the big birds as they settled for the night.
Away beyond Bolt Head, off Start Point, she saw the first flash of the lighthouse, the raking beam.
'Is it necessary to be like that, so careful?'
'Yes.'
'That's what I have to learn?'
'It's best that you learn, fast, to be careful.'
She shivered, the cold caught her. His windcheater had none of the quilted thickness of hers, but the cold did not catch him and he did not shiver. She felt dominated and small. Said with acid deliberateness. 'Yes, Mr Moen. Right, Mr Moen. Three bloody bags full, Mr Moen. I'll send the fax in the morning.'
'Tell me about yourself.'
'Excuse me, shouldn't you be doing the talking. Who, what, you are. Where I'm going.
Why.'
He shook his head. 'Who, what, I am doesn't concern you.'
She snorted in fake derision. 'Brilliant.'
'It's about being careful.'
She felt the cold, the wind on her back, night wind hacking at the strength of her anorak. 'Where I'm going and why.'