So you've heard of the Colombians and the Yakuza out of Japan and the Chinese Triads, but first on the scene was La Cosa Nostra of Sicily. The people I've just mentioned, the cartels and the Yakuza and the Triads, they're hard people but they've never been fool enough to mix it with the Sicilians. It's difficult to believe, but off that piece of rock stuck out between Europe and Africa come the big boys of organized crime, and what everyone's thrown at them just seems to bounce back. You see, gentlemen, ladies, down there it's a war of survival, as it has been through history, a bad place to be on the losing side, it's a war to the death…'
It's what the professor had said at a cold, early morning session in the lecture hall at Quantico, with snow flaking against the windows, what Dwight Smythe recalled. He felt a sense of raw anger. The next week, nine years back, the professor had lectured on the marijuana crop out of Mexico, and the week after he had given over the hour session to the coca-leaf production of Bolivia and Peru, and the final week of the course had been concerned with opium production in the triangle of Burma and Laos and Thailand. Dwight Smythe felt the sense of raw anger because the professor had seemed only a diversion from the main matter of the induction course. Sitting in the car beside the younger man with the blond pony-tail of hair shafted down under the collar of his windcheater, Dwight Smythe knew reality. He was far from the office accounts that he managed on the fifth floor of the embassy, far from the duty rosters and leave charts he so meticulously prepared, far from the filing system he was proud of and the maintenance of the computer systems… He was with reality. The anger spat in him as he turned towards Axel Moen.
'What right do you have, what God-given right do you have to play Christ with that kid, to involve her?'
As if he hadn't heard, as if the accusation were not important, Axel Moen, beside him, glanced down at his watch, like it was time to go to work.
'You're a mafia specialist – sorry, forgive me, I apologize, a La Cosa Nostra specialist – and you're not making, what I hear, a good job of winning.
Aren't you ever fed to the teeth that you don't ever get to win?'
The chill air with the salt tang came into the cab of the Cherokee Jeep, then the door slammed shut on Dwight Smythe. He watched the hunched shoulders of Axel Moen glide away, no sound against the throb of the heater, towards the little wrought-iron gate and the path leading to the door of the bungalow over which the porch light shone. He watched the shoulders and the resolute stride through the gate and up the path and past the scooter parked in the driveway, and he thought of the preacher of his childhood talking of the Death Angel who came on the unsuspecting with destruction and darkness, and he thought it was wrong to involve an ordinary young woman, just wrong.
Wrong to break, without warning, into a life.
'So sorry to trouble you, I hope it's not inconvenient…'
He could smile. When it was necessary, Axel Moen had a fine, wide smile that cut his face. He smiled at the older man who stood In the lit doorway.
'My name's Axel Moen, I've come down from our embassy in London, it's to see Miss Charlotte Parsons. I surely hope it's not inconvenient…'
He could charm. When it was asked of him, he could charm sufficient to bring down a barrier. He kept walking. There had been no gesture for him to enter the bungalow, no invitation, but he kept walking and David Parsons stepped aside. The frown was on the man's forehead, confusion.
'You're wondering, Mr Parsons, at my name. It's Norwegian. I here's a fair few of Norwegian stock where I come from, that'sthe north-eastern corner of Wisconsin. They were farmers, they came over around a hundred years ago. I'd like to see your daughter, please, it's a private matter.'
He could deflect. When it was important to him, Axel Moen knew how to batter aside the doubts and queries and seem to give an answer where a different question had been asked. The question would have been, what was his business? But the question was not put. It was a small hall, recently decorated but not by a professional, and he noted that the paper pattern did not match where the strips were joined, and the paint had run on the woodwork. He had a cold eye. It was a detached observer's eye. The eye of a man who gave nothing. He saw the small hall table with the telephone on it, and above the table was a framed photograph of the young woman in academic gown and with a mortarboard worn rakishly. The angle of the mortarboard and the cheekiness of the grin in the college graduation photograph rather pleased him, he had hoped to find an independent spirit. He towered over the man, he dominated him in the narrow width of the hallway. It was what he had to do and what he was good at, flashing a smile, breathing charm, and dominating. He was good, also, at making the fast judgement on the spine of a man, and he judged this one, pullover with the buttons undone and wearing yesterday's clean shirt and frayed carpet slippers, as a coward.
'She's having her tea.'
'It won't take too many minutes,' Axel said. He was good, as well, at playing the bully. The man backed away from him and shuffled towards the opened door at the end of the hall. There was a television on and a local news bulletin dealing with the day of a small place and a small town and small people. The man had no fight to stand his ground and ask the questions and demand the answers. The man went in through the door, into the kitchen area. Axel had broken into the sanctum of a family, fractured a mealtime, and he felt no guilt. The man muttered to his wife, at the stove, moving pans, that it was an American who had come to see Charley, and the wife had boldness and challenge in her gaze. Axel ignored the man and the man's wife. He stood at the entrance to the kitchen. The young woman was sitting at the table. She had a half slice of bread, margarine smeared on it, in her hand and halfway to her mouth. She quizzed him, a strong, firm glance. She wore a full- length denim skirt and a shapeless sweater with the sleeves stretched down over her wrists and no cosmetics and her hair was held up with a band so that it came from the back of her head as a pig's tail. She neither cowered like her father nor challenged like her mother, she met Axel's eye. In front of her, beside the plate with the bread slices and the mug of tea, was a torn-open envelope and beside it were the two sheets of a handwritten letter.
'Miss Charlotte Parsons?'
'Yes.'
'I'd be grateful if I could speak to you, a private matter.'
'These are my parents.'
'It would be easier in private, if you wouldn't mind…'
'Who are you?'
'I am Axel Moen, from the American embassy.'
'I've no business with your embassy, private or not.'
'It would be better, private.'
She could have backed off then, but she did not. He pulled his shoulders back, consciously, to fill the kitchen doorway. He held her with his eyes. They talked on the courses about body language and eye-to-eye contact. The body language was domination and the eye contact was authority. She could have said that it was in front of her parents or not at all… She pushed her chair back, scraped it over the vinyl floor of mock terracotta tiles. She stood her full height, then as an afterthought she stuffed the half slice of bread and margarine into her mouth, then she swigged at her mug of tea, then she wiped the sleeve of her sweater across her lips. She was moving from the table.